Reading Pride and Prejudice in the 21st Century
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Narrated by:
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Patricia A. Matthew
About this listen
After Romeo and Juliet, Elizabeth Bennet and Fitzwilliam Darcy might just be the world’s most famous fictional couple.
The story of how they fall in love—Pride and Prejudice—has left an indelible imprint on popular culture. Readers, novelists, playwrights, filmmakers, and even zombies can’t leave Pride and Prejudice alone. Which raises the question: Why has this novel, of all Jane Austen’s works, remained the general favorite?
In Reading Pride and Prejudice in the 21st Century, Professor Patricia A. Matthew, a specialist in British Romanticism and the history of the novel, examines how fans and scholars engage with the novel today—and how contemporary storytellers continually surprise us with new retellings. Through this Audible Original, you’ll explore fresh perspectives on the heroic ideals of Elizabeth Bennet and the values of the women around her, the enduring sex appeal of Mr. Darcy and his various cinematic interpretations, how today’s readers grapple with the novel’s depictions of gender and class in the 1800s, the timeless power of Austen’s satire, and even the promises of a Pride and Prejudice multiverse of parodies, murder mysteries, and more.
©2023 Audible Originals, LLC (P)2023 Audible Originals, LLC
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Sleep and Folklore in Popular Culture
- By: Dr. Franziska Kohlt, The Great Courses
- Narrated by: Dr. Franziska Kohlt
- Length: 3 hrs and 11 mins
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In this eye-opening six-part series, Dr. Franziska Kohlt looks at the concept of dreams through the lens of the stories that feature them. You’ll visit the enchanted slumbering land of Sleeping Beauty and the dark and mysterious realm of The Sandman. You’ll explore the ironic dreaming devices of Slaughterhouse-Five; the trippy, fantastical world of Alice in Wonderland; and many more on the quest to deconstruct the symbolism and intent of the dreams that are part of the narrative—or even, in some cases, that are characters in the narrative.
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Lots of information, but...
- By Mariam on 10-12-22
By: Dr. Franziska Kohlt, and others
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African American History: From the African Coast to the Civil War
- By: Leslie Alexander, The Great Courses
- Narrated by: Leslie Alexander
- Length: 12 hrs and 22 mins
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Owing to the legacy of slavery, African Americans have faced significant obstacles to obtaining the fundamental rights of freedom and citizenship. The consistent struggle among African Americans to gain their human rights live at the heart of the American experiment in democracy. In the 24 compelling lectures of African American History: From the African Coast to the Civil War, take a penetrating look at the experience of African Americans in the colonial and antebellum eras
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Most important but least know history
- By John D. Murphy on 11-17-24
By: Leslie Alexander, and others
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George Orwell: The Man and the Mind Behind 1984
- By: Michael Shelden, The Great Courses
- Narrated by: Michael Shelden
- Length: 2 hrs and 13 mins
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In George Orwell: The Man and the Mind Behind 1984, Professor Michael Shelden will show you how 1984 presents a plausible reality of thought control and totalitarian power that feels contemporary even as it reflects its own time.
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Creating Big Brother
- By Gilbert M. Stack on 04-19-24
By: Michael Shelden, and others
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Welcome to Your Toddler's Brain
- By: Lise Eliot, The Great Courses
- Narrated by: Lise Eliot
- Length: 2 hrs and 54 mins
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The brain is a marvelous and complex organ that takes decades to fully mature, and no stage in that long process is more critical than the one we call the “toddler” years. During this period—from about one year old to three years old—a child transforms from a helpless infant into a running, chatting, insatiably curious little person with distinctive traits and interests. So, what is happening in the brain during this metamorphosis? How do humans acquire the motor, linguistic, and social skills that define this vital childhood period? Lise Eliot offers answers to these intriguing questions.
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Informative!
- By Anna on 11-07-24
By: Lise Eliot, and others
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How Horror Works in Books and Film
- By: Shannon Scott, The Great Courses
- Narrated by: Shannon Scott
- Length: 3 hrs and 40 mins
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Why are we scared of ghosts, zombies, vampires, demons, and monsters, when we know they are not real? Why do dark attics give us the creeps? How do writers and directors know exactly what anxieties to tap into, so that we break out in goosebumps, cover our eyes, and cringe? Shannon Scott invites you into the spooky, creepy, and sometimes surprising world of the horror genre to examine how popular scary movies and books manipulate our collective and individual fears—not only to frighten us, but also to address taboo subjects, and to reflect and comment on the state of our society.
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A social study about horror literature and media.
- By The Cimmerian on 11-07-22
By: Shannon Scott, and others
What listeners say about Reading Pride and Prejudice in the 21st Century
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- M. E. Greenham
- 08-21-23
Too woke
There is a difference between modern standards and woke “standards”. The author could consider this.
