Earth is long since dead. On a colony planet, a band of men has gained control of technology, made themselves immortal, and now rule their world as the gods of the Hindu pantheon. Only one dares oppose them: he who was once Siddhartha and is now Mahasamatman. Binder of Demons, Lord of Light.

To save his kingdom, Anubis, Lord of the Dead, sends forth his servant on a mission of vengeance. At the same time, from The House of Life, Osiris sends forth his son, Horus, on the same mission to destroy utterly and forever The Prince Who Was a Thousand.

Loyally accompanying a mysterious knife-wielding gentleman named Jack on his midnight rounds through the murky streets of London, good dog Snuff is busy helping his master collect the grisly ingredients needed for an unearthly rite that will take place not long after the death of the moon. But Snuff and his master are not alone. All manner of participants, both human and not, are gathering with their ancient tools and their animal familiars in preparation for the dread night.

For a game, the gods have given the world 12 Swords of Power so that they might be amused as the nations battle for their possession. But Vulcan the Smith has had his own little joke: the Swords can kill the gods themselves. What started out as Divine Jest has become all too serious as the gods fight to recover the Swords, and mortals discover that the mantle of power is more delicious and more terrible than anything they could have imagined.

The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Here is the novel that will be forever considered a triumph of the imagination. Set on the desert planet Arrakis, Dune is the story of the boy Paul Atreides, who would become the mysterious man known as Maud'dib. He would avenge the traitorous plot against his noble family and would bring to fruition humankind's most ancient and unattainable dream.

Conrad Nomikos has a long, rich personal history that he'd rather not talk about. And, as Arts Commissioner, he's been given a job he'd rather not do. Escorting an alien grandee on a guided tour of the shattered remains of Earth is not something he relishes—especially when it is apparent that this places him at the center of high-level intrigue that has some bearing on the future of Earth itself!

Some feel the Lady, newly risen from centuries in thrall, stands between humankind and evil. Some feel she is evil itself. The hardbitten men of the Black Company take their pay and do what they must, burying their doubts with their dead - until the prophesy: The White Rose has been reborn, somewhere, to embody good once more. There must be a way for the Black Company to find her....

Jake Sullivan is a licensed private eye with a seriously hardboiled attitude. He also possesses raw magical talent and the ability to make objects in his vicinity light as a feather or as heavy as depleted uranium, all with a magical thought. It's no wonder the G-men turn to Jake when they need someoneto go after a suspected killer who has been knocking off banks in a magic-enhanced crime spree.

For three days battle has raged in the snow around the great city of Tar Valon. In the city, a foretelling of the future is uttered. On the slopes of Dragonmount, the immense mountain that looms over the city, a child is born, an infant prophesied to change the world. That child must be found before he can be killed by the forces of the Shadow.

At last, one of the world’s greatest works of science fiction is available - just as author Stanislaw Lem intended it. To mark the 50th anniversary of the publication of Solaris, Audible, in cooperation with the Lem Estate, has commissioned a brand-new translation - complete for the first time, and the first ever directly from the original Polish to English. Beautifully narrated by Alessandro Juliani ( Battlestar Galactica), Lem’s provocative novel comes alive for a new generation.

Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations. Yet he spends his life willingly, knowing that his blood and sweat will one day result in a better world for his children. But Darrow and his kind have been betrayed. Soon he discovers that humanity reached the surface generations ago. Vast cities and sprawling parks spread across the planet.

Seconds before the Earth is demolished to make way for a galactic freeway, Arthur Dent is plucked off the planet by his friend Ford Prefect, a researcher for the revised edition of The Hitchhiker's Guide to the Galaxy who, for the last 15 years, has been posing as an out-of-work actor.

Thomas Covenant is a leper, a bitter and solitary pariah who is mystically transported to another Earth where time moves differently than ours, one in which magic takes many forms. The Land is threatened by many evils, the most immediate of which is a maddened Cavewight whose subterranean excavations have unearthed the ancient and puissant Staff of Law. More dangerous to the free people of the Land is the Gray Slayer, Lord Foul, the Despiser, who intends to destroy the actual foundations of the Earth that he might wage war against the universe’s creator.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Earth is long since dead. On a colony planet, a band of men has gained control of technology, made themselves immortal, and now rule their world as the gods of the Hindu pantheon. Only one dares oppose them: he who was once Siddhartha and is now Mahasamatman. Binder of Demons, Lord of Light.

