The first four series of the original BBC Radio 4 fantastical drama series set in a world almost, but not quite, like our own. Paul Hilton stars as William Palmer, the immortal, reluctant and unthanked hero protecting mankind from an enemy they resist believing in: the Grey Folk. Thrilling, dark and contemporary, the dramas are set in a recognisable present day but one haunted by the folktales of the British Isles: drowned villages, changeling children, werewolves and unruly nature spirits.

The year is 2099 and planet Earth is in crisis. A change in its orbit has resulted in days being 25 hours long (except Thursday, which hasn't existed for over a decade) and the extra months of Janril, Febtober, and Marchuary. In a post-apocalyptic England, the cattle-clasm has wiped out the majority of livestock and climate change has formed the drizzly season of Hamble. However, hope is at hand for the planet in the form of Professor Nebulous.

The Arthurian legends have long held a powerful grip on our collective imagination, inspiring numerous poets, novelists and playwrights to interpret them in countless different ways. In this epic play cycle, based on Malory's classic Le Morte D'Arthur, Graeme Fife gives us his dramatic, in-depth retelling of these perennially popular myths. Focusing on seven key characters: Merlin, Tristram, Gareth, Lancelot, Galahad, Guenever and Arthur himself, he builds a vivid, multi-layered picture of the fabled king and his heroic knights.

When The Sandman, also known as Lord Morpheus - the immortal king of dreams, stories and the imagination - is pulled from his realm and imprisoned on Earth by a nefarious cult, he languishes for decades before finally escaping. Once free, he must retrieve the three “tools” that will restore his power and help him to rebuild his dominion, which has deteriorated in his absence.

The complete collected dramatisations of C. J. Sansom's historical mystery series: Set during the reign of Henry VIII, these six stunning dramas follow the adventures of hunchbacked lawyer-detective Matthew Shardlake as he navigates the dangerous world of Tudor England, solving crimes and seeking out murderers.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.