
Ragtime
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Narrated by:
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E. L. Doctorow
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By:
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E. L. Doctorow
The story opens in 1906 in New Rochelle, New York, at the home of an affluent American family. One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. Almost magically, the line between fantasy and historical fact, between real and imaginary characters, disappears. Henry Ford, Emma Goldman, J. P. Morgan, Evelyn Nesbit, Sigmund Freud, and Emiliano Zapata slip in and out of the tale, crossing paths with Doctorow's imagined family and other fictional characters, including an immigrant peddler and a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.
A rich tapestry, Ragtime captures the spirit of America in a unique historic context.
Time magazine included the novel in its Time 100 Best English-language Novels from 1923-2005.
©1997 E. L. Doctorow (P)1997 E. L. DoctorowListeners also enjoyed...




















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After a fiasco with a certain author's books (I bought five but I could not stand the first one so I never read the rest of them), I decided not to read more than one book per author unless the one I read was really life-changing, but in the end, I promised myself to try another E. L. Doctorow novel in the future. I would like to hear it read by someone besides the author, though, or just physically read it. Not that E. L. was bad, but it is a rare author who can really read like a professional narrator.
I can highly recommend this book to anyone interested in history, especially early 20th century, or anyone who wants a well written, interesting, but definitely different kind of book.
Fiction or Non-fiction?
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Ragtime holds its own forty years later. I read the book when it was originally published, found the movie version just OK, and stayed away from the musical version because I stay away from all musicals as much as possible. I had no particular plans to re-read it, but being immersed this past year in the world of audiobooks, I could not resist listening to it because of one reason -- E.L. Doctorow himself is the narrator.
It's just about a truism that one will always get more out of a book when an author reads his own work. But this is a step beyond. Ragtime was hailed, rightly so, for its lyrical writing style, so hearing Doctorow read it in (what I assume) is the way he wrote it, that's a real treat. Surprisingly, after quoting Scott Joplin in his epigraph, saying that ragtime is meant to be played slowly, Doctorow narrates rather quickly, but this is no complaint -- the pace is perfect.
Ragtime music is noted for is syncopated rhythm. Doctorow clearly was inspired to apply that syncopated style to what would normally be called historical fiction, although that term does not do him enough justice. He masterfully interweaves the tales of three fictional families with a stream of true historical characters from the early years of the 20th century, taking on issues of social, racial, and economic justice that still resonate today, and the rhythm is perfectly timed.
Many works of historical fiction are described using a visual metaphor -- as tapestries. Ragtime is all of that, but it also appeals your another sense, with the musical metaphor of the title.
Ragtime Still in Sync
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So Interesting
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A great experience for those who already love this book.
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Doctorow is an excellent narrator, not true of all authors, and so the nuance in meaning in the scenes and characters are beautifully revealed
Doctorow narrates!
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Enjoyed book, not narration
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Presenting the past and pasting the present
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Solid
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Am I missing something?
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The weakest part of this whole enterprise is honestly Mr. Doctorow himself. For some reason, his narration reminded me of F. Murray Abraham's character from Galaxy Quest. It felt thrown off and uninspiring. This book deserved better than him reading it.
Slightly Dated But Very Strong
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