Paul Temple, the creation of Francis Durbridge, was one of radio's most popular sleuths. He and his glamorous wife Steve inhabit a sophisticated world where they sip well-chilled cocktails, where Sir Graham Forbes of Scotland Yard always sends for Paul when the going gets tricky, and where Paul's incisive mind picks up every one of the carefully strewn clues.

The police are desperate to cut off supplies of heroin and cocaine to the capital, but they are struggling. So Sir Graham Forbes turns to Paul Temple. By fast car and police launch, on deserted houseboats and midnight beaches, in dodgy East End pubs and smart West End restaurants, braving booby traps, bullets and blazing houses, Paul and Steve pursue the ruthless and feared drug dealer known only as ‘Valentine’. This new production for BBC Radio 4 uses the original scripts, vintage sound effects and much of the original incidental music from the missing 1946 production.

The Curzon Case is a gripping story of kidnapping, intrigue and sudden death. Boys disappear from a public school, an aeroplane crashes nearby, and a murder occurs. Paul Temple has his work cut out trying to find out if all the events are connected and tracking down the mysterious Curzon.

Paul Temple lives again in these five complete radio dramas starring Crawford Logan as Paul and Gerda Stephenson as his redoubtable wife, Steve. Each of these productions was made for BBC Radio 4 in an authentic 1950s-style studio conditions and based on the scripts of the original radio serials.

Three complete radio dramas featuring writer-cum-amateur detective Paul Temple, plus bonus archive material. When it comes to classic crime partnerships, Paul Temple and his wife, Steve, are the crème de la crème. Between 1938 and 1968, their glamorous exploits enthralled generations of radio listeners around the world. Here, presented in chronological order, are some of the amateur detective's earliest adventures.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.