Separated by 10 years, 3,000 miles, and the unrelenting stresses of adulthood, best friends Janet and Serena plan a 40th birthday girls’ trip to reconnect. But after a massive crash, they’re the only survivors to wash ashore on an uncharted Caribbean Island. Armed with only the clothes on their backs and zero survival skills, they fight to overcome hunger, thirst, deadly wildlife—and most terrifyingly—decades of accrued resentment. Can they find their way home, or will they kill each other first?

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

A bad best man’s speech can ruin a wedding. Why do we plan every detail of a perfect day and then give the groom’s idiot best friend five minutes of total power? Enter Nate (Glen Powell), a speechwriter-for-hire who helps people write incredible best man speeches. To keep the best man from embarrassing himself (and the newlyweds), Nate uses his list of don’ts: Don’t mention the exes, don’t be rated R, and don’t bum everyone out. Nate’s system never fails. That is, until he meets Dan (Nicholas Braun).

In this award-winning Audible Studios production, Trevor Noah tells his wild coming-of-age tale during the twilight of apartheid in South Africa. It’s a story that begins with his mother throwing him from a moving van to save him from a potentially fatal dispute with gangsters, then follows the budding comedian’s path to self-discovery through episodes both poignant and comical.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

Created by Irving Brecher, The Life of Riley starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as a wing riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, where Riley would cheerfully disrupt life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate became a popular catchphrase: "What a revoltin' development this is!"

Our Miss Brooks was a hit on radio from the outset; within eight months of its launch as a regular series, the show landed several honors, including four for Eve Arden, who won polls in four individual publications of the time. Arden had actually been the third choice to play the title role. Harry Ackerman, at the time CBS's West Coast director of programming, wanted Shirley Booth for the part.

Lucille Ball and Lee Bowman auditioned for the roles of a married couple in a radio pilot for a new comedy, My Favorite Husband, based on the novel Mr. and Mrs. Cugat by Isabel Scott Rorick. The concept was very well received and within a few weeks the weekly sitcom was established. Bowman was replaced by Richard Denning and during the first season, the Cugats were renamed the Coopers, who lived “in a little white two-story house” in the bustling, small suburb of Sheridan Falls.

Our Miss Brooks was a situation comedy show heard on radio and seen on television and films. It starred Hollywood film and New York stage veteran Eve Arden, who had specialized in playing the wisecracking friend to the heroine. She often did it better than anyone else, receiving an Oscar nomination for 1945’s Mildred Pierce. Arden’s skill with the wicked one-liner was beginning to lead to typecasting so, to find a new image, she signed on for the lead in radio’s Our Miss Brooks.

There were several newspaper-based dramas during radio's golden age, including Box 13, Let George Do It, and Casey, Crime Photographer, but Night Beat was a cut above. It was the story of Randy Stone, hard-nosed Chicago Star newsman, and his quest for the human-interest story behind the headlines.