Gone Like Yesterday follows two Black women—Zahra, a listless college prep coach, and Sammie, a teenage girl and budding activist soon off to college—who are drawn to each other through the songs of gypsy moths. Gypsy moths have been singing the songs of Zahra’s ancestors to her for years, so when Zahra realizes that Sammie might be a moth person too, their paths become intertwined. Then, the unthinkable happens: Zahra’s brother, Derrick, goes missing.

When tragedy strikes Marjette’s street, and an unexpected child shows up on the first day of school with an uncle who has all the class moms aflutter, Marjette is forced to contend with both her neighbor and her own heartache over losing the life she once thought was guaranteed.

One sunny Spring morning, EJ's simple life is turned upside down when the town's master gardener unceremoniously hands her a stack of handwritten letters that have all been addressed to a nonexistent person at the garden. This simple act sets in motion a chain of events that will lead EJ on a life-altering quest to uncover the identity of the mysterious letter writer―and into a surprising head-on confrontation with the harsh realities of the racial injustice that is as deeply rooted in the life of her community as the ancient herbs cultivated in the Moravian garden.

Indian American journalist Smita has returned to India to cover a story, but reluctantly: long ago she and her family left the country with no intention of ever coming back. As she follows the case of Meena—a Hindu woman attacked by members of her own village and her own family for marrying a Muslim man—Smita comes face to face with a society where tradition carries more weight than one’s own heart, and a story that threatens to unearth the painful secrets of Smita’s own past.

Women warriors planned and led slave revolts on slave ships during the Middle Passage. They fought their enslavers throughout the Americas, and then they were erased from history. Wake tells the story of Dr. Rebecca Hall, a historian, granddaughter of slaves, and a woman haunted by the legacy of slavery. The accepted history of slave revolts has always said that enslaved women were not involved, but Rebecca decides to look deeper.

When sixteen-year-old Cindra Zoeller is sent to a reform camp in Montana after being involved in an armed robbery, she is thrust into a world of mountains and cowboys and prayers and miscreants and people from all walks of life like she’s never seen in suburban Massachusetts. At Camp Challenge, she becomes transfixed by Lucky, a camp employee of mysterious origin—an origin of constant speculation—and the chemistry between them is instant, and profound. The pair escape together into the wilderness to create an idyllic life far from the reach of the law.

Lilian and Rosie were once the closest of sisters, but the untimely death of their parents pulled them apart. Now, three years on, Rosie has reached out to her big sister, asking to meet. Driving on an icy road in the middle of a snowstorm, Rosie admits that she has something important to tell Lilian—a secret she describes as a matter of life and death. But before she has a chance to tell Lilian, a car careens into theirs, with devastating consequences. Lilian is convinced that someone deliberately rammed Rosie’s car. But why?

If there's one thing seventeen-year-old Maverick Carter knows, it's that a real man takes care of his family. As the son of a former gang legend, Mav does that the only way he knows how: dealing for the King Lords. With this money he can help his mom, who works two jobs while his dad's in prison. Life's not perfect, but with a fly girlfriend and a cousin who always has his back, Mav's got everything under control. Until, that is, Maverick finds out he's a father. But it's not so easy to sling dope, finish school, and raise a child.

Violet Figg and her sister Trudy have lived a quiet life in Sugar Bend ever since a night forty years ago stole Trudy’s voice and cemented Violet’s role as Trudy’s fierce and loyal protector. Now, Trudy spends her days making sculptures from found objects and speaking via notes written on scraps of paper, while Violet runs their art shop, monitors the bird activity up and down the water, and tries not to think of her one great love she gave up in order to keep her sister safe.

Just turned eighteen, Romany is on the cusp of taking her first steps into adulthood when tragedy strikes, and she finds herself suddenly alone without her mother, Angie, the only parent she has ever known. In her final letter, Angie has charged her four closest friends with guiding Romany through her last year of school—but is there an ulterior motive to her unusual dying wish? Each of the four guardians possesses an outlook on life that Angie wants to give her daughter as a legacy.

It’s 1957, and after leaving the only home she has ever known, Alice Young steps off the bus into the all-Black town of New Jessup, Alabama, where residents have largely rejected integration as the means for Black social advancement. Instead, they seek to maintain, and fortify, the community they cherish on their “side of the woods.” In this place, Alice falls in love with Raymond Campbell, whose clandestine organizing activities challenge New Jessup’s longstanding status quo and could lead to the young couple’s expulsion—or worse—from the home they both hold dear.

Josephine N. Leary is determined to build a life of her own and a future for her family. When she moves to Edenton, North Carolina, from the plantation where she was born, she is free, newly married, and ready to follow her dreams. As the demands of life pull Josephine’s attention away, it becomes increasingly difficult for her to pursue her real estate aspirations. She finds herself immersed in deepening her marriage, mothering her daughters, and being a dutiful daughter and granddaughter.

One of five children, Pat watched as her alcoholic mother struggled to get by on charity, cons, and petty crimes. At age seven, Pat was taught to roll drunks for money. At 12, she was targeted for sex by a man eight years her senior; by 13, she was pregnant. By 15, Pat was a mother of two. Alone at 16, Pat was determined to make a better life for her children. But with no job skills and an eighth-grade education, her options were limited. She learned quickly that hustling and humor were the only tools she had to survive.

Dolores Claiborne is suspected of killing Vera Donovan, her wealthy employer, and when the police question her, she tells the story of her life, harkening back to her disintegrating marriage and the suspicious death of her violent husband 30 years earlier. Dolores also tells of Vera's physical and mental decline and how she became emotionally demanding in recent years.

Clara Kelley is not who they think she is. She's not the experienced Irish maid who was hired to work in one of Pittsburgh's grandest households. She's a poor farmer's daughter with nowhere to go and nothing in her pockets. But the other woman with the same name has vanished, and pretending to be her just might get Clara some money to send back home.