To Karl Alberg a quiet coastal town is exactly what he needs to soothe a psyche that's been battered by big-city police work. But this gentle paradise has more than its share of secrets. Bees buzz among the roses, and the local librarian is attractive, intriguing, and unattached. Perhaps he has at last come in from the cold. But a murder in small town can conceal a lot of secrets—some of them bleak enough to make a man yearn for some nice straightforward urban crime.

Maria Buscombe was a housewife living in Sechelt, British Colombia, until seven years ago when she suddenly abandoned her family. Now it seems she has returned—just in time to be murdered. What made her leave? What made her return? And who was sending her money and photographs of her daughter all that time? These are the questions nagging at Sergeant Karl Alberg as he searches for Maria’s killer. Meanwhile, Alberg’s longtime companion Cassandra Mitchell is doing some nagging of her own. Alberg had promised, after all, to hang up his policeman’s hat.

Three people have been found murdered, by someone known as "the avenging Angel," a killer who has assumed the responsibility of ridding the village of those who sin, those who betray. This latest case also brings with it some life-changing surprises for Alberg and his romantic interest and soon-to-be wife, town librarian Cassandra Mitchell. But theirs are only two of the lives that will be irreparably changed by the murderous activities of an angel straight from hell.

Vancouver's “Sunshine Coast” is famous for its beautiful vistas, but closer inspection reveals a strong dose of dysfunction among its quaint villages. Eliot Gardener is maddeningly sullen as only an angry fourteen-year-old can be. He's also, apparently, a double-murderer, having whacked both of his parents with a machete. At least it’s an open and shut case for Canadian Mountie Karl Alberg. Or is it? Eliot may be guilty, but what drove him to commit such a grisly crime? As Alberg tries to get the troubled boy to talk, he finds himself dealing with dysfunction in his own life.

Anthony Award-winning author William Kent Krueger crafts this riveting tale about a small Minnesota town’s ex-sheriff who is having trouble retiring his badge. Cork O’Connor loses his job after being blamed for a tragedy on the local Anishinaabe Indian reservation. But he must set aside his personal demons when a young boy goes missing on the same day a judge commits suicide—and no one but O’Connor suspects foul play.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.