Sissy’s younger brother, Chooch, isn’t a baby anymore. They just celebrated his second birthday after all. But no matter what Chooch does—even if he’s messing something up, which is basically all the time!—their parents just say he’s “helping." Sissy feels that Chooch can get away with anything! When Elisi paints a mural, Chooch helps. When Edutsi makes grape dumplings, Chooch helps. When oginalii gigs for crawdads, Chooch helps. When Sissy tries to make a clay pot, Chooch helps.

Twenty-four months ago: Neon gets chased by a dog all around the parking lot of a church. Not his finest moment. And definitely one he would have loved to forget if it weren’t for the dog’s owner: Aria. Dressed in sweats, a t-shirt, hair in a ponytail. Aria. Way more than fine. Twenty-four weeks ago: Neon’s dad insists on talking to him about tenderness and intimacy. Neon and Aria are definitely in love, and while they haven’t taken that next big step…yet, they’ve starting talking about…that.

Magdalena Herrera is about to graduate high school, but she already feels like an adult with serious responsibilities: caring for her ailing grandmother; working a part-time job; clandestine makeouts with a girl who has a boyfriend. And then there's her secret, which pulls her into the basement each night, drains her of energy, and leaves her bleeding. A secret that could hurt and even kill if it ever got out—like it did once before.

Tony dreams about life after high school, where his poetic voice can find freedom on the stage and page. But the Boogeyman has been following Tony since he was six years old. First, the Boogeyman was after his Blackness, but Tony has learned It knows more than that: Tony wants to be the first in his family to attend college, but there’s no path to follow. He also has feelings for boys, desires that don’t align with the script he thinks is set for him and his girlfriend, Blu.

1879, Mississippi. Young dreamer Lettie may have her head in the stars, but her body is on a covered wagon heading westward. Her father, Thomas, promises that Nebraska will be everything the family needs: an opportunity to claim the independence they’ve strived for over generations on their very own plot of land. But Thomas’ hopes—and mouth—are bigger than his ability to follow through. With few supplies and even less money, the only thing that feels certain is danger.

Twelve-year-old Kwame Powell isn't ready to deal with losing his grandmother, even as he and his family head to Ghana for her celebration of life. He's definitely not ready when he's sucked into a magical whirlpool that leads straight to Asamando, the Ghanaian underworld. There, he comes face to face with his grandmother, who is very much alive, and somehow still...a kid? Together with his best friend, Autumn, and a talkative aboatia named Woo, Kwame must battle angry nature gods, and stop the underworld from destroying the land of the living.

After being placed in foster care, Rhi is hungry for a fresh start and begins working at the Happy Valley Wildlife Preserve. While in the woods, she stumbles upon a surreal sight: a pack of wolves guarding four feral and majestic girls. After Rhi gains their trust, they reveal that they’re princesses from another land, raised by a magical prophet they call Mother—and they're convinced Rhi is their lost fifth sister. Unsure what to believe, Rhi ushers the girls to civilization, where they’re met with societal uproar and scrutiny, dubbed “The Wild Girls of Happy Valley.”

In their debut, Theo Parish masterfully weaves an intimate and defiantly hopeful memoir about the journey one nonbinary person takes to find a home within themself. Combining traditional comics with organic journal-like interludes, Theo takes us through their experiences with the hundred arbitrary and unspoken gender binary rules of high school, from harrowing haircuts and finally the right haircut to the intersection of gender identity and sexuality—and through tiny everyday moments that all led up to Theo finding the term “nonbinary,” which finally struck a chord.

Fern’s lived at the Ranch, an off-the-grid, sustainable community in upstate New York, since she was six. The work is hard, but Fern admires the Ranch's leader, Dr. Ben. So when Fern’s mother sneaks them away in the middle of the night and says Dr. Ben is dangerous, Fern doesn't believe it. She wants desperately to go back, but her mom just keeps driving. Suddenly thrust into the treacherous, toxic, outside world, Fern thinks only about how to get home again.

Ten-year-old Lola has always been touched by magic. In her Mexico City home, built around a towering tree, she is accustomed to enchanted blooms that change with the seasons, a sandbox that spits out mysterious treasures, and mischievous chaneques that scuttle about unseen by all but her. Magic has always been a part of her life, but now she must embrace the extraordinary as never before. Ever since The Thing That Happened, Lola's brother Alex has been sick. As his condition worsens, something begins eating away at the tree, causing its leaves and blossoms to crumble like ash.