Doing for Syria what Imperial Life in the Emerald City did for the war in Iraq, The Morning They Came for Us bears witness to one of the most brutal, internecine conflicts in recent history. Drawing from years of experience covering Syria for Vanity Fair, Newsweek, and the front pages of the New York Times, award-winning journalist Janine di Giovanni gives us a tour de force of war reportage, all told through the perspective of ordinary people.

Twenty-five years after her passing, Audrey Hepburn remains the most beloved of all Hollywood stars, known as much for her role as UNICEF ambassador as for films like Roman Holiday and Breakfast at Tiffany's. Several biographies have chronicled her stardom, but none has covered her intense experiences through five years of Nazi occupation in the Netherlands. According to her son, Luca Dotti, "The war made my mother who she was."

Since he was a small boy, Mosab Hassan Yousef has had an inside view of the deadly terrorist group Hamas. The oldest son of Sheikh Hassan Yousef, a founding member of Hamas and its most popular leader, young Mosab assisted his father for years in his political activities while being groomed to assume his legacy, politics, status...and power. But everything changed when Mosab turned away from terror and violence and embraced instead the teachings of another famous Middle East leader.

It was the last-chance moment of the war. In January 2007, President George W. Bush announced a new strategy for Iraq. He called it "the surge". "Many listening tonight will ask why this effort will succeed when previous operations to secure Baghdad did not. Well, here are the differences," he told a skeptical nation. Among those listening were the young, optimistic Army infantry soldiers of the 2-16, the battalion nicknamed the Rangers.

Burning Country explores the complicated reality of life in present-day Syria with unprecedented detail and sophistication, drawing on new first-hand testimonies from opposition fighters, exiles lost in an archipelago of refugee camps, and courageous human rights activists. Yassin-Kassab and Al-Shami expertly interweave these stories with an incisive analysis of the militarization of the uprising, the rise of the Islamists and sectarian warfare, and the role of Syria’s government in exacerbating the brutalization of the conflict.

Determined to offer an unfiltered version of events, the Washington Post's Anthony Shadid was neither embedded with soldiers nor briefed by politicians. Because he is fluent in Arabic, Shadid, an Arab-American born and raised in Oklahoma, was able to actually disappear into the divided, dangerous worlds of Iraq. Day by day, as American dreams clashed with Arab notions of justice, he pieced together the human story of ordinary Iraqis weathering the terrible dislocations and tragedies of war.

In 2002, at the age of 19, Azad, a young Kurdish man, was conscripted into Iran’s army and forced to fight against his own people. Refusing to go to war against his fellow Kurds, Azad deserted and smuggled himself to the United Kingdom, where he was granted asylum, became a citizen, and learned English. But more than a decade later, having returned to the Middle East as a social worker in the wake of the Syrian civil war, Azad found that he would have to pick up a weapon once again.

Based on more than five years of clandestine reporting on the front lines, No Turning Back is an utterly engrossing human drama full of vivid, indelible characters that shows how hope can flourish even amid one of the 21st century's greatest humanitarian disasters.

Capturing history was Jonathan Alpeyrie's job, but he never expected to become a news story himself. For a decade, the French-American photojournalist weaved in and out of over a dozen conflict zones. But, during his third assignment to Syria, Alpeyrie was betrayed by his fixer and handed over to a band of Syrian rebels. For 81 days, he was bound, blindfolded, and beaten. Over the course of his captivity, Alpeyrie kept his spirits up and strived to see, without his camera lenses, the humanity in his captors.

In 2011, Marwan Hisham and his two friends - fellow working-class college students Nael and Tareq - joined the first protests of the Arab Spring in Syria, in response to a recent massacre. Arm in arm they marched, poured Coca-Cola into one another’s eyes to blunt the effects of tear gas, ran from the security forces, and cursed the country’s president, Bashar al-Assad. It was ecstasy. A long-bottled revolution was finally erupting, and freedom from a brutal dictator seemed, at last, imminent.

In a breathtaking chronicle, acclaimed journalist Anand Gopal traces in vivid detail the lives of three Afghans caught in America's war on terror. He follows a Taliban commander who rises from scrawny teenager to leading insurgent, a U.S.-backed warlord who uses the American military to gain personal wealth and power, and a village housewife trapped between the two sides who discovers the devastating cost of neutrality.

In 2011 a wave of revolution spread through the Middle East as protesters demanded an end to tyranny, corruption, and economic decay. From Egypt to Yemen, a generation of young Arabs insisted on a new ethos of common citizenship. Five years later their utopian aspirations have taken on a darker cast as old divides reemerge and deepen. In one country after another, brutal terrorists and dictators have risen to the top.

