For fans of Fernanda Melchor and Tove Ditlevsen, a raw, propulsive novel by an award-winning Afro-Brazilian novelist about a Black mother and daughter who work as live-in maids for a rich family in an unnamed Brazilian city, and the tragedy to which they unwittingly bear witness.

Mabel has been staying in the Golden Plate—the most expensive building on the block, in an unnamed city in Brazil—for almost her entire life. Yet her presence there is merely tolerated: she inhabits a miniscule room with her mother, Eunice, who alongside Mabel provides round-the-clock attention and care for the wealthy family who lives there. As Mabel grows up, her dissatisfaction with the forced smallness of her life becomes difficult to bear, and she is driven to work toward new possibilities for herself.

Eunice does the best that she can—uneducated, and with a daughter and ailing mother both depending solely on her, her life is a series of limitations. She moves through the rooms of the penthouse suite in silent servitude, and though Mabel is ashamed of this invisibility act they’ve both perfected, the era of slavery is still fresh in the country’s consciousness, and Eunice thinks it best not to dwell too hard on such things. But when tragedy strikes, and a little boy dies, Eunice must decide if she can face the indifference and injustices of the ruling class she has spent so long orbiting.

Told through direct, agile and evocative prose, Solitaria is a liberation novel of the most rousing order. Through the book’s awareness of space and whose presence is permissible, the world of the Golden Plate unfurls, and an unflinching portrait emerges of modern-day Brazil, its legacies of colonial violence haunting rooms across the country, both big and small.