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Narcopolis
- Narrated by: Robertson Dean
- Length: 8 hrs and 53 mins
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Publisher's summary
Jeet Thayil's luminous debut novel completely subverts and challenges the literary traditions for which the Indian novel is celebrated. This is a book about drugs, sex, death, perversion, addiction, love, and god, and has more in common in its subject matter with the work of William S. Burroughs or Baudelaire than with the subcontinent's familiar literary lights. Above all, it is a fantastical portrait of a beautiful and damned generation in a nation about to sell its soul. Written in Thayil's poetic and affecting prose, Narcopolis charts the evolution of a great and broken metropolis.
Narcopolis opens in Bombay in the late 1970s, as its narrator first arrives from New York to find himself entranced with the city's underworld, in particular an opium den and attached brothel. A cast of unforgettably degenerate and magnetic characters works in and patronizes the venue, including Dimple, the eunuch who makes pipes in the den; Rumi, the salaryman and husband whose addiction is violence; Newton Xavier, the celebrated painter who both rejects and craves adulation; Mr. Lee, the Chinese refugee and businessman; and a cast of poets, prostitutes, pimps, and gangsters.
Decades pass to reveal a changing Bombay, where opium has given way to heroin from Pakistan and the city's underbelly has become ever rawer. Those in their circle still use sex for their primary release and recreation, but the violence of the city on the nod and its purveyors have moved from the fringes to the center of their lives. Yet Dimple, despite the bleakness of her surroundings, continues to search for beauty - at the movies, in pulp magazines, at church, and in a new burka-wearing identity.
After a long absence, the narrator returns in 2004 to find a very different Bombay. Those he knew are almost all gone, but the passion he feels for them and for the city is revealed.
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Winner of the Orange Broadband Prize for Fiction 2008, The Road Home is the best-selling story of Lev, a middle-aged migrant from Eastern Europe, who moves to London in search of work after losing his wife and job. Lev's London is awash with money, celebrity and complacency. The world Tremain creates is both convincing and poignant.
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OK - nice narration - good characters
- By bea on 02-21-11
By: Rose Tremain
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The Association of Small Bombs
- By: Karan Mahajan
- Narrated by: Neil Shah
- Length: 9 hrs and 12 mins
- Unabridged
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When brothers Tushar and Nakul Khurana, two Delhi schoolboys, pick up their family's television at a repair shop with their friend, Mansoor Ahmed, one day in 1996, disaster strikes without warning. A bomb - one of the many "small" bombs that go off seemingly unheralded across the world - detonates in the Delhi marketplace, instantly claiming the lives of the Khurana boys, to the devastation of their parents. Mansoor survives, bearing the physical and psychological effects of the bomb.
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A tragedy of manners
- By jdukuray on 07-22-16
By: Karan Mahajan
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Brick Lane
- By: Monica Ali
- Narrated by: Elizabeth Sastre
- Length: 11 hrs and 9 mins
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Nanzeen's inauspicious birth in a Bangladeshi village imbues in her a sense of fatalism that she carries across continents. Married off to a man old enough to be her father, Nanzeen moves to London and cares for her family. But gradually she begins to question whether fate controls her or whether she has a hand in her own destiny. She discovers both the complexity that comes with free choice and the depth of her attachment to her husband, her daughters and her new world.
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A truly wonderful book!
- By A M on 11-24-03
By: Monica Ali
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The Corpse Washer
- By: Sinan Antoon
- Narrated by: Fajer Al-Kaisi
- Length: 5 hrs and 52 mins
- Unabridged
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Young Jawad, born to a traditional Shi'ite family of corpse washers and shrouders in Baghdad, decides to abandon the family tradition, choosing instead to become a sculptor, to celebrate life rather than tend to death. He enters Baghdad's Academy of Fine Arts in the late 1980s, in defiance of his father's wishes and determined to forge his own path. But the circumstances of history dictate otherwise.
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Gorgeous story with talented narration
- By N. Barnes on 03-11-18
By: Sinan Antoon
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Maya's Notebook
- By: Isabel Allende
- Narrated by: Maria Cabezas
- Length: 14 hrs and 35 mins
- Unabridged
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Neglected by her parents, 19-year-old Maya Nidal has grown up in Berkeley with her grandparents. Her grandmother Nini is a force of nature, a woman whose formidable strength helped her build a new life after emigrating from Chile in 1973. Popo, Maya's grandfather, is a gentle man whose solid, comforting presence helps calm the turbulence of Maya's adolescence. When Popo dies of cancer, Maya goes completely off the rails, turning to drugs, alcohol, and petty crime in a downward spiral that eventually bottoms out in Las Vegas.
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Narrator ruins this book
- By R.J. Mulder on 05-13-14
By: Isabel Allende
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Falconer
- By: John Cheever
- Narrated by: Jay Snyder
- Length: 6 hrs and 44 mins
- Unabridged
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A convict named Farragut struggles to remain a man while inside a nightmarish prison. Cheever crafted his most powerful work of fiction out of Farragut's suffering and astonishing salvation.
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Unsettling and beautiful
- By Darwin8u on 01-21-13
By: John Cheever
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Things We Lost in the Fire
- Stories
- By: Mariana Enriquez
- Narrated by: Tanya Eby
- Length: 5 hrs and 46 mins
- Unabridged
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An arresting collection of short stories, reminiscent of Shirley Jackson and Julio Cortazar, by an exciting new international talent.
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Great short story collection
- By Gatster on 06-15-17
By: Mariana Enriquez
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Herzog
- By: Saul Bellow
- Narrated by: Malcolm Hillgartner
- Length: 15 hrs and 36 mins
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Winner of the National Book Award when it was first published in 1964, Herzog traces five days in the life of a failed academic whose wife has recently left him for his best friend. Through the device of letter writing, Herzog movingly portrays both the internal life of its eponymous hero and the complexity of modern consciousness.