Using humor, pop culture, and even musical references, Michael Friedman re-creates the wartime experience in a narrative that is part memoir, part journalism, part military history. The years in question were pivotal ones, seeing the perfection of a type of warfare that would eventually be exported to Afghanistan and Iraq and has come to seem like the only kind of warfare in existence - wars in which there is never any clear victory, but not quite enough lives are lost to rally the country against it.

When Marie Colvin was killed by an IED in Homs, Syria, in 2012, at age 56, the world lost one of its most fearless, accomplished, and iconoclastic war correspondents, an eye-patch wearing, party-throwing, and risk-taking female combat reporter who covered the most significant and destructive global calamities of her lifetime. In Extremis: The Life and Death of War Reporter Marie Colvin, written by Colvin’s friend and prizewinning fellow reporter Lindsey Hilsum, is a thrilling and powerful investigation into Colvin’s epic life and tragic death.

In November 1970, a storm set a collision course with the most densely populated coastline on Earth. Over the course of just a few hours, the Great Bhola Cyclone would kill 500,000 people and begin a chain reaction of turmoil, genocide, and war. The Vortex is the dramatic story of how that storm sparked a country to revolution.

Doing for Syria what Imperial Life in the Emerald City did for the war in Iraq, The Morning They Came for Us bears witness to one of the most brutal, internecine conflicts in recent history. Drawing from years of experience covering Syria for Vanity Fair, Newsweek, and the front pages of the New York Times, award-winning journalist Janine di Giovanni gives us a tour de force of war reportage, all told through the perspective of ordinary people.

Through the eyes of Dexter Filkins, we witness the chain of events that began with the rise of the Taliban in the 1990s, continued with the attacks of 9/11, and moved on to the wars in Afghanistan and Iraq. The Forever War allows us a visceral understanding of today's battlefields and of the experiences of the people on the ground, warriors and innocents alike. It is a brilliant, fearless work, not just about America's wars after 9/11, but ultimately about the nature of war itself.

Determined to offer an unfiltered version of events, the Washington Post's Anthony Shadid was neither embedded with soldiers nor briefed by politicians. Because he is fluent in Arabic, Shadid, an Arab-American born and raised in Oklahoma, was able to actually disappear into the divided, dangerous worlds of Iraq. Day by day, as American dreams clashed with Arab notions of justice, he pieced together the human story of ordinary Iraqis weathering the terrible dislocations and tragedies of war.

Based on more than five years of clandestine reporting on the front lines, No Turning Back is an utterly engrossing human drama full of vivid, indelible characters that shows how hope can flourish even amid one of the 21st century's greatest humanitarian disasters.

Capturing history was Jonathan Alpeyrie's job, but he never expected to become a news story himself. For a decade, the French-American photojournalist weaved in and out of over a dozen conflict zones. But, during his third assignment to Syria, Alpeyrie was betrayed by his fixer and handed over to a band of Syrian rebels. For 81 days, he was bound, blindfolded, and beaten. Over the course of his captivity, Alpeyrie kept his spirits up and strived to see, without his camera lenses, the humanity in his captors.

In 2011, Marwan Hisham and his two friends - fellow working-class college students Nael and Tareq - joined the first protests of the Arab Spring in Syria, in response to a recent massacre. Arm in arm they marched, poured Coca-Cola into one another’s eyes to blunt the effects of tear gas, ran from the security forces, and cursed the country’s president, Bashar al-Assad. It was ecstasy. A long-bottled revolution was finally erupting, and freedom from a brutal dictator seemed, at last, imminent.

From an award-winning journalist, a brave and necessary immersion into the everyday struggles of Palestinian life. Over the past three years, American writer Ben Ehrenreich has been traveling to and living in the West Bank, staying with Palestinian families in its largest cities and its smallest villages. Along the way he has written major stories for American outlets, including a remarkable New York Times Magazine cover story. Now comes the powerful new work that has always been his ultimate goal, The Way to the Spring.

In a breathtaking chronicle, acclaimed journalist Anand Gopal traces in vivid detail the lives of three Afghans caught in America's war on terror. He follows a Taliban commander who rises from scrawny teenager to leading insurgent, a U.S.-backed warlord who uses the American military to gain personal wealth and power, and a village housewife trapped between the two sides who discovers the devastating cost of neutrality.

In 2011 a wave of revolution spread through the Middle East as protesters demanded an end to tyranny, corruption, and economic decay. From Egypt to Yemen, a generation of young Arabs insisted on a new ethos of common citizenship. Five years later their utopian aspirations have taken on a darker cast as old divides reemerge and deepen