Revered mystery writer Josephine Tey is traveling from Scotland to London for the final week of her play Richard of Bordeaux, the surprise hit of the season, with pacifist themes that resonate in a world still haunted by war. But joy turns to horror when her arrival coincides with the murder of a young woman she had befriended on the train ride - and Tey is plunged into a mystery as puzzling as any in her own works.

When editor Susan Ryeland is given the manuscript of Alan Conway's latest novel, she has no reason to think it will be much different from any of his others. After working with the best-selling crime writer for years, she's intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan's traditional formula has proved hugely successful.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

Selchester Castle in 1953 sits quiet and near-empty, its corridors echoing with glories of the past. Or so it seems to intelligence officer Hugo Hawksworth, wounded on a secret mission and now reluctantly assuming an altogether less perilous role at Selchester.

Three very different women come together to complete an environmental survey on the Northumberland countryside. Three women who, in some way or another, know the meaning of betrayal....For team leader Rachael Lambert the project is the perfect opportunity to rebuild her confidence after a double-betrayal by her lover and boss, Peter Kemp. Botanist Anne Preece, on the other hand, sees it as a chance to indulge in a little deception of her own. And then there is Grace Fulwell, a strange, uncommunicative young woman with plenty of her own secrets to hide.

Ian Rutledge returns to his career at Scotland Yard after years fighting in the First World War. Unknown to his colleagues he is still suffering from shell shock, and is burdened with the guilt of having had executed a young soldier on the battlefield for refusing to fight. A jealous colleague has learned of his secret and has managed to have Rutledge assigned to a difficult case which could spell disaster for Rutledge whatever the outcome. A retired officer has been murdered, and Rutledge goes to investigate.

A missing schoolgirl is found buried in the Dublin Mountains, hands clasped together in prayer, two red ribbons in her hair. Twenty-four hours later, a second schoolgirl is found in a shallow grave - her body identically arranged. The hunt for the killer is on. The police call in criminal psychologist Kate Pearson to get inside the mind of the murderer before he strikes again. But the more Kate discovers about the killings, the more it all feels terrifyingly familiar.

No one lives forever. But the truth survives us all. Kate Murray is deeply troubled. In front of her lies a dead man, a stranger who only minutes before had approached her wanting to tell her about a mystery, a long-forgotten murder. The crime was old, he'd told her, but still deserving of justice. Soon Kate is caught up in a dangerous whirlwind of events that takes her back into her grandmother's mysterious war-time past and across the Atlantic as she tries to retrace the dead man's footsteps.

The daughter of a distinguished soldier, Bess Crawford follows in his patriotic footsteps, volunteering to serve her country as a nurse during the Great War. In 1916 she promises Lieutenant Arthur Graham that she will carry his dying request to a brother. When Bess arrives at the Graham house in Kent, Jonathan Graham listens to his brother's last wishes with surprising indifference.

A 90-year-old man is found dead in his bed, smothered with his own pillow. On his desk, the police find newspaper cuttings about a murder case dating from the Second World War, when a young woman was found strangled behind Reykjavik's National Theatre. Konrad, a former detective, is bored with retirement and remembers the crime. He grew up in "the shadow district", a rough neighborhood bordered by the National Theatre. Why would someone be interested in that crime now?

Into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an ax in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry".

Harry Barnett, a middle-aged failure, leads a shabby existence. He is reduced to caretaking a friend's villa on the island of Rhodes and working in a bar to earn his keep. Then a guest at the villa - a young woman he had instantly warmed to - disappears on a mountain peak. Under suspicion of her murder, Harry becomes obsessed by the mystery that has changed his life and begins to trace back the movements and encounters that led to the moment where she vanished into the blue.

Oxford, 1960. There's a murderer on the loose, and two unlikely heroes are poised to solve the case. Meet Probationary WPC Trudy Loveday - smart, enthusiastic and always underestimated. In the hope of getting her out of the way, Trudy’s senior officer assigns her to help coroner Clement Ryder as he re-opens the case of a young woman's death. She can't believe her luck – she is actually going to be working on a real murder case.

Each of the Maguire brothers has his own driving, single-minded obsession. For Jonathan it is his magnificent, talented, and desirable wife, Harriet. For Roger it is the elaborate universe he has constructed in a shed in their parents' garden, populated by millions of tiny insects. While Jonathan's pursuit of Harriet leads him to feelings of jealousy and anguish, Roger's immersion in the world he has created reveals a capability and talent that are absent from his everyday life.

The first of Josephine Tey's Inspector Grant mysteries concerns the murder of a man, standing in a ticket queue for a London musical comedy. With his customary tenacity, Grant pursues his suspects through the length of Britain and the labyrinth of the city.