She was the definition of White House style for too brief a time. And as a private citizen, we couldn't seem to get enough of her. Here is the inside, outside, upside and downside of our own American princess. Tragic, heroic, private: the image of Jacqueline Kennedy Onassis remains the image of an American icon that will never lose its ability to charm and fascinate.

They are the most chronicled family on the face of the globe. Their every move attracts headlines. Scores of books have tried and failed to penetrate the royal facade. Now Kitty Kelley has gone behind palace walls to provide the first three-dimensional, comprehensive, and evenhanded portrait of the men and women who make up the British Royal family.

This is the book Frank Sinatra failed to stop, the unauthorized biography of one of the most elusive public figures of our time. Celebrated journalist Kitty Kelley spent three years researching government documents (Mafia-related material, wiretaps and secret testimony) and interviewing more than 800 people in Sinatra's life (family, colleagues, law-enforcement officers, personal friends).

From 1783, when German immigrant John Jacob Astor first arrived in the United States, until 2009, when Brooke Astor’s son, Anthony Marshall, was convicted of defrauding his elderly mother, the Astor name occupied a unique place in American society. The family fortune, first made by a beaver trapping business that grew into an empire, was then amplified by holdings in Manhattan real estate. Over the ensuing generations, Astors ruled Gilded Age New York society and inserted themselves into political and cultural life, but also suffered the most famous loss on the Titanic.

Tina Brown has been observing and chronicling the British monarchy for three decades, and her sweeping account is full of powerful revelations, newly reported details, and searing insight gleaned from remarkable access to royal insiders. Stylish, witty, and erudite, The Palace Papers will irrevoca­bly change how the world perceives and under­stands the royal family.

The Vanity Fair Diaries is the story of an Englishwoman barely out of her twenties who arrives in New York City with a dream. Summoned from London in hopes that she can save Condé Nast's troubled new flagship Vanity Fair, Tina Brown is immediately plunged into the maelstrom of the competitive New York media world and the backstabbing rivalries at the court of the planet's slickest, most glamour-focused magazine company. She survives the politics, the intrigue, and the attempts to derail her by a simple stratagem.

In one of the most underestimated - and challenging - positions in the world, the first lady of the United States must be many things: an inspiring leader with a forward-thinking agenda of her own; a savvy politician, skilled at navigating the treacherous rapids of Washington; a wife and mother operating under constant scrutiny; and an able CEO responsible for the smooth operation of countless services and special events at the White House.

In The Diana Chronicles, you will meet a formidable female cast and understand as never before the society that shaped them: among them, Diana's sexually charged mother, her bad-girl sister-in-law, Fergie, and, most formidable of them all, her mother-in-law, the Queen. Add Camilla Parker-Bowles, the ultimate "other woman" into this combustible mix, and it's no wonder that Diana broke out of her royal cage into celebrity culture, where she found her own power and used it to devastating effect.

When Theodore Roosevelt became president in 1901, his beautiful and flamboyant daughter was transformed into "Princess Alice", arguably the century's first global celebrity. Thirty-two years later, her first cousin Eleanor moved into the White House as First Lady. Born eight months and 20 blocks apart from each other in New York City, Eleanor and Alice spent a large part of their childhoods together and were far more alike than most historians acknowledge.

When Ann Woodward shot her husband, banking heir Billy Woodward, in the middle of the night in 1955, her life changed forever. Though she claimed she thought he was a prowler, few believed the woman who had risen from charismatic showgirl to popular socialite. Everyone had something to say about the scorching scandal afflicting one of the most rich and famous families of New York City, but no one was more obsessed with the tale than Truman Capote.

J. B. West, chief usher of the White House, directed the operations and maintenance of 1600 Pennsylvania Avenue - and coordinated its daily life - at the request of the president and his family. He directed state functions; planned parties, weddings, funerals, gardens, playgrounds, and extensive renovations; and with a large staff, supervised every activity in the presidential home.

America's first families are unknowable in many ways. No one has insight into their true character like the people who serve their meals and make their beds every day. Full of stories and details by turns dramatic, humorous, and heartwarming, The Residence reveals daily life in the White House as it is really lived through the voices of the maids, butlers, cooks, florists, doormen, engineers, and others who tend to the needs of the president and first family.

For four years, from the election of John Fitzgerald Kennedy until after the election of Lyndon Johnson, Clint Hill was the Secret Service agent assigned to guard the glamorous and private Jacqueline Bouvier Kennedy. During those four years, he went from being a reluctant guardian to a fiercely loyal watchdog and friend. Looking back, Clint Hill tells his story for the first time, offering a tender and tragic portrayal of how a Secret Service agent who started life in an orphanage became the most trusted man in the life of the First Lady who captivated first the nation and then the world.

For almost three decades, Fox News has not only made political careers (see: President Donald J. Trump) but also fundamentally altered the political landscape of the United States. It is a truism: as Fox goes, so goes the nation—into further divisiveness and awash in fake news, a gleefully polarizing company. But just as Fox has pushed America apart, now it too is coming apart. As is the family dynasty behind it.

Four years before Nina Totenberg was hired at NPR, where she cemented her legacy as a prizewinning reporter, and nearly twenty-two years before Ruth Bader Ginsburg was appointed to the Supreme Court, Nina called Ruth. A reporter for The National Observer, Nina was curious about Ruth’s legal brief, asking the Supreme Court to do something revolutionary: declare a law that discriminated “on the basis of sex” to be unconstitutional. That call launched a remarkable, nearly fifty-year friendship.