From Publishers Weekly Fans of the late Roger Zelazny's popular Amber series should flock to this workmanlike, authorized prequel, the first of a projected trilogy, by Betancourt (Infection and three other Star Trek novels). Readers familiar with the heroes Corwin and Merlin from the earlier books will soon catch on that Betancourt's protagonist, the Conan-like Oberon (aka Obere), will one day be their father. In the realm of Chaos, Obere is as handy with his sword as with his sweethearts, serving the king of an outlying world. He is innocent of the magic that rules in his universe until he...

Oberon, newly-crowned King of Amber, finds himself in the middle of deadly political machinations, as his father tries to turn him into a puppet ruler. Meanwhile, rumors abound of a "Shadow Amber" in the sea, where a distorted version of Oberon sits on an onyx throne. To make matters worse, Oberon's sister is trying to marry him off to a grasping would-be queen, at least two siblings are out for his blood, and the entire Shadow-universe is starting to unravel. What's a new king to do... but seek help from an unlikely new ally? Roger Zelazny’s “Amber” series is one of the all-time ...

Organized crime magnate Angelo Di Negri is a man out of time and place. He'd been gunned down more than a century ago. But through the wonders of cryogenic storage his body had been preserved until such a time as his "family" had need of him and he could be safely revived. That time had arrived. But Angela discovered that not everything was as it seemed and that the fate of mankind would be determined by his success or by his failure.

Conrad Nomikos has a long, rich personal history that he'd rather not talk about. And, as Arts Commissioner, he's been given a job he'd rather not do. Escorting an alien grandee on a guided tour of the shattered remains of Earth is not something he relishes—especially when it is apparent that this places him at the center of high-level intrigue that has some bearing on the future of Earth itself!

To save his kingdom, Anubis, Lord of the Dead, sends forth his servant on a mission of vengeance. At the same time, from The House of Life, Osiris sends forth his son, Horus, on the same mission to destroy utterly and forever The Prince Who Was a Thousand.

Dilivish, a half elf-half man hybrid, failed in his attempt to rescue a young maiden being ritually sacrificed by the dark sorcerer Jelerak. In his anger at the attempt Jelerak kills the maiden and turns Dilvish's body to stone and banished his soul to Hell.

In a world half of light, half of darkness, where science and magic strive for dominance, there dwells a magical being who is friendly with neither side. Jack, of the realm of shadows, is a thief who is unjustly punished. So he embarks on a vendetta.

Oberon takes on the reins of leadership, and he carves an empire from the new universe created by his father. Enemies new and old lie in wait, and creating a kingdom for himself and his heirs requires delicate political maneuvering, a will of iron, and the might of a born warrior. Power-mad siblings, a madman for a father, assassins, and the King of Chaos are just the beginning of his troubles. Oberon must learn to master them all, if he is To Rule in Amber.

He'd been an important part of the team putting together the International Data Bank, which would track every single move made by every single human being. As the project neared completion, he realized that no one would ever truly be free again. At the very last moment he blanked his file, changed his face, and created a back door into the system.

His name is Charles Render, and he is a psychoanalyst, and a mechanic of dreams. A Shaper. In a warm womb of metal, his patients dream their neuroses, while Render, intricately connected to their brains, dreams with them, makes delicate adjustments, and ultimately explains and heals. Her name is Eileen Shallot, a resident in psychiatry. She wants desperately to become a Shaper, though she has been blind from birth. Together, they will explore the depths of the human mind-and the terrors that lurk therein.

Hell Tanner isn't the sort of guy you'd mistake for a hero: he's a fast-driving car thief, a smuggler, and a stone-cold killer. Facing life in prison for his various crimes, he's given a choice: Rot away his remaining years in a tiny jail cell or drive cross-country and deliver a case of antiserum to the plague-ridden people of Boston, Massachusetts.

The stories in The Dying Earth introduce dozens of seekers of wisom and beauty, lovely lost women, wizards of every shade of eccentricity with their runic amulets and spells. We meet the melancholy deodands, who feed on human flesh and the twk-men, who ride dragonflies and trade information for salt. There are monsters and demons. Each being is morally ambiguous: The evil are charming, the good are dangerous. All are at home.

Loyally accompanying a mysterious knife-wielding gentleman named Jack on his midnight rounds through the murky streets of London, good dog Snuff is busy helping his master collect the grisly ingredients needed for an unearthly rite that will take place not long after the death of the moon. But Snuff and his master are not alone. All manner of participants, both human and not, are gathering with their ancient tools and their animal familiars in preparation for the dread night.

When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero: a rock-and-roll antihero who would channel all the violent excesses of the '60s into one enduring archetype.