No Sunset on this Era

I have long meant to read this book but I had resisted in case it didn't live up to its legendary status. In the end, I think it was the fact that Matt Dillon was to narrate it that persuaded me to take the plunge. I now feel vindicated on two scores; first, the legend is alive and well and, secondly, Dillon was a terrific narrator.
There's no point spending too much time on the plot. The listener needs to experience it with Sal Paradise, with the words blowing through your mind like wind through your hair and the drug of sex and excitement invading your imagination like the drugs that invade Sal's system. It is the seminal "Road" tale populated with huge characters like Dean Moriarty and Marylou, his "little sharp chick", the Frenchman poet, Remi, Carlo Marx (poet and adulterer), Montana Slim and "Big Ed" Dunkel. Sal, it seems, is a metaphor for Kerouac and you can trace the rest of the characters through the many reminiscences written about this work by the characters themselves. But, in my opinion, the story is not the main thing. It's the living of it that makes it eternal. I found it a bit like looking back on a fond, but now past, phase of my life (not that my was ever as eventful as Sal's). It has that intimate feel of your own personal memories. I wrote a lot of notes about it to write this review, but most of them are just not important enough to mention, although they seemed important at the time. Again, these are like the events in the book.
Returning to Dillon, really there is not much to say. He captures the book's racy sexuality, the atmosphere of a jazz age and and a youth that was looking for something that is too elusive to capture. There were times when he brought to mind Springsteen ("Lost in the Flood", "Backstreets") and at other times Van Morrison ("Coney Island"). Musical and noisy.
I enjoyed this journey.

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Highly recommended

Great read... go for it! Matt captures the characters brilliantly. And of course Jack K is something else.

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Good reading of an awful story

Maybe I missed the point of this entirely and there were some beautiful thoughts and moments, some of which will stick with me but really this was just an endless dull tale.

It was really a long ramble which could end with an apologetic 'guess you had to be there' as we follow Sal (Kerouac) on his journeys frequently in search of or joined by Dean (Cassady) this, for me, was unfortunate because I could not stand Dean, he came across as terrible human being in whom Sal is completely disillusioned. I much preferred the cameos from other beats but was instead dragged along with Sal and Dean.

As I said I may be missing the point entirely but the discovery of self was really just a glorified bumming across the country avoiding any sense of responsibility and that got tiring quickly, this is the most effort I've experienced in trying to finish a book in a long long time.

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Amazing

This book captures alot of Americana themes and awesome events for its time I heavily recommend reading it or listening to it

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Audible a great way to “reread” old classics

I’ve read On The Road many times since discovering it as a teenager so am quite familiar with the text, but I must say I really enjoyed revisiting in on Audible with Matt Dillon a tremendous narrator.

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On The Road: A Journey that Never Ends

What did you love best about On the Road?

Every time listen to this book I hear something new in it. Some new rhythm, some new character, some forgotten tenderness.

What was one of the most memorable moments of On the Road?

The prose is sublime, like when Paradise is creating an image in his head of Dean's drunken hobo father, "...falling down in drunken alley nights, dropping his yellowed teeth one by one into the gutters of the west,..". This is Saul Bellow and Steinbeck rolled into one irresistible rhythmic highway that rolls back and forth across a great jazz-bop, marijuana fuelled continental dream, from Long Island to Los Angelus in a country that has largely disappeared, and largely stayed the same.

Which scene was your favorite?

Too many to mention.

Was there a moment in the book that particularly moved you?

When Dean is being isolated and exposed as a fraud and a conman. One is compelled to feel for him, to forgive him, to pull his unpacked case into the car and head for the next horizon.

Any additional comments?

The narration by Matt Dillon is the finest I have heard for any book. He is obviously a fan of the book. To none-American ears sometimes American accented narration can take a bit of getting used to. Not so with Dillon, a remarkable piece of work.

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mat dillan is kerawac

matt dillan personified the book perfectly

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