-
Mood Swings
- A Novel
- Narrated by: Elizabeth Evans
- Length: 8 hrs and 27 mins
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Publisher's summary
In a pre-apocalyptic world not unlike our own, a young Instagram poet starts an affair with a California billionaire who’s promised a time machine that will make everything normal again—whatever that means.
Everyone knows something’s off, but nobody can agree on just what it is. Maybe it’s the weather; maybe it’s because everyone’s so sensitive these days.
Jenlena and Daphne are two aimless humanities grads living in a crumbling Montreal when animals besiege cities and towns across the world, terrorizing their human residents. Though shocking, the threat is quickly neutralized when the animals are killed en masse for the safety of humanity. In the post-fauna world, Jenlena is transformed, shaking off her characteristic passivity to capitalize on other people’s heartbreak and grief by selling plants that have come to replace pets, and impersonating dogs for pay. Meanwhile, Daphne, a once-promising student, flounders in a deep depression, smoking weed and slacking off at work to hang out with her cancelled boyfriend. When Jenlena meets the California billionaire Roderick Maeve, and the two become romantically entangled, she is exposed to a new understanding of wealth, power, and the gender economy—just as the world hurtles toward its alleged salvation.
Marked with Frankie Barnet’s poignant intelligence and sly sense of humour, Mood Swings is a stand-out debut.
Critic reviews
"Barnet presents a canny portrait of the doomscroll generation, set in an absurdist near-future world . . . This is a sharp satire of a hyperonline culture, with genuinely moving insights into modern inequality and climate crisis throughout . . . This book is a great choice for fans of Patricia Lockwood’s No One Is Talking About This (2021). An off-kilter, hauntingly hilarious debut novel." —Kirkus Reviews (Starred Review)
"[A] bonkers story . . . Despite the sobering material, this is a hoot." —Publishers Weekly
"There is a lot in this novel that should feel deeply strange . . . And yet, this surreal world full of tech oligarchs and unmoored 20-somethings feels all too close to home, as if we’re looking at our current reality through a funhouse mirror—which is really something, given how funhouse-mirror-y life seems these days." —Bustle
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