Paul Dirac (1902 - 1984) was a brilliant mathematician and a 1933 Nobel laureate whose work ranks alongside that of Albert Einstein and Sir Isaac Newton. Although not as well-known as his famous contemporaries Werner Heisenberg and Richard Feynman, his influence on the course of physics was immense. His landmark book, The Principles of Quantum Mechanics, introduced that new science to the world and his "Dirac equation" was the first theory to reconcile special relativity and quantum mechanics.

William Faulkner was the greatest American novelist of the 20th century, yet he lived a life marked by a pervasive sense of failure. Throughout his career, he remained haunted by his inability to master a series of personal and professional challenges: his less-than-heroic military career; the loss of his brother in an airplane crash; a disappointing stint as a Hollywood screenwriter; and a destructive bout with alcoholism.

Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress, and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese, and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives, and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.

Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of Black life and Black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era.

The first new collection of essays by Christopher Hitchens since 2004, Arguably offers an indispensable key to understanding the passionate and skeptical spirit of one of our most dazzling writers, widely admired for the clarity of his style, a result of his disciplined and candid thinking. Topics range from ruminations on why Charles Dickens was among the best of writers and the worst of men to the enduring legacies of Thomas Jefferson and George Orwell.

Paris, 1933: Three contemporaries meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are the young Jean-Paul Sartre, Simone de Beauvoir, and longtime friend Raymond Aron, a fellow philosopher who raves to them about a new conceptual framework from Berlin called phenomenology. "You see," he says, "if you are a phenomenologist, you can talk about this cocktail and make philosophy out of it!"

Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers' experience, The Art of Memoir lays bare Karr's own process. (Plus all those inside stories about how she dealt with family and friends get told - and the dark spaces in her own skull probed in depth.)

This question obsessed Renaissance writers, none more than Michel Eyquem de Montaigne, perhaps the first recognizably modern individual. A nobleman, public official, and winegrower, he wrote free-roaming explorations of his thought and experience, unlike anything written before. He called them essays, meaning “attempts” or “tries.” He put whatever was in his head into them: his tastes in wine and food, his childhood memories, the way his dog’s ears twitched when it was dreaming, as well as the religious wars....

Without an understanding and appreciation of the culture we seek to preserve and protect, the defense of Western civilization is fundamentally futile; a culture that believes in nothing cannot defend itself, because it has nothing to defend. In this profound and wide-ranging historical survey, Michael Walsh illuminates the ways that the narrative and visual arts both reflect and affect the course of political history, outlining the way forward by arguing for the restoration of the heroic narrative that forms the basis of all Western cultural and religious traditions.

In The Voice Is All, Joyce Johnson - coauthor of the classic memoir Door Wide Open, about her relationship with Jack Kerouac - brilliantly peels away layers of the Kerouac legend to show how, caught between two cultures and two languages, he forged a voice to contain his dualities. Looking more deeply than previous biographers into how Kerouac's French Canadian background enriched his prose and gave him a unique outsider's vision of America, she tracks his development from boyhood through the phenomenal breakthroughs of 1951 that resulted in the composition of On the Road.

In 2010 Clive James was diagnosed with terminal leukemia. Deciding that "if you don't know the exact moment when the lights will go out, you might as well read until they do", James moved his library to his house in Cambridge, where he would "live, read, and perhaps even write". James is the award-winning author of dozens of works of literary criticism, poetry, and history, and this volume contains his reflections on what may well be his last reading list.

Herman Melville's epic novel, Moby-Dick, was a spectacular failure when it was published in 1851, effectively ending its author's rise to literary fame. Because he was neglected by academics for so long, and because he made little effort to preserve his legacy, we know very little about Melville, and even less about what he called his "wicked book". Scholars still puzzle over what drove Melville to invent Captain Ahab's mad pursuit of the great white whale.

A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of writers who espoused extreme right-wing ideologies in the 20th and 21st centuries.

More than a traditional biography, In the Mountains of Madness will place Lovecraft and his work in a cultural context, as an artist more in tune with our time than his own. Much of the literary work on Lovecraft tries to place him in relation to Edgar Allan Poe, M. R. James, or Arthur Machen; these ideas have little meaning for most contemporary listeners. In his provocative new book, W. Scott Poole reclaims the true essence of Lovecraft in relation to the comics of Joe Lansdale, the novels of Stephen King, and more.