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Grows Within You
- By Chris Reich on 08-06-11
By: Saul Bellow
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The Best Exotic Marigold Hotel
- A Novel
- By: Deborah Moggach
- Narrated by: Juliet Mills
- Length: 11 hrs and 16 mins
- Unabridged
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When Ravi Kapoor, an overworked London doctor, reaches the breaking point with his difficult father-in-law, he asks his wife: “Can’t we just send him away somewhere? Somewhere far, far away.” His prayer is seemingly answered when Ravi’s entrepreneurial cousin sets up a retirement home in India, hoping to re-create in Bangalore an elegant lost corner of England. Several retirees are enticed by the promise of indulgent living at a bargain price, but upon arriving, they are dismayed to find that restoration of the once sophisiticated hotel has stalled....
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Screenwriters Changed it for the Better
- By Carole T. on 06-05-12
By: Deborah Moggach
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London Fields
- By: Martin Amis
- Narrated by: Steven Pacey
- Length: 21 hrs and 47 mins
- Unabridged
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The murderee is Nicola Six, a "black hole" of sex and self-loathing who is intent on orchestrating her own extinction. The murderer may be Keith Talent, a violent lowlife whose only passions are pornography and darts; or the rich, honorable, and dimly romantic Guy Clinch. As Nicola leads her suitors towards the precipice, London--and, indeed, the whole world--seems to shamble after them in a corrosively funny novel of complexity and morality.
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Big chewy novel, excellent narration
- By Sand on 08-21-14
By: Martin Amis
What listeners say about Narcopolis
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Jason
- 01-28-21
An excellent book
I thoroughly enjoyed this story. Be aware what you are in for, it’s a somewhat surreal, drug filled journey through 1970s Bombay. If that sounds appealing to you, you’ll probably like this book. If that’s not for you, then it’s likely best to just move along.
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- The Hiberantor
- 10-14-12
Deep and seedy
In this opiate-veiled book, Thayil introduces readers to the seedy underbelly of Bombay. It begins in the 1970's and transitions with surreality into modern-day Mumbai--which has lost not only its tradition and identity, but also it's name. The story follows several memorable characters, all of whom fight addiction in one form or another. Addictions range from opiates to violence to sex to adulation. The most memorable character IMO is Dimple, a pipe-wallah, a prostitute, and an addict. Dimple's character is rather horrifying to the unjaded Westerner because she was abandoned by her mother and sold into prostitution as a child. At the age of 9, she was castrated and her penis was removed, which apparently makes her into a deliciously seedy prostitute (in the eyes of creepy men who make me shudder). When we are introduced to her, she is a little older, and is suffering some of the ill affects of her surgery--including addiction to opium, which was originally given to her as a narcotic for her pain. We watch Dimple as she changes from a beautiful young woman to a sickly and shriveled middle-aged woman.
Perhaps I'm reading too much in to the story (I think it would be clearer after a second reading, which it's not going to get), but I think Dimple was meant to represent India. When we met Dimple, she was young and beautiful, as was the young India. She had been docked and gelded, yes, but she was beautiful, intelligent, and had potential if ONLY she could get out of her rut. Perhaps this is meant to imply that the Westerners had "docked and gelded" India (by their colonization and then partitioning of the land), but that she still had potential. She was still beautiful. But time passed, and the slow-and-easy opium life in the "best opium den in Bombay...maybe even India," was forcibly supplanted by frightening hallucinatory "cheap" chemical-laced heroin. During this time, Dimple became increasingly sick. Likewise, India itself was getting sicker from the negative influences of modernization. As time passed, Dimple's name changed, as did Bombay's, and their identities were lost in the harsh new world.
This book was allegorically very deep, and I'm sure that a second, third, and fourth reading would teach me something new every time. But, unfortunately, once was enough for me. I don't regret reading the book...it will stay with me forever. But the violence, sex, drugs, and sickening human condition described was enough for me the first time around. Don't get me wrong, all of these negative issues were handled with graceful tact. But it was still difficult for me to read.
Now, a note on the narration: I imagine this book was a very difficult one to read aloud. Robertson chose to represent surreal quality behind the veil with an airy tone of detachment. This detachment makes the narration less-than-enticing. However, this is not the narrator's fault, but an issue with the book itself. I think a tone of detachment was probably quite appropriate in this situation. Just be warned...if you're picky about narrations, then this book may be better read silently. On the other hand, if you're reasonably tolerant, like I am, then you should be able to delve into the story with no problems. Robertson's tone of detachment didn't distract from the story, once I got used to it and understood the purpose. I was happily able to engross myself in the flow. AND a nice? thing about the audiobook is that I apparently missed a 6-paged sentence. I didn't even notice it.
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2 people found this helpful
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- Colin
- 03-11-13
Headspinning
This is one of the most amazing books I've heard or read. It has raw stories of suffering that moved me from deep within, and as portraits of addiction, or self-questioning, or the corrosion that comes from caste and class enforcement these stories are true to life. What makes the book so special is that it swirls these stories into one another, like the half-dreamed conversations of the opium-smokers it depicts. Where does narrator stop and character begin? Which stories are within other stories? Which snatches of verse are quoted song, and which are misremembered, or misrepresented? The novel gives you grit and dream at once. For an author this is a dangerous literary game to play: a novel like this could end up confused, or confusing, and lose the reader's attention, but Thayil pulls it off. The book is gripping, it is clear, and it is compassionate.
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1 person found this helpful
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- Rod
- 04-24-18
This is rubbish
From begining to end: unlinked streams of nonsense. There is nothing edifying nor interesting. Please do not waste your time/ money on this.
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