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Sweet Tooth
- Narrated by: Juliet Stevenson
- Length: 12 hrs and 3 mins
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Publisher's summary
Serena Frome, the beautiful daughter of an Anglican bishop, has a brief affair with an older man during her final year at Cambridge and finds herself being groomed for the intelligence services. The year is 1972. Britain, confronting economic disaster, is being torn apart by industrial unrest and terrorism and faces its fifth state of emergency. The Cold War has entered a moribund phase, but the fight goes on, especially in the cultural sphere.
Serena, a compulsive reader of novels, is sent on a ‘secret mission’ that brings her into the literary world of Tom Haley, a promising young writer. First she loves his stories; then she begins to love the man. Can she maintain the fiction of her undercover life? And who is inventing whom? To answer these questions, Serena must abandon the first rule of espionage – trust no one.
McEwan’s mastery dazzles us in this superbly deft and witty story of betrayal and intrigue, love, and the invented self.
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Cyril Avery is not a real Avery - or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.
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Outstanding. A Must listen.
- By Keith G on 09-04-17
By: John Boyne
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Us: A Novel
- By: David Nicholls
- Narrated by: David Haig
- Length: 14 hrs and 9 mins
- Unabridged
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Douglas Petersen may be mild-mannered, but behind his reserve lies a sense of humor that seduces beautiful Connie into a second date...and eventually into marriage. Now, almost three decades later, they live more or less happily in the London suburbs with their moody seventeen year-old son, Albie. Then Connie tells him she thinks she wants a divorce. The timing couldn’t be worse. Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead is for the best anyway? Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage, and might even help him to bond with Albie. Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves, and learning how to get closer to a son who’s always felt like a stranger.
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Great novel - my favorite in years
- By Mark on 07-21-15
By: David Nicholls
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The Night Ocean
- By: Paul La Farge
- Narrated by: Elisabeth Rodgers
- Length: 13 hrs and 23 mins
- Unabridged
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Marina Willett, MD, has a problem. Her husband, Charlie, has become obsessed with H. P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends - or something more? Just when Charlie thinks he's solved the puzzle, a new scandal erupts, and he disappears.
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Frustratingly Uneven Due to Clumsy Plot Structure
- By Adam on 06-15-17
By: Paul La Farge
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In the Light of What We Know
- By: Zia Haider Rahman
- Narrated by: Ralph Lister
- Length: 21 hrs and 14 mins
- Unabridged
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One September morning in 2008, an investment banker approaching forty, his career in collapse and his marriage unraveling, receives a surprise visitor at his West London townhouse. In the disheveled figure of a South Asian male carrying a backpack the banker recognizes a long-lost friend, a mathematics prodigy who disappeared years earlier under mysterious circumstances. The friend has resurfaced to make a confession of unsettling power.
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dreadful
- By sam on 06-05-15
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Murder of Magpies
- By: Judith Flanders
- Narrated by: Susan Duerden
- Length: 8 hrs and 20 mins
- Unabridged
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It's just another day at the office for book editor Samantha Clair. Checking jacket copy for howlers, wondering how to break it to her star novelist that her latest effort is utterly unpublishable, lunch scheduled with gossipy author Kit Lowell, whose new book will deliciously dish the dirt on the fashion industry. But little does she know how much trouble Kit's book is about to be. Before it even goes to print.
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Excellent novel, horrible narrator
- By David on 03-20-17
By: Judith Flanders
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A Narrow Door
- By: Joanne Harris
- Narrated by: Alex Kingston, Steven Pacey
- Length: 12 hrs and 53 mins
- Unabridged
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Rebecca Buckfast has spilled blood to reach this position. Barely 40, she is just starting to reap the harvest of her ambition. As the new regime takes on the old guard, the ground shifts. And with it, the remains of a body are discovered.
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Optional heading
- By TanyaB on 01-17-22
By: Joanne Harris
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The Wife
- A Novel
- By: Meg Wolitzer
- Narrated by: Dawn Harvey
- Length: 8 hrs and 9 mins
- Unabridged
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The moment Joan Castleman decides to leave her husband, they are 35,000 feet above the ocean on a flight to Helsinki. Joan's husband, Joseph, is one of America's preeminent novelists, about to receive a prestigious international award, and Joan, who has spent 40 years subjugating her own literary talents to fan the flames of his career, has finally decided to stop.
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A bit of a downer
- By Jody Cox on 08-01-18
By: Meg Wolitzer
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A Great Deliverance
- Inspector Lynley, Book 1
- By: Elizabeth George
- Narrated by: Donada Peters
- Length: 11 hrs and 2 mins
- Unabridged
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Into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an ax in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry".
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good debut novel
- By Stevon on 11-11-19
By: Elizabeth George
What listeners say about Sweet Tooth
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Christopher
- 02-06-13
Superb and surprising
If you could sum up Sweet Tooth in three words, what would they be?
Clever, empathetic and intriguing
What other book might you compare Sweet Tooth to and why?
The Sense of an Ending by Julian Barnes- they are both brilliantly observed memoirs that utterly capture the essence of youth and early love affairs. Sweet Tooth is, however, vastly superior in my opinion with a more interesting story.
Which scene was your favorite?
The ending is superb.
If you could rename Sweet Tooth, what would you call it?
I couldn't/ wouldn't.
Any additional comments?
Great narration and delivery and a thoroughly enjoying listen. Just the right length, tense, taught and interesting.
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6 people found this helpful
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- Moonglotexas
- 09-18-12
What a twist! Thought provoking!
Would you listen to Sweet Tooth again? Why?
Yes, absolutely! Beautiful read and well-wriiten, it drove me into an almost trance-like hazy. The world so realistically sculptured by both Ian and Juliet, I began to feel like I came home to the story at the end of the day.
What was one of the most memorable moments of Sweet Tooth?
The ending was one of those, "oh my word, did I hear that right?" moments. Rarely do plots surprise me, this one did and for that I am grateful
Have you listened to any of Juliet Stevenson’s other performances before? How does this one compare?
Yes, she is one voice that neither intrudes on the story nor fails to instil the necessary emotion - she is the perfect balance
Any additional comments?
Fabulous book from a great author, exquisitely read!
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4 people found this helpful
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- Ilinca
- 02-27-13
MI5 romance
It starts off as an interesting promise of a story of literature and espionage, just as the blurbs advertise. Halfway through you realize it's neither; it's really a story of relationships (one in particular) and the power games that go into them. Which might be interesting in itself, if it weren't, well, not very interesting. A character who's not particularly bright falls for a character who's utterly unlikable. Then half the book is spent waiting for something terrible to happen, some major disgrace that is mentioned at the beginning. Then the book ends.
I, for one, though I liked other books by McEwan, found it difficult to be interested in these characters and felt cheated in many promises, of plot or depth, that they can't fulfill. I did find it easy to read through (listen to, in fact) to the end. But it should advertise as an intelligent soapy story incidentally set within MI5.
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3 people found this helpful
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- Mackenzie
- 02-04-13
Rivetting
A cracker of a listen; I am still thinking about the final chapter. I’m not sure how I developed the opinion that McEwan was inconsistent — probably listening to too many critics and not listening to enough of his work — but this is consistently good writing.
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- Jenny
- 01-04-13
The Sting in the Tale
Would you listen to Sweet Tooth again? Why?
Definitely. The story is very good as one listens along, and then, in the final chapter, the entire premise is upended and the reader has to try to regain their perspective on the characters and the events.A 2nd or 3rd listening, having the surprise ending known will make the experience entirely different and, in a new way, just as remarkable.
What other book might you compare Sweet Tooth to and why?
Immediately prior to listening to Sweet Tooth, I listened to John Le Carre's 'A Perfect Spy'. This is another spy story involving MI5 and its machinations. It also sets the individual into the complexity of a highly regulated secret organisation. And it also has a sting in the tail....But from there the stories diverge. It is the way each one explores similar things and comes up with a variety of scenarios that give the reader an opportunity to think about their own secret lives.
Which character – as performed by Juliet Stevenson – was your favorite?
The narrator, as performed by JS, is the star of the book. But who is the narrator? Well. that is the Sting in the Tale.....
If you were to make a film of this book, what would be the tag line be?
Smoke and Mirrors
Any additional comments?
Once again JS excels in her reading of the book. She is a joy to listen to and characters come to vivid life with her deft touch.Ian McEwan is one of the finest writers in English. Every one of his books is different, yet the astute reader can sense the connections between them. His characters live and his descriptions bring the scene to the reader so well.
By the way - I have used both spellings of tale/tail quite deliberately.
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- Wendy
- 12-31-12
Fabulous
Would you recommend this audiobook to a friend? If so, why?
Yes. Great story with fantastic characters and plot.
What did you like best about this story?
From start to finish it was enthralling
What about Juliet Stevenson’s performance did you like?
Everything...so incredibly well read
Any additional comments?
One of the best stories for 2012!
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- Ian C Robertson
- 04-22-13
Very Disappointing
I am a fan of Ian McEwan's works, but you wouldn't know that from the title to this review. I loved Amsterdam and Atonement, of course. However, I regret to write that title is unfortunately accurate.
I have been resisting the steadily increasing number of my friends who also liked Atonement, but who are now complaining about the quality of recent works (Saturday and Solar, for example). To them, I have staunchly defended McEwan's wit, intelligence and style. Alas, I can't manage that defence for Sweet Tooth.
Having said that, this is not a "bad" book; it's just not up to McEwan standard. The language is still good and his trademark character introspection is still there. However, the story is just plain bland. I disagree with those reviews that thought the "twist" was surprising. McEwan tried to give it away in the second Chapter and, by mid way through the book when he extemporises the evil of an unscrupulous ending, it is plain that is not what was going to happen here. By Chapter 19 (of 22) the "twist" was so obvious I could barely be bothered to listen to the last two Chapters. For all that, I won't give the ending away, except to say that the publishers' blurb is all you need to know about the plot. Those who care to listen can judge for themselves.
As for the lovely Juliet Stevenson, she gives a wasted, but accomplished performance, as one would expect. The truth is that I was reluctant to pick up this book because of the last few from McEwan, but the narrator's credentials convinced me otherwise. She at least, was not a disappointment.
A fair review would give this 2.5 stars overall, but because I can't do that, I've rounded it up, for old times sake.
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3 people found this helpful
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- Oswaldo Vazquez Armendariz
- 09-15-19
Sweet Tooth.- Just fantastic!
Really well written. The story is exciting, vivid, you could actually fell like being there watching and feeling all character's actions.
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- Dr Mark Selikowitz
- 11-17-12
Beautifully written, perfect reading.
Where does Sweet Tooth rank among all the audiobooks you’ve listened to so far?
First audiobook have listened to; I will now read another
What did you like best about this story?
McEwan is such a clever writer and has a marvellous way with words. I found the book intriguing while I listened to it, and felt very satisfied when I had heard the conclusion. I also my eyes where opened to the way MI5 probably works.
Which character – as performed by Juliet Stevenson – was your favorite?
Juliet Stevenson takes the part of the narrator and matches her perfectly with just the right accent, age, and expression.
Was this a book you wanted to listen to all in one sitting?
No, I listened to it in my car as I travelled to and from work (a 30 minute trip each way), which was perfect. I did however find myself sitting in the car for a few minutes after I had reached my destination, eager to hear more.
Any additional comments?
This was my first audiobook and I am sold! I downloaded another the moment this one was finished.
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- Philip
- 11-04-12
Espionage - romance - literature - all in one!
Ian McEwan is one of the most intelligent, sophisticated, and enthralling authors of our lifetime. If you have read or listened through any of his previous masterpieces like "Solar", "Amsterdam", "Enduring Love" or "Saturday", then you know (partially) what to expect, though each novel definitely has its very definite style, theme and twist. No "production line" or "template" approach with this author!
"Sweet Tooth" is a tale around Serena Frome - her university years (studying mathematics, but with more of a passion for literature), her entrance into the UK Secret Service MI5, and the tale of her first big assignment in MI5: recruiting author Tom Haley (through a charity type setup) to write a novel promoting freedom of speech and providing a counterweight against communist/socialist novelists.
"Sweet Tooth" is a celebration of literature, science, and love. I enjoyed the way it is crafted, with many "stories in a story" (Serena reading the short stories that Tom has written). Very, very cleverly done. An excellent representation of the 1970s Cold War environment.
I strongly recommend this book, both for readers/listeners who try Ian McEwan for the first time, as well as his long-time fans!
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1 person found this helpful