
North by Shakespeare
A Rogue Scholar's Quest for the Truth Behind the Bard's Work
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Narrated by:
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Will Collyer
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By:
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Michael Blanding
About this listen
From the acclaimed author of The Map Thief comes the true story of a self-taught Shakespeare sleuth's quest to prove his eye-opening theory about the source of the English language's most famous plays.
A work of gripping nonfiction, North by Shakespeare presents the twinning narratives of rogue scholar Dennis McCarthy, called "the Steve Jobs of the Shakespeare community", and Sir Thomas North, an Elizabethan courtier whom McCarthy believes to be the undiscovered source for Shakespeare's plays.
For the last 15 years, Dennis McCarthy has obsessively pursued the true source of Shakespeare's works, with fascinating results. Using plagiarism software, he has found direct links between Hamlet, Macbeth, Romeo and Juliet, and other plays and Thomas North's published and unpublished writings - as well as Shakespearean plotlines seemingly lifted straight from North's colorful life.
McCarthy's wholly original conclusion is this: Shakespeare wrote the plays, but he adapted them from source plays written by North decades before - many of them penned on behalf of North's patron Robert Dudley, in his efforts to woo Queen Elizabeth. That bold theory answers many lingering questions about the Bard with compelling new evidence, including a newly unearthed journal of North's travels through France and Italy, filled with locations and details appearing in Shakespeare's plays.
North by Shakespeare alternates between the dramatic life of Thomas North, the intrigues of the Tudor court, the rivalries of English Renaissance theatre, and academic outsider Dennis McCarthy's attempts to air his provocative ideas in the clubby world of Shakespearean scholarship. Through it all, Blanding employs his keen journalistic eye to craft a highly readable drama, up-ending our understanding of the beloved playwright and his "singular genius".
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.
©2021 Michael Blanding (P)2021 Hachette BooksListeners also enjoyed...
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I would read this book in the spirit of Elizabeth Gilbert‘s “Big Magic”
enjoy
This is a great story about collaboration
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Pretty good
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I think the problem of the book is that it takes 6 hours to get to the point that should have been made right at the beginning: plagiarism, collaboration, and borrowing from other works was RIFE in the Renaissance. In fact, the whole Renaissance was spawned by reviving classical (Greek, Roman) works. It then takes 2 hours after that for him to admit that his ideas are, in fact, not new, and it’s reasonably agreed upon that Shakespeare did use North as a source (though McCarthy argues that literally everything Shakespeare wrote came from North, while most scholars are more in the camps of “some” influence).
Essentially, I don’t find this book to be particularly groundbreaking in the way I think others might. I think he makes strong points regarding the works of Thomas North and that there really might be something to it. Shakespeare almost certainly drew from other sources. However, there’s a thin line that’s walked better in some places than others about dismissing Shakespeare’s influence on the works. In some places in the book, it feels like McCarthy doesn’t give credit where credit is due. But that’s just my opinion.
I think the usage of EEBO and plagiarism software is a great idea. I did take issue with McCarthy - not trained in Elizabethan language - “translating” North’s work to put it into the software. The tricky bit is that English wasn’t standardized at that point, and adapting modern English spelling to run it through plagiarism software does 2 things: it may change the meaning of some words if not completed by someone properly trained in the ins and outs of 16th century English (which would potentially fix any bias), and it also adds a barrier between determining true plagiarism. For example, we know that current English translations of the Bible can be extremely different from the original Greek. I think it would be fascinating to create a plagiarism software that accounts for different spellings of words and running it through that - it would seem that would be a much more accurate investigation.
All of that being said, I will also say that academia has a tendency to outright bully people with different thoughts. I would genuinely like to hear the rebuttal of a Shakespearean scholar rather than just the countless examples of them rebuffing McCarthy. Is McCarthy’s method unproven? Mostly. Is it something that can be tested in a way to make it proven? Absolutely. If I were in academia, I would think it would behoove me to have this be a project to undertake. It could potentially open up a lot of avenues.
At the end, McCarthy seems to make the outlandish claim that a half a dozen of Shakespeare’s plays published after his death were actually the original North plays that Shakespeare had laying around and his buddies mistook them for ones he wrote. Putting that in with 25 minutes to go really made me feel like I had wasted my time. McCarthy keeps insisting that this isn’t a conspiracy, but something tells me he’s holding back some of the even crazier ideas he has….
All in all, I think this is a good start - but again, needs some revision. Thomas North was not Shakespeare, though the two men certainly knew of each other and Shakespeare likely drew material from North’s works.
A bit of a rollercoaster… Some good, some bad
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Fascinating read (listen)
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An exciting investigative adventure
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Giving Context to Shakespeare's Work
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encumbered by orthodoxy.
Awesome
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Nothing wrong with that, but I find it distracting to the actual meat of the book.
It's very interesting, but I *am* slogging along to get through it. I wish there was a way to fast forward around all the bits about the gent's theory being repeatedly rejected by the establishment. I care about the theory itself and am only continuing through because *that* interests me...and for the moment I'm still deciding what I'm going to read after this. If a compelling crosses my desk in the meantime, though, I'll not finish this one.
Just ok
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McCarthy seems determined to prove that North is the real author as a way to make himself feel big. At one point, he despairs that a movie is coming out about Shakespeare maybe not writing his plays, and he freaks out and self-publishes five years of work without editing it because he doesn’t want to “lose.” This is the attitude throughout. He has a deep need for everyone else to be wrong but him, rather than a genuine search for the truth. He clings to cherry-picking - at one point he says Shakespeare’s plays have too much accurate knowledge of Italy - they must have been written by someone who went there, not Shakespeare! But then when there’s a geographic mistake about Italy - we’ll that MISTAKE now proves that Shakespeare didn’t write it. …what?? Similar double-standards, a lack of perspective, and a TOTAL lack of Occam’s razor abound. This book doesn’t know what it doesn’t know!
The narrator mispronounces basic words like “theologian.”
I give it two stars because they did give some enjoyable summaries of what it was like to be a nobleman during the Elizabethan era and it also explains the dissolution of the monasteries very clearly.
Yikes
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The author presents no evidence for McCarthy’s belief that North wrote plays or, even if he did write them, that Shakespeare was familiar with them.
The argument, if you can call it that, is based on supposition, wishful thinking, and the cherry picking of random phrases in North’s writings. The only thing that comes close to a serious analysis involves the use of plagiarism software, but the technology is unproven and the results presented here are useless because there are no plays by North to compare to the plays attributed to Shakespeare. McCarthy relies on the writings by North that Shakespeare is known to have read, and then McCarthy makes up imaginary plays.
McCarthy accuses academics of refusing to consider certain ideas because those ideas challenge the status quo. The truth is that academics, like sensible people generally, care about whether or not what they believe is true. Knowledge advances through the use of sound logic, rigorous methodology, and the accumulation of substantiated evidence. It does not advance because some “rogue scholar” has a fanciful hunch, because even if the hunch is correct, it still must be proven.
In the end the book is an example of confirmation bias. McCarthy is certain that he is correct, and therefore he sees affirmation of his belief everywhere. The vague clues and coincidences he finds in the writings of North and Shakespeare are weak evidence. Weak evidence is still weak regardless of how much of it there is (and McCarthy doesn’t really offer that much). The time to believe something is after you are presented with convincing evidence and arguments, not before.
The performance was fine, although he mispronounces several of the names of Shakespeare’s characters.
Ridiculous
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