On December 10, 1936, King Edward VIII brought a great international drama to a close when he abdicated, renouncing the throne of the United Kingdom for himself and his heirs. Alexander Larman’s The Crown in Crisis will treat listeners to a new, thrilling view of this legendary story. Informed by revelatory archival material, as well as by interviews with many of Edward’s and Wallis’ close friends, Larman creates an hour-by-hour, day-by-day suspenseful narrative that brings listeners up to the point where the microphone is turned on and the king speaks to his subjects.

If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. A winner of the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction, and her impact on crowds and on men was legendary. Yet beneath her studied act, all was not well.

Charles Dickens: A Life gives full measure to Dickens's heroic stature - his huge virtues both as a writer and as a human being - while observing his failings in both respects with an unblinking eye. Renowned literary biographer Claire Tomalin crafts a story worthy of Dickens's own pen, a comedy that turns to tragedy as the very qualities that made him great - his indomitable energy, boldness, imagination, and showmanship - finally destroyed him.

Anthony Trollope is most famous for his portrait of the professional and landed classes of Victorian England, especially in his Palliser and Barsetshire novels. But he was also the author of one of the most fascinating autobiographies of the nineteenth century. Trollope was born in 1815, the product of a formidable mother and a tragically unsuccessful father who was socially ambitious for his sons. He was the victim of vicious bullying at Harrow and Winchester. But he had inherited his mother's determination, and managed later to carve out a successful career in the General Post Office while devoting every spare moment to writing. How he paid his groom to wake him every morning at 5:30 a.m. and disciplined himself to write 250 words every fifteen minutes has become part of literary legend. His efforts resulted in over sixty books, a sizable fortune, and fame, and his autobiography. Trollope looks back on his life with satisfaction. Perhaps as interesting as the facts he reveals and the opinions he records about Dickens and George Eliot, politics and the civil service are the judgments he passes on his own character.

Very few people know that Mark Twain wrote a major work on Joan of Arc. Still fewer know that he considered it not only his most important, but also his best work. He spent 12 years in research and many months in France doing archival work, and then made several attempts until he felt he finally had the story he wanted to tell.

Dickens was one of the first true celebrity authors. Thousands of fans in Britain and America eagerly awaited each new installment of his stories, and flocked to see him on his legendary speaking tours. Not only did he create an incredible cast of characters on the page, but he was also a dazzling mimic and storyteller, and he wrote, stage-managed, and acted in plays for the public. Throughout his life, from his childhood performances to his legendarily powerful reading tours, Dickens was fanatical about the stage.

When the first volume of Mark Twain's uncensored autobiography was published in 2010, it was hailed as an essential addition to the shelf of his works and a crucial document for our understanding of the great humorist's life and times. This third and final volume crowns and completes his life's work. Like its companion volumes, it chronicles Twain's inner and outer life through a series of daily dictations that go wherever his fancy leads.

In 1763, the painter Joshua Reynolds proposed to his friend Samuel Johnson that they invite a few friends to join them every Friday at the Turk's Head Tavern in London to dine, drink, and talk until midnight. Eventually, the group came to include among its members Edmund Burke, Adam Smith, Edward Gibbon, and James Boswell. It was known simply as "the Club". In this captivating audiobook, Leo Damrosch brings alive a brilliant, competitive, and eccentric cast of characters.

Mark Twain's complete, uncensored Autobiography was an instant best seller when the first volume was published in 2010, on the centennial of the author's death, as he requested. Published to rave reviews, the Autobiography was hailed as the capstone of Twain's career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions. The eagerly awaited second volume delves deeper into Twain's life, uncovering the many roles he played in his private and public worlds.

They look alike, but they live in very different worlds. Tom Canty, impoverished and abused by his father, is fascinated with royalty. Edward Tudor, heir to the throne of England, is kind and generous but wants to run free and play in the river - just once. How insubstantial their differences truly are becomes clear when a chance encounter leads to an exchange of clothing - and roles. The pauper finds himself caught up in the pomp and folly of the royal court, and the prince wanders horror-stricken through the lower strata of English society.

Hardy's work challenged sexual and religious conventions in a way that few other authors of the time dared. Though his modesty and kindness allowed some to underestimate him, or even to pity him, they did not prevent him from taking on the central themes of human experience: time, memory, loss, love, fear, grief, anger, death. This engrossing biography identifies the inner demons and the outer mores that drove Hardy and presents a complex portrait of one of the greatest figures in English literature.

A revelatory narrative of the intersecting lives and works of revered authors Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence during 1922, the birth year of modernism.

With profound empathy and insight, Hermione Lee brilliantly interweaves Wharton's life with the evolution of her writing, the full scope of which shows her to be far more daring than her stereotype as lapidarian chronicler of the Gilded Age. In its revelation of both the woman and the writer, Edith Wharton is a landmark biography.

Charles Dickens and Nelly Ternan met in 1857; she was 18, a hard-working actress performing in his production of The Frozen Deep, and he was 45, the most lionized writer in England. Out of their meeting came a love affair that lasted 13 years and destroyed Dickens's marriage while effacing Nelly Ternan from the public record.

It has been one hundred years since Agatha Christie wrote her first novel and created the formidable Hercule Poirot. A brilliant and award-winning biographer, Laura Thompson now turns her sharp eye to Agatha Christie. Arguably the greatest crime writer in the world, Christie’s books still sell over four million copies each year - more than thirty years after her death - and it shows no signs of slowing.