Known to millions as the imperious matriarch of Bridgerton's court, Charlotte of Mecklenburg-Strelitz was still a teenager when she was chosen to be the bride of King George III. Shy, innocent, and sheltered, the orphaned princess and her groom carried the hopes of a nation on their shoulders. The unassuming young couple symbolized a new beginning, but soon those hopes began to sour. Charlotte and George's marriage lasted for nearly sixty years and produced more than a dozen children, but it was beset by unrest at home, war in the colonies, and the king's encroaching madness.

Drawing on hundreds of previously unseen letters from the sisters as well as from their grandmother Queen Victoria, The Princesses of Hesse takes us on a sweeping journey across the tumultuous landscape of the turn of the century - from the dramas of the Russian Court to the Russian Revolution, and through both World Wars in which they often found themselves on opposing sides.

Queen Victoria and Albert, the Prince Consort, had nine children, who, despite their very different characters, remained a close-knit family. Inevitably, as they married into European royal families, their loyalties were divided and their lives dominated by political controversy. This is not only the story of their lives in terms of world impact but also of personal achievements in their own right, individual contributions to public life in Britain and overseas, and as the children of Queen Victoria and the Prince Consort.

When they married Emperors Franz Joseph and Napoleon III, respectively, Elisabeth of Austria and Eugénie of France became two of the most famous women on the planet. Not only were they both young and beautiful—becoming cultural and fashion icons of their time—but they played a pivotal role in ruling their realms during a tempestuous era characterized by unprecedented political and technological change. Fearless, adventurous, and independent, Elisabeth and Eugénie represented a new kind of empress—one who rebelled against tradition and anticipated and embraced modern values.

For eight brief years, before he was tragically killed in a mysterious air crash during the Second World War, Prince George, Duke of Kent, son of King George V and Queen Mary, and his beautiful wife, Princess Marina of Greece and Denmark, were the British monarchy's - indeed, high society's - most glamorous royal couple; and as golden royal icons, they are still remembered.

The secrets of Queen Victoria's sixth child, Princess Louise, may be destined to remain hidden forever. What was so dangerous about this artistic, tempestuous royal that her life has been documented more by rumor and gossip than hard facts? When Lucinda Hawksley started to investigate, often thwarted by inexplicable secrecy, she discovered a fascinating woman, modern before her time, whose story has been shielded for years from public view.

Margaret Tudor, the elder sister of her more famous brother Henry VIII, is the single most important Tudor figure of this era that historians have consistently overlooked. Married at thirteen to the charismatic James IV of Scotland, a man more than twice her age, she would learn the skills of statecraft that would enable her to survive his early death, and to construct a powerful position in her adopted country of Scotland as she dealt with domestic issues as well as navigating international relations with England and France.

Encouraged to be "winners" from a young age, Rose and Joe Kennedy's children were the embodiment of ambitious, wholesome Americanism. Yet even within this ebullient group of overachievers, the fourth Kennedy child, the irrepressible Kathleen, stood out. Lively, charismatic, extremely clever, and blessed with graceful athleticism and a sunny disposition, the alluring socialite fondly known as Kick was a firecracker who effortlessly made friends and stole hearts.

Described as the 'most beautiful princess in Europe', and a woman 'capable of arousing profane passion', this is the story of a woman whose life combined privilege and tragedy, love and riches, conviction and courage, humanity and inhumanity.

The gripping account of how the Royal family really operates, from the journalist who has spent years studying them. Who really runs the show and, as Charles III begins his reign, what will happen next?

On 6 July 1868, when told of the birth of her seventh granddaughter, Queen Victoria remarked that the news was "a very uninteresting thing for it seems to me to go on like the rabbits in Windsor Park". Her apathy was understandable - this was her 14th grandchild, and, though she had given birth to nine children, she had never been fond of babies, viewing them as "frog-like and rather disgusting...particularly when undressed".

In her compelling and intimate portrait, presidential historian Barbara A. Perry captures Rose Kennedy’s essential contributions to the incomparable Kennedy dynasty. This biography - the first to draw on an invaluable cache of Rose’s newly released diaries and letters - unearths the complexities behind the impeccable persona she showed the world. The woman who emerges is a fascinating character: savvy about her family’s reputation and resilient enough to persevere through the unfathomable tragedies that befell her.

This biography of Xenia, sister of Nicholas II gives a new angle on the Romanov story and provides new information on relationships within the family after the Revolution.

Although rarely documented as the warmest of monarchs and often criticized for her surly attitude to motherhood, Queen Victoria did successfully heir nine children. By the late 19th century, she had over 30 surviving grandchildren. In this comprehensive delve into Victoria's offspring, Theo Aronson describes the intersection of cultures as princesses with British upbringings experienced the courts of Spain, Romania, Greece, Russia, Sweden, Norway, and Denmark.

Unforgettable as it was, the public response to the death of Queen Elizabeth II in September 2022 was not without precedent. When her great-grandfather King Edward VII - glamorous, cosmopolitan and extraordinarily popular - died in May 1910, the political, social and cultural anxieties of a nation in turmoil were temporarily set aside during a summer of intense and ritualised mourning. In The King Is Dead, Long Live the King! Martin Williams charts a period of tension and transition as one era slipped away and another took shape.