Prima Facie
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Narrated by:
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Geraldine Hakewill
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By:
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Suzie Miller
About this listen
Tessa is a thoroughbred. A young, brilliant barrister from a working-class background now at the top of her game: defending, cross-examining and lighting up the shadows of doubt in any case. The law is a game and she is its most talented player.
One sickening night, though, Tessa finds herself in a position countless women - one in three - have been in before her. And she's faced with a gut-wrenching, life-changing decision. Will she take the stand to testify about her rape, with the full awareness that the system has not been built to protect her?
Drawn from the internationally acclaimed play, Prima Facie is a propulsive, raw look at the price victims pay for speaking out and the system that sets them up to fail. With breakneck prose and a devastating emotional intensity, this is a novel for our times, by one of Australia's most impressive writers.
'A fantastic read, page-turning and thought-provoking. The kind of story you can't stop thinking about. I loved it.' JANE HARPER
Praise for Prima Facie
'Not many books can immediately draw you in, keep you up all night, and break your heart over and over again. But still you can't put it down. Can't look away. There are not enough superlatives for Suzie Miller's incendiary novel. Just read it.' Heather Rose
'Suzie Miller has created a relatable, seminal work in our understanding of sexual abuse. Brilliant!' Magda Szubanski
'Enthralling and sharp-witted - Prima Facie takes an unflinching look inside a legal system that is more punishing to the victims of sexual assault than it is to the assailants. A scathing and true look at how the legal system can retraumatise victims. Highly recommended.' Karin Slaughter
'As defamation laws are weaponised against sexual assault victims in an already hostile legal environment,
this timely and deeply moving novel could not be more important. A defence barrister learns in the absolute
worst way what it is like to be raped not once, but twice, the second time by her own profession.' Jane Caro
'Miller's star shines as brightly as a novelist as it does as a playwright. Prima Facie the novel gives us what novels
do: the intimacy of interior life. A great read.' Anna Funder
'Miller's novel is searing, vindicating and absolutely necessary both in the injustices it names and the emotions it evokes. I am grateful to her for writing it.' Sarah Krasnostein
'Brilliant concept. Convincing, worthy, a must read.' Claudia Karvan
'Bold, fearless, heartbreakingly timeless. Written with skill, humour, despair and hope, Prima Facie is a deeply rewarding, absolute must read.' Chris Whitaker
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- Narrated by: Rosario Dawson
- Length: 8 hrs and 57 mins
- Unabridged
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Overall
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Performance
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Story
Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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The Mysterious Affair at Styles
- By: Agatha Christie, Anna Lea - adaptation
- Narrated by: Peter Dinklage, Himesh Patel, Harriet Walter, and others
- Length: 3 hrs and 53 mins
- Original Recording
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Overall
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Performance
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Story
England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.
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It’s a perfect audible movie!
- By Malissa Caudell on 11-15-24
By: Agatha Christie, and others
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Do You Remember?
- By: Freida McFadden
- Narrated by: Teri Schnaubelt
- Length: 7 hrs and 12 mins
- Unabridged
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Overall
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Story
Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.
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Eh
- By Zoe on 03-16-24
By: Freida McFadden