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3 people found this helpful
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- Suzannee
- 11-12-24
Great Lecture
This was a great lecture on Pride and Prejudice, and on its adaptations into other novels and screenplays. It introduces the listener to other works. I look forward to reading and watching the adaptations that the professor talks about.
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- Margaret
- 09-04-23
Great info for thought!
I love all the Jane Austen books and this expert explained why all the reasons Jane wrote her books as she did as well as all the adaptations since. I found it an enjoyable short read!
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1 person found this helpful
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- Ari@The Bookish Coven
- 10-02-23
Short and educational
Short series of lectures about the impact of Pride and Prejudice. Matthew's analysis was enjoyable!
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- Baka Svig
- 08-09-23
So enjoyable! More please
I really enjoyed Dr.Patricia Mathew’s scholarship. More please! I will look for more courses by her.
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2 people found this helpful
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- Eliza
- 12-09-23
Helpful introduction
Whether you’re just getting started with Jane Austen or you’ve read the novel but want some additional background, this is a well-informed and engaging introduction to Jane Austen and her most famous novel.
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- Fastidious Kingdoms
- 09-01-23
Omg the narrator
The narrator/author not only speaks in an unnatural, completely scripted cadence, but she repeatedly says, “In this lecture I will tell you…” “In Lecture Four I will tell you.” A college professor should have better writing skills than using the “I will tell you” crutch. Perhaps, “in this lecture we will discuss,” or “this lecture focuses on.”
I was excited to see this title, but the narration is a mess.
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- Chelsea Fairless
- 08-22-23
Very disappointing subjective course
If someone is seeking out any kind of literary, critical, or modernist take on Pride and Prejudice, you can be pretty confident that they will already be familiar with the plot; therefore, Matthew spends entirely too much time summarizing it and giving her general opinions on it as a 19th century novel with no time spent on how first-time readers today might interpret the original text. When she does finally get to discussing modern adaptations, she spends the most time discussing the most popular movie adaptations and very little on the books adaptations that appear in much higher quantity.
Matthew seems particularly upset by the 2005 movie version, which she deems as horribly inaccurate for various reasons. Dismissing an adaptation for slight inaccuracies is a very tired argument since new writers are obviously going to change certain things for the modern viewers and their own personal preferences; expecting a perfect facsimile of the original novel is unrealistic and quite frankly, boring. About this 2005 version, Matthew says, "I think Keira Knightley is too pretty for the role of Elizabeth, the orchestral music is too intrusive, and the ampersand in the title is grating." First of all, bringing up your annoyance with an ampersand in a title in no way contributes to any meaningful discussion of the story or medium and is therefore completely unnecessary. Also, the orchestral music in no way distracts the viewer from the story, so that is also an incredibly subjective comment. And as for Knightley being too pretty, it is commonly accepted that the heroine of a film is going to be beautiful, so that's entirely to be expected from Hollywood and in no way should reflect poorly on Knightley herself. Matthew also takes umbrage with the proposal scene in this movie because of the shouting and sexual tension. She says that people of this time would never shout at each other; normally I would agree, but I think it can be allowed that people of any century sometimes lose their tempers and a more heated argument is good for the visual medium of film. I also don't find any fault with there being some sexual tension in the scene, as love and hate are both strong feelings that are well-known to bring people together as much as apart, so it's not unreasonable to say that expressing any strong emotion in this scene could result in sexual tension between two grown adults.
Matthew was inconsistent with her critique of tropes in some adaptations but not others; she seems to condemn the wet shirt scene in the 1995 movie and yet lauds a Darcy on horseback in an Atlanta-based adaptation for being hot. Perhaps she thinks sex appeal is only acceptable in contemporary adaptations but not those still set in the Regency? But they're all adaptations at the end of the day, so I think it's hypocritical to allow it for some and not all. And as for contemporary adaptations as a whole, she implied that one should never sacrifice accuracy for diversity and inclusion, which sounds rather close-minded and borderline racist to me. Matthew has a throwaway comment about how the Bennet parents in the book "Pride" love each other much more than in the original, but while that may seem true on the surface, you also have to consider the social conventions of the time period; couples in the Regency were not expected to ever show physical intimacy outside of the marriage bed but cuddles and kisses in front of others are perfectly acceptable today.
In conclusion, this audiobook needed less summary and personal opinion and more objective analysis on what this classic novel means to readers today. Matthew could have used many more examples of adaptations and spent a little more time with each one to really delve into the nuance of various changes. I'm less interested in Matthew's personal preference for accuracy and more interested in how this novel has shaped our society in surprising ways.
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- Monique
- 11-14-23
Disappointing and Shallow Analysis
The first few chapters were okay, but half of the audiobook were shallow references to modern adaptions most readers likely wouldn’t have encountered before listening. This was less about analyzing the book and more about gushing over fan fiction.
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