Signifying Rappers
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Narrated by:
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Robert Petkoff
About this listen
Finally back in print and now in audio - David Foster Wallace and Mark Costello's exuberant exploration of rap music and culture.
Living together in Cambridge in 1989, David Foster Wallace and longtime friend Mark Costello discovered that they shared "an uncomfortable, somewhat furtive, and distinctively white enthusiasm for a certain music called rap/hip-hop." The book they wrote together, set against the legendary Boston music scene, mapped the bipolarities of rap and pop, rebellion and acceptance, glitz and gangsterdom. Signifying Rappers issued a fan's challenge to the giants of rock writing, Greil Marcus, Robert Palmer, and Lester Bangs: Could the new street beats of 1989 set us free, as rock had always promised?
Available again at last, Signifying Rappers is a rare record of a city and a summer by two great thinkers, writers, and friends. With a new foreword by Mark Costello on his experience writing with David Foster Wallace, this reissue cannot be missed.
©2013 Mark Costello, David Foster Wallace (P)2013 Hachette AudioListeners also enjoyed...
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Story
A weave of biography, criticism, and memoir, Shine Bright is Danyel Smith’s intimate history of Black women’s music as the foundational story of American pop. Smith has been writing this history for more than five years. But as a music fan, and then as an essayist, editor (Vibe, Billboard), and podcast host (Black Girl Songbook), she has been living this history since she was a latchkey kid listening to “Midnight Train to Georgia” on the family stereo.
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Ok might have been better reading the hard copy
- By cde on 06-18-22
By: Danyel Smith
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Bop Apocalypse
- Jazz, Race, the Beats, and Drugs
- By: Martin Torgoff
- Narrated by: Roger Wayne
- Length: 13 hrs and 17 mins
- Unabridged
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Martin Torgoff details the rise of early drug culture in America by weaving together the disparate elements that formed this new segment of the American fabric. Channeling his decades of writing experience, Torgoff connects the birth of jazz in New Orleans, the first drug laws, Louis Armstrong, the Federal Bureau of Narcotics, swing, Lester Young, Billie Holiday, the Savoy Ballroom, Charlie Parker, the birth of bebop, the rise of the Beat Generation, and the launch of heroin in Harlem.
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fascinating read
- By Ryan on 06-27-17
By: Martin Torgoff
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Walk This Way
- Run-DMC, Aerosmith, and the Song That Changed American Music Forever
- By: Geoff Edgers
- Narrated by: Geoff Edgers
- Length: 6 hrs and 51 mins
- Unabridged
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Washington Post staff writer Geoff Edgers takes a deep dive into the story behind "Walk This Way", Aerosmith and Run-DMC's legendary, groundbreaking mashup that forever changed music.
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A MUST LISTEN/READ
- By Aron Teo Lee on 05-17-19
By: Geoff Edgers
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All Shook Up
- How Rock ‘n’ Roll Changed America
- By: Glenn C. Altschuler
- Narrated by: Jack Garrett
- Length: 9 hrs and 20 mins
- Unabridged
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As Glenn Altschuler reveals in All Shook Up, the rise of rock 'n roll--and the outraged reception to it--in fact can tell us a lot about the values of the United States in the 1950s, a decade that saw a great struggle for the control of popular culture. Altschuler shows, in particular, how rock's "switchblade beat" opened up wide fissures in American society along the fault-lines of family, sexuality, and race.
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50's Rock&Roll was more of a force than I thought
- By James on 10-19-11
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With Amusement for All
- A History of American Popular Culture since 1830
- By: LeRoy Ashby
- Narrated by: Kevin Pierce
- Length: 33 hrs and 40 mins
- Unabridged
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With Amusement for All is the first comprehensive history of two centuries of mass entertainment in the United States, covering everything from the penny press to Playboy, the NBA to NASCAR, big band to hip hop, and other topics including film, comics, television, sports, and music. Paying careful attention to matters of race, gender, class, economics, and politics, LeRoy Ashby emphasizes the complex ways in which popular culture simultaneously reflects and transforms American culture.
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So Much Fun!
- By Paul on 11-28-13
By: LeRoy Ashby
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Original Gangstas
- The Untold Story of Dr. Dre, Eazy-E, Ice Cube, Tupac Shakur, and the Birth of West Coast Rap
- By: Ben Westhoff
- Narrated by: J.D. Jackson
- Length: 15 hrs and 17 mins
- Unabridged
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Amid rising gang violence, the crack epidemic, and police brutality, a group of unlikely voices cut through the chaos of late 1980s Los Angeles: N.W.A. Led by a drug dealer, a glammed-up producer, and a high school kid, N.W.A. gave voice to disenfranchised African Americans across the country. And they quickly redefined pop culture across the world. Their names remain as popular as ever: Eazy-E, Dr. Dre, and Ice Cube. Dre soon joined forces with Suge Knight to create the combustible Death Row Records.