This is a biography of James Baldwin, author, one-time preacher, and civil rights activist. He chose David Leeming, a close friend and colleague, to write his biography and granted him access to his correspondence. Leeming traces his life from his birth in Harlem in 1924 to his self-imposed exile in Europe, his later years as political activist, and his public funeral in 1987.

William Faulkner was the greatest American novelist of the 20th century, yet he lived a life marked by a pervasive sense of failure. Throughout his career, he remained haunted by his inability to master a series of personal and professional challenges: his less-than-heroic military career; the loss of his brother in an airplane crash; a disappointing stint as a Hollywood screenwriter; and a destructive bout with alcoholism.

Blending memoir and polemic with close readings of her favorite novels, she describes the unexpected journey that led her to become an American citizen after first dreaming of America as a young girl in Tehran and coming to know the country through its fiction. She urges us to rediscover the America of The Wonderful Wizard of Oz and Adventures of Huckleberry Finn and challenges us to be truer to the words and spirit of the Founding Fathers, who understood that their democratic experiment would never thrive or survive unless they could foster a democratic imagination.

Lorraine Hansberry, who died at thirty-four, was by all accounts a force of nature. Although best-known for her work A Raisin in the Sun, her short life was full of extraordinary experiences and achievements, and she had an unflinching commitment to social justice, which brought her under FBI surveillance when she was barely in her twenties. While her close friends and contemporaries, like James Baldwin and Nina Simone, have been rightly celebrated, her story has been diminished and relegated to one work—until now.

Baldwin's personal reflections on movies gathered here in a book-length essay are also a probing appraisal of American racial politics. Offering an incisive look at racism in American movies and a vision of America's self-delusions and deceptions, Baldwin challenges the underlying assumptions in such films as In the Heat of the Night, Guess Who's Coming to Dinner, and The Exorcist.

National Book Award winner Jesmyn Ward takes James Baldwin's 1963 examination of race in America, The Fire Next Time, as a jumping-off point for this groundbreaking collection of essays and poems about race from the most important voices of her generation and our time.

Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of Black life and Black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era.

Since its publication in 1925, The Great Gatsby has become one of the world's best-loved books, delighting audiences across the world. Careless People tells the true story behind F. Scott Fitzgerald's masterpiece, exploring in newly rich detail the relation of Fitzgerald's classic to the chaotic world he in which he lived. Fitzgerald set his novel in 1922, and Careless People carefully reconstructs the crucial months during which Scott and Zelda Fitzgerald returned to New York in the autumn of 1922.

Paris, 1933: Three contemporaries meet over apricot cocktails at the Bec-de-Gaz bar on the rue Montparnasse. They are the young Jean-Paul Sartre, Simone de Beauvoir, and longtime friend Raymond Aron, a fellow philosopher who raves to them about a new conceptual framework from Berlin called phenomenology. "You see," he says, "if you are a phenomenologist, you can talk about this cocktail and make philosophy out of it!"

Mark Twain founded the American voice. His works are a living national treasury: taught, quoted, and reprinted more than those of any writer except Shakespeare. His awestruck contemporaries saw him as the representative figure of his times, and his influence has deeply flavored the 20th and 21st centuries.

In Men Explain Things to Me, Rebecca Solnit takes on the conversations between men who wrongly assume they know things and wrongly assume women don't. The ultimate problem, she shows in her comic, scathing essay, is female self-doubt and the silencing of women. Rebecca Solnit is the author of fourteen books about civil society, popular power, uprisings, art, environment, place, pleasure, politics, hope, and memory, most recently The Faraway Nearby, a book on empathy and storytelling.

A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of writers who espoused extreme right-wing ideologies in the 20th and 21st centuries.

Herman Melville's epic novel, Moby-Dick, was a spectacular failure when it was published in 1851, effectively ending its author's rise to literary fame. Because he was neglected by academics for so long, and because he made little effort to preserve his legacy, we know very little about Melville, and even less about what he called his "wicked book". Scholars still puzzle over what drove Melville to invent Captain Ahab's mad pursuit of the great white whale.

In her entertaining and edifying New York Times bestseller, acclaimed author Francine Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters and discover why their work has endured. Written with passion, humor, and wisdom, Reading Like a Writer will inspire listeners to return to literature with a fresh eye and an eager heart.

Ranging widely from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings, Wood takes the reader through the basic elements of the art, step by step. He sums up two decades of insight with wit and concision, resulting in nothing less than a philosophy of the novel, which has won critical acclaim nationwide, from the San Francisco Chronicle to the New York Times Book Review.

Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress, and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese, and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives, and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience.