THE BRONZE AGE OF COMICS: SUPERHUMAN Volume One looks at super-hero comic books from 1970 to 1983, with sections on such characters as Batman, The Flash, New Teen Titans, Justice League, Sub-Mariner, The Avengers, Spider-Man, Wonder Woman, Thor, X-Men, Superboy and the Legion of Super-Heroes, and more. There are also sections on Ms. Marvel, Black Widow, The Cat and Tigra, Aquaman, Iron Fist, Master of Kung Fu, Power Man and many more, with such chapters as "Kung Fu Fighters," "Black is Beautiful." and "Some of Marvel's Super Ladies." And let's not forget series starring the Joker, Freedom ...

The defining, behind-the-scenes chronicle of one of the most extraordinary, beloved, and dominant pop cultural entities in America’s history - Marvel Comics - and the outsized personalities who made Marvel, including Martin Goodman, Stan Lee, and Jack Kirby.

The first in-depth, behind-the-scenes audiobook treatment of the rivalry between the two comic book giants. They are the two titans of the comic book industry - the Coke and Pepsi of superheroes - and for more than 50 years, Marvel and DC have been locked in an epic battle for spandex supremacy. At stake is not just sales, but cultural relevancy and the hearts of millions of fans. To many partisans, Marvel is now on top. But for much of the early 20th century, it was DC that was the undisputed leader.

Originally published in France and long sought in English translation, Jean-Paul Gabilliet's Of Comics and Men: A Cultural History of American Comic Books documents the rise and development of the American comic book industry from the 1930s to the present. The book intertwines aesthetic issues and critical biographies with the concerns of production, distribution, and audience reception, making it one of the few interdisciplinary studies of the art form.

Marvel Comics in the 1970s explores a forgotten chapter in the story of the rise of comics as an art form. Bridging Marvel's dizzying innovations and the birth of the underground comics scene in the 1960s and the rise of the prestige graphic novel and postmodern superheroics in the 1980s, Eliot Borenstein reveals a generation of comic book writers whose work at Marvel in the 1970s established their own authorial voice within the strictures of corporate comics.