In a New York City groaning under the burden of 35 million inhabitants, detective Andy Rusch is engaged in a desperate and lonely hunt for a killer everyone has forgotten. For even in a world such as this, a policeman can find himself utterly alone.

Already cited on the floor of Congress and discussed in the corridors of the Pentagon as a book all Americans should read, One Second After is the story of a war scenario that could become all too terrifyingly real. Based upon a real weapon - the Electro Magnetic Pulse (EMP) - which may already be in the hands of our enemies, it is a truly realistic look at the awesome power of a weapon that can destroy the entire United States.

The science fiction genre has become increasingly influential in mainstream popular culture, evolving into one of the most engaging storytelling tools we use to think about technology and consider the shape of the future. Along the way, it has also become one of the major lenses we use to explore important philosophical questions. The origins of science fiction are most often thought to trace to Mary Shelley's novel Frankenstein, a story born from a night of spooky tale-telling by the fireside that explores scientific, moral, and ethical questions that were of great concern in the 19th century - and that continue to resonate today.

Marooned on a tropical island, alone in a world of uncharted possibilities, and devoid of adult supervision or rules, a group of British boys begins to forge a society with its own unique rules and rituals.

This novella will take the listener to a dystopian future - a world of adults where birthmothers are a privileged class and every child is a celebrity. Death has been conquered, but overcrowding has led to a government-enforced zero population growth. When Janice learns she is pregnant without authorization, she must find a life donor or forfeit her own. For every child born, someone must die. The math is simple, but the politics are complicated. Janice soon finds herself diving into a deep conspiracy.

Ryland Grace is the sole survivor on a desperate, last-chance mission - and if he fails, humanity and the Earth itself will perish. Except that right now, he doesn't know that. He can't even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he's been asleep for a very, very long time. And he's just been awakened to find himself millions of miles from home, with nothing but two corpses for company.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Six days ago, astronaut Mark Watney became one of the first people to walk on Mars. Now, he's sure he'll be the first person to die there. After a dust storm nearly kills him and forces his crew to evacuate while thinking him dead, Mark finds himself stranded and completely alone with no way to even signal Earth that he’s alive - and even if he could get word out, his supplies would be gone long before a rescue could arrive. But Mark isn't ready to give up yet.

Inheriting your uncle's supervillain business is more complicated than you might think. Particularly when you discover who's running the place. Charlie's life is going nowhere fast. A divorced substitute teacher living with his cat in a house his siblings want to sell, all he wants is to open a pub downtown, if only the bank will approve his loan. Then his long-lost uncle Jake dies and leaves his supervillain business (complete with island volcano lair) to Charlie. But becoming a supervillain isn't all giant laser death rays and lava pits.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.