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Very Informative and well told
- By guyzilla on 02-19-17
By: Ben Westhoff
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Uncommon People
- The Rise and Fall of The Rock Stars
- By: David Hepworth
- Narrated by: Matthew Lloyd Davies
- Length: 10 hrs and 32 mins
- Unabridged
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The age of the rock star, like the age of the cowboy, has passed. Like the cowboy, the idea of the rock star lives on in our imaginations. What did we see in them? Swagger. Recklessness. Sexual charisma. Damn-the-torpedoes self-belief. A certain way of carrying themselves. Good hair. Interesting shoes. Talent we wished we had. What did we want of them? To be larger than life but also like us. To live out their songs. To stay young forever. No wonder many didn't stay the course.
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INSIGHTFULL!
- By CLAUDIA R KENNEDY on 02-18-18
By: David Hepworth
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Catch a Wave
- The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson
- By: Peter Ames Carlin
- Narrated by: Bronson Pinchot
- Length: 14 hrs and 15 mins
- Unabridged
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In Catch a Wave, Peter Ames Carlin pulls back the curtain on Brian Wilson, one of popular music's most revered luminaries, as well as its biggest mystery. Drawing on hundreds of interviews and never-before heard studio recordings, Carlin follows the Beach Boys from their earliest days through Brian's deepening emotional problems to his triumphant re-emergence with the release of Smile, the legendarily unreleased album he had originally shelved.
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Not great
- By J. Barker on 08-08-16
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Outlaw
- Waylon, Willie, Kris, and the Renegades of Nashville
- By: Michael Streissguth
- Narrated by: John Pruden
- Length: 7 hrs and 37 mins
- Unabridged
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Waylon Jennings. Willie Nelson. Kris Kristofferson. Three renegade musicians. Three unexpected stars. Three men who changed Nashville and country music forever. Streissguth's new book brings to life an incredible chapter in musical history and reveals for the first time a surprising outlaw zeitgeist in Nashville. Based on extensive research and probing interviews with key players, what emerges is a fascinating glimpse into three of the most legendary artists of our times and the definitive story of how they changed music in Nashville and everywhere.
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Revealing little-known Details does Captivate!
- By Cody Meyer on 11-20-17
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The Walrus and the Elephants
- John Lennon’s Years of Revolution
- By: James A. Mitchell
- Narrated by: Stephen Hoye
- Length: 6 hrs and 35 mins
- Unabridged
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In late 1971 John Lennon left London behind and moved to New York, eager to join a youth movement rallying for social justice and an end to the Vietnam War. Lennon was quickly embraced by radicals and revolutionaries, the hippies and Yippies at odds with the establishment. Settling in Greenwich Village, the heart of Manhattan's counterculture, the former Beatle was soon on the frontlines of the antiwar movement and championing a range of causes and issues.
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I wish you were still here
- By Kazuhiko on 12-09-13
What listeners say about Signifying Rappers
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Darwin8u
- 08-08-13
Signifying Roomates
My relationship with RAP started out a little funky. I remember hearing Ice-T's "Girls, L.G.B.N.A.F." on a 9th-grade biology trip to Southern Utah. Sony Walkman shared in the back of the bird bus. A bunch of white, prep-school kids from subburban Utah with no tangible idea what the ghetto, urban or underpriviliged was like experimenting with early RAP excess to pubescent abandon.
Fast-forward a year: I'm living in Izmir, Turkey, getting a letter mailed 1/2 around the world from a friend and girl referencing said trip with L.G.B.N.A.F. stamped all throughout. Letter is discovered and read by Father. Father demands to know what L.G.B.N.A.F. means. There is no way in HELL to explain to Father, while driving in Asia Minor, what that ICE-T song meant in Moab or what it means in the here and now. The result of this failed explanation is I can never hear Journey's Greatest Hits (the abumn I was listening to in the car as my father was interrogating me) without thinking of Ice-T (strange mental ebbs and flows). Now fast-forward two decades: watching my wife watch Ice-T on Law & Order: SVU. It is all just a little trippy -- weird convergences of RAP, Journey, Turkey, and crap television all fighting for meaning in my memory. The world IS indeed a DFW essay.
But, like my diet Dr Pepper left outside overnight or a green pear eaten too soon, this book hints at (DFW's) later genius without quite delivering the thing you want. It over-promises and under-delivers on the what, why, and wherefores of RAP. It is almost exactly what you would expect an overwritten book about rap put together by a young, tired genius who hasn't yet found his literary voice/mojo and his college roommate to be like.
The weirdest, and most ironic part of the whole audiobook experience was the end when the narrator, on behalf of Hachette Audio, declares that "no part of the audio recording can be reproduced, copied, used, etc. without prior permission from yadda yadda" A funky ending to a book on an art form of theft, samples, and reproduction. David Foster Wallace would have loved the irony, would have stolen the warning, and would have riffed and rapped about it in a follow-up essay.
Anyway, it was genius in parts, smug in parts, dated in many many sections, angry and alienated through-out, and still -- despite all its flaws -- it moved me and was worth the money. And, as Lil Wayne never gets tired of telling me "only money make me move".
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