Katrina Kelly might have eight million Instagram followers and a multipage IMDb listing, but she also has a completely stalled-out career and some major questions about her sexuality, which seems to be moving closer to raging lesbian every week. Yet maybe she can solve both of those issues at once. . . . After all, rebranding as a queer icon is a great way to jump-start an acting career.

Demeter just wants to do her job: shuttling humans between Earth and Alpha Centauri. Unfortunately, her passengers keep dying—and not from equipment failures, as her AI medical system, Steward, would have her believe. These are paranormal murders, and they began when one nasty, ancient vampire decided to board Demeter and kill all her humans. To keep from getting decommissioned, Demeter must join forces with her own team of monsters. Together, this motley crew will face down the ultimate evil—Dracula.

A man is found dead, tied to a chair in the middle of the road, a stag’s antlers on his head. The gruesome scene stuns the town, especially when the victim is identified: Jim Tiernan, who ran the White Hart pub. Tiernan’s pub is at the center of village life and he knew everyone’s secrets. Detective Nicola Bridge grew up in Fleetcombe and has now returned, for the good of her family, from a life away in Liverpool. DC Harry Ward is ten years younger and, despite his newcomer status, determined to earn Nicola’s trust.

Who is Francis Fox? A charming English teacher new to the idyllic Langhorne Academy, Fox beguiles many of his students, their parents, and his colleagues at the elite boarding school, while leaving others wondering where he came from and why his biography is so enigmatic. When two brothers discover Fox’s car half-submerged in a pond in a local nature preserve and parts of an unidentified body strewn about the nearby woods, the entire community, including Detective Horace Zwender and his deputy, begins to ask disturbing questions about Francis Fox and who he might really be.

Enka meets Mathilde in art school and is instantly drawn to her. Mathilde makes art that feels truly original, and Enka—trying hard to prove herself in this fiercely competitive world—pours everything into their friendship. But when Mathilde’s fame and success cause her to begin drifting away, Enka becomes desperate to keep her close.

Lily—a bored, beautiful twenty-something—wakes up on a remote desert compound, alongside nineteen other contestants competing on a massively popular reality show. To win, she must outlast her housemates to stay in the Compound the longest, while competing in challenges for luxury rewards like champagne and lipstick, plus communal necessities to outfit their new home, like food, appliances, and a front door. Cameras are catching all her angles, good and bad, but Lily has no desire to leave: why would she, when the world outside is falling apart?

In 1932 Berlin, Bertie, a trans man, and his friends spend carefree nights at the Eldorado Club, the epicenter of Berlin’s thriving queer community. An employee of the renowned Dr. Magnus Hirschfeld at the Institute of Sexual Science, Bertie works to improve queer rights in Germany and beyond, but everything changes when Hitler rises to power. The institute is raided, the Eldorado is shuttered, and queer people are rounded up. Bertie barely escapes with his girlfriend, Sofie, to a nearby farm. There they take on the identities of an elderly couple and live for more than a decade in isolation.

A few weeks after the 2016 election, at Thanksgiving with his daughter’s family, Rhys Kinnick snapped. After an escalating fight about politics, he hauled off and punched his conspiracy theorist son-in-law. Horrified by what he'd done, by the state of the country and by his own spiraling mental health, Rhys chucked his smartphone out a car window and fled for a cabin in the woods, off the grid and with no one around—except a pack of hungry raccoons. Now, seven years later, Kinnick’s old life is about to land right back on his crumbling doorstep.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Waldenesque utopia.

Jane and Dan have been married for nineteen years, but Jane isn’t sure they’re going to make it to twenty. The mother of two feels unneeded by her teenagers, and her writing career has screeched to an unsuccessful halt. Her one published novel sold under five hundred copies. Worse? She’s pretty sure Dan is cheating on her. When the couple goes to the renowned upscale restaurant La Fin du Monde to celebrate their anniversary, Jane thinks it’s as good a place as any to tell Dan she wants a divorce.