For 20 years Suspense brought radio listeners incalculable sharp inhales, tingled spines, and shortened breaths. Every week brought a fresh slate, a fresh cast, and a fresh challenge with an attention to detail and consistent script quality that never lost ground. From beginning to end, Suspense stands as one of radio’s lasting achievements - and the creative peak of the broadcast anthology format. Suspense: Omnibus includes 20 of the best episodes from the series.

The greatest stars of screen and stage, the greatest writers of print and radio—all combine to keep you in…suspense! Here are twenty nerve-stretching exercises in crime, mystery, and the uncanny featuring Robert Montgomery, Gregory Peck, Lana Turner, William Powell, Ronald Reagan, Joseph Cotton, and more. Fates and fortunes may be threatened by a jealous spouse, an unscrupulous authority figure…or the truth. Find out what rash decisions are made in the desperation of the moment in riveting radio plays produced and directed by Anton M. Leader, William Spier, and Norman Macdonnell.

Twenty tales of terror and suspense, brought to you by sinister storyteller Vincent Price. Horror legend Vincent Price presents an anthology of eerie, unsettling tales with a devilish twist - some purportedly based on his own adventures, others narrated by him in his own inimitable style.

You—yes, you! You might think you're getting away with it. You might think it's in the bag. You might think nobody knows what you're really up to! But The Whistler knows—and tells—in this new collection of twenty tale-twisting thrillers! Real life husbands and wives—Elliott and Cathy Lewis, Frank Lovejoy and Joan Banks, Jeanette Nolan and John McIntire—are heard in this suspenseful set, along with Bill Forman as The Whistler.

Horror stars, action heroes, matinee idols, leading ladies - Suspense offered them all a showcase that expanded and emphasized their distinctive talents. Peter Lorre and Edward G. Robinson were particular favorites and appear here in tortured, desperate roles and never failing to wring every bit of tension from the scripts in their hands. Popular comedians - like Bob Hope and Milton Berle - were also regularly featured. Cast hard against type, the audience was forced to view them in an entirely different light and were left gasping in their wake.

Who's that bear? And what's he doing in Jack Benny's basement? It's the famous Carmichael—guarding the vault and getting laughs! Dish up the Jell-O for Mary Livingston, Phil Harris, Eddie "Rochester" Anderson, Dennis Day, and Don Wilson in twenty classic prewar episodes—and be sure to leave a plate for you-know-who downstairs!

Crime is everywhere in postwar Los Angeles—and so is Sgt. Joe Friday. From robbery detail to the Bunco Squad, from narcotics to homicide, he's on the job in radio's definitive police procedural series.

He's settling in with his new life and his new family in Summerfield U. S. A.—and now Throckmorton P. Gildersleeve has a new job! How does a man whose only experience with plumbing is turning on the faucet end up as the new Water Commissioner? These 16 digitally restored and remastered episodes feature Walter Tetley as Leroy, Lurene Tuttle as Marjorie, Lillian Randolph as Birdie, Earle Ross as Judge Hooker, Dick LeGrand as Mr. Peavey, Shirley Mitchell as Leila Ransom…and Harold Peary as Gildy.

"Even when you know who's guilty, you always receive a startling surprise at the final curtain." He knows who you are and he knows what you did! He's The Whistler—a mysterious figure of the night who knows the nameless terrors of which you dare not speak! Here's radio noir at its finest in twenty tales of crime, mystery, and fate starring Bill Forman as The Whistler. The plotters and the pawns are played by Jeff Chandler, Betty Lou Gerson, Frank Lovejoy, Gerald Mohr, Eleanor Audley, Joseph Kearns, Frances Robinson, and more.

Everyone has secrets...but some secrets are more sinister than others. And the more malevolent the secret, the more The Whistler knows! Wander the foreboding, shadow-filled streets of the imagination in tales that explore the "nameless terrors of which we dare not speak." Bill Forman stars as The Whistler, alongside the suspiciously skillful William Conrad, Gerald Mohr, Elliott and Cathy Lewis, Howard Duff, Doris Singleton, Betty Lou Gerson, and more. Hear them all in in 20 tense tales of crime, suspense, and fate!

When great stars (like Kirk Douglas and Ava Gardner) took their talents to the radio microphones, it was always a treat. But when these accomplished actors worked under the masterful direction of William Spier, it was radio's outstanding theater of thrills. You'll hear Angela Lansbury, Donald O'Connor, Gloria Swanson, José Ferrer, and more in well-crafted tales of doubt, double cross, and death. Steady your nerves for 20 classic tension-packed thrillers from 1947!

Tight, tense, and packed with excitement! No director in radio could do more with 30 minutes than William Spier...and no half hour in radio could do more to keep you on the edge of your chair than Suspense!

Radio Spirits is pleased to present 20 classic episodes of Suspense, one of radio's longest running and best mystery anthology series. This collection features programs from the early 1950s as produced and directed by Elliott Lewis. Suspense was well-known for its guest star performers and the shows presented here are no exception, featuring appearances by Dana Andrews, Joseph Cotton, Richard Widmark, Ozzie and Harriet Nelson, Alan Ladd, Dennis Day, Fred MacMurray, Agnes Moorehead, William Bendix, Ronald Colman, Joan Crawford, Phil Harris and Alice Faye and more.

Agonizing predicaments, stellar sound effects, and high wattage Hollywood star power combine in radio's top thriller. Myrna Loy, Joseph Cotten, Lucille Ball, Robert Taylor, Ronald Colman, and Agnes Moorehead give brilliant performances in blood-chilling stories. Twenty white-knuckled episodes (produced and directed by the legendary William Spier) feature a superior supporting cast, including John Dehner, Howard Duff, Elliott Lewis, William Johnstone, Joseph Kearns, and more. The tension and excitement of this Peabody Award-winning series are well calculated to keep you in...Suspense!

Doses of concentrated thrills and pure, raw excitement are delivered directly on the heels of the most explosive musical theme in radio - a crashing rendition of Mussorgsky's "Night On Bald Mountain." Produced and directed by William N. Robson, Norman MacDonnell, and Antony Ellis - and featuring stories by Rudyard Kipling, Ambrose Bierce, and more - Escape is capable of chilling spines as expertly as it accelerates heartbeats.

When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

For 20 years Suspense brought radio listeners incalculable sharp inhales, tingled spines, and shortened breaths. Every week brought a fresh slate, a fresh cast, and a fresh challenge with an attention to detail and consistent script quality that never lost ground. From beginning to end, Suspense stands as one of radio’s lasting achievements - and the creative peak of the broadcast anthology format. Suspense: Omnibus includes 20 of the best episodes from the series.

Doses of concentrated thrills and pure, raw excitement are delivered directly on the heels of the most explosive musical theme in radio - a crashing rendition of Mussorgsky's "Night On Bald Mountain." Produced and directed by William N. Robson, Norman MacDonnell, and Antony Ellis - and featuring stories by Rudyard Kipling, Ambrose Bierce, and more - Escape is capable of chilling spines as expertly as it accelerates heartbeats.

Tight, tense, and packed with excitement! No director in radio could do more with 30 minutes than William Spier...and no half hour in radio could do more to keep you on the edge of your chair than Suspense!

Horror stars, action heroes, matinee idols, leading ladies - Suspense offered them all a showcase that expanded and emphasized their distinctive talents. Peter Lorre and Edward G. Robinson were particular favorites and appear here in tortured, desperate roles and never failing to wring every bit of tension from the scripts in their hands. Popular comedians - like Bob Hope and Milton Berle - were also regularly featured. Cast hard against type, the audience was forced to view them in an entirely different light and were left gasping in their wake.

When great stars (like Kirk Douglas and Ava Gardner) took their talents to the radio microphones, it was always a treat. But when these accomplished actors worked under the masterful direction of William Spier, it was radio's outstanding theater of thrills. You'll hear Angela Lansbury, Donald O'Connor, Gloria Swanson, José Ferrer, and more in well-crafted tales of doubt, double cross, and death. Steady your nerves for 20 classic tension-packed thrillers from 1947!