Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Tamar Glass fled an abusive mother when she was eighteen, running away from home to find a better life elsewhere. She has lived in freedom from her mother, Ruth, for decades, until one night she wakes to find her now-elderly mother standing over her bed, disoriented and confused. When Tamar reluctantly takes in her mother, strange events start happening inside her home: the house is oppressively hot, lights flicker, and cupboards open and shut on their own.

In their home in southern Louisiana, Iris and her husband Joseph were both shot point-blank in the head by an unknown assailant. She wakes with her memory fractured. She doesn't remember her husband's family, eager as they are to take her into their world of marble, maids, and prim Southern manners.

J. Edgar Hoover was the face of the FBI. But the federal agents in the field, relentlessly chasing the most notorious gangsters of the 1930s with their own lives on the line, truly transformed the Bureau. In 1932, the FBI lacked jurisdiction over murder cases, bank robberies, and kidnappings. Relegated to the sidelines, agents spent their days at their desks. But all of that changed during the War on Crime. Hunting down infamous public enemies in tense, frequently blood-soaked shootouts, the Bureau was thrust onto the front pages for the first time.

The son of the most dangerous Kingpin in Mexico. The heir to the throne. The man that individuals fear the most, next to my father. According to my father, those are things that I should be proud of. I should be proud of my heritage and wear it on my back with honor. I’ll honor my heritage, but I will not honor the path that is set out for me. The life that my father lives is not for me. I will do anything in my power to walk away from that life, and that apparently includes getting married in Vegas after a night of drinking.

When Polly signs up to an art retreat in the Lake District, it's an escape from the stress of recent months, when a stalker preyed on her and her friend. It's also an opportunity to find out more about her family history: Polly believes her biological mother once lived here, at Lakeside House. But things quickly turn sinister. The previous owners supposedly took their own lives here, years before – and the glamorous new owners are now receiving disturbing threats. Someone is sabotaging Polly's artwork. The five other guests on the retreat all seem to be hiding something.

Everyone in America knows Dylan Read, or at least has heard her music. Since releasing her debut album her senior year of high school, Dylan’s spent fifteen years growing up in the public eye. She’s not only perfected her skills when it comes to lyrics and melody; she’s also learned how to craft a public narrative that satisfies her fans, her label, and the media. In the circles of fame and celebrity in which she now travels, the careful maintenance of Dylan Read pop star is often more important than the songs themselves.

Julia and Christopher Hygate have the picture-perfect life: gobs of money thanks to their lucrative shipping enterprise and an estate on a secluded island. When they meet Eve Sylvester, they know she is the exact person they should hire to be their child's nanny. Eve doesn’t have any living relatives, she’s lost touch with her friends, and her partner is out of the picture. Best of all, she’s expecting a baby. Eve thinks she’s landed the greatest gig—previously penniless, now she’ll live like a queen and have a promising future for her daughter. But the job seems too good to be true.

Stay-at-home mom Eloise Williams is PTO president and a respected local philanthropist who sits on the boards of many distinguished charities. In addition to being a doting wife and mother, she is also a serial killer.

Valerie Park: nurse, widow, harassee of the president of her Homeowner’s Association. Holly Kent: president of the Homeowner’s Association, harasser of Valerie, all-around pain in the ass. Clementine Harrison: photographer, yoga teacher, free spirit, defender of harassed women. After selling everything she owns and road tripping across Canada in a converted school bus named Matilda, Clementine moves next door to Valerie. Valerie is depressed, scared, and lonely. And even though she doesn’t know it, she’s also the victim of a crime.

Everyone in Wynotte, North Carolina, knows the name Davy Malcor. Knows the video clip of him juggling four balls, "All at the very same time!" Knows the Marty McFly jacket his mother made for his birthday that he wore proudly, and often. But no one knows what happened to him the night he went missing more than twenty years ago. When the jacket is unexpectedly uncovered, the cold case reopens, and Davy's family is thrust into yet another media storm. But at the heart of the story are four people forever changed by one single night.