When thirty-four-year-old Cath loses her mostly absentee mother, she is ambivalent. With days of quiet, unassuming routine in Buffalo, New York, Cath consciously avoids the impulsive, thrill-seeking lifestyle that her mother once led. But when she’s forced to go through her mother’s things one afternoon, Cath is perplexed to find tickets for an upcoming “murder week” in England’s Peak District: a whole town has come together to stage a fake murder mystery to attract tourism to their quaint hamlet.

Colette Marceau has been stealing jewels for nearly as long as she can remember, following the centuries-old code of honor instilled in her by her mother, Annabel: take only from the cruel and unkind, and give to those in need. Never was their family tradition more important than seven decades earlier, during the Second World War, when Annabel and Colette worked side by side in Paris to fund the French Resistance. But one night in 1942, it all went wrong.

On her wedding day in San Juan, Puerto Rico, in 1968, Rafaela Acuña y Daubón has mild misgivings, but she marries Peter Brennan Jr. anyway in a blaze of romantic optimism. She has no way of knowing how dramatically her life will change when she uproots her young family to start over in the American Midwest, unleashing a fleet of disappointments. In the 1980s, against the backdrop of her mother’s isolation in St. Louis, Missouri, Rafaela’s daughter, Ruth, wants only to belong. Eager to fit in, Ruth lets go of her language, habits, and childhood memories of Puerto Rico. I

Thom and Wendy Graves have been married for over twenty-five years. They live in a beautiful Victorian on the north shore of Massachusetts. Wendy is a published poet and Thom teaches English literature at a nearby university. Their son, Jason, is all grown up. All is well…except that Wendy wants to murder her husband.

Growing up in an isolated cabin in Montana in the mid-1990s, Jane knows only the world that she and her father live in: the woodstove that heats their home, the vegetable garden where they try to eke out a subsistence, the books of nineteenth-century philosophy that her father gives her to read in lieu of going to school. Her father is elusive about their pasts, giving Jane little beyond the facts that they once lived in the Bay Area and that her mother died in a car accident, the crash propelling him to move Jane off the grid to raise her in a Waldenesque utopia.