Scandal and betrayal are themes of this collection of 3 vintage Sherlock HoScandal and betrayal are themes of this collection of 3 vintage Sherlock Holmes tales. "A Scandal in Bohemia" tells of the legendary detective's encounter with Irene Adler, a beautiful and intelligent women, in a story of love, intrigue, and political scandal. In "Silver Blaze," the police must make sense of an unusual knife, a missing horse, and a strange visit in order to find the murderer of a trusted horse trainer. "The Adventure of the Copper Beeches" describes a mysterious, sinister house with copper beeches by the front door that reveals a most unnatural betrayal. The stories are read by a true master, Edward Hardwicke, a talented actor who plays Sherlock Holmes's associate, Dr. Watson, as seen on the popular PBS series Mystery! lmes tales.

Here are three more Sherlock Holmes adventures from the pen of Sir Arthur Conan Doyle and read by Edward Hardwicke, who has become the definitive Dr. Watson of the 80s and 90s due to the spectacularly successful Granada television series in which he appears with Jeremy Brett as Sherlock Holmes.

These classic Sherlock Holmes tales tell of treachery, murder, and theft. In "The Crooked Man," a long-lost love returns horribly changed, revealing an awful treachery that has been kept secret for decades. Sherlock Holmes's brother, Mycroft, appears in "The Greek Interpreter," to lead Holmes and Watson to a hideous murder and the betrayal of a foreign heiress. In "The Naval Treaty," an innocent man's honor, position, and health are at stake when a treaty of the utmost importance is stolen from his office.

When Sir Arthur Conan Doyle wrote "The Final Problem" in 1893, in which Sherlock Holmes seemed to plunge fatally to the bottom of the Reichenbach Falls in the grip of his old adversary, Professor Moriarty, he vowed to have nothing more to do with his celebrated sleuth. But the pressure of public demand, not to mention the financial offers from British and American publishers, persuaded him to relent.

Homicide is always an abomination, but there is something exceptionally disturbing about the victim discovered in a high, lonely place: a corpse with a mouth full of sand, abandoned at a crime scene seemingly devoid of tracks or useful clues. Though it goes against his better judgment, Navajo tribal police lieutenant Joe Leaphorn cannot help but suspect the hand of a supernatural killer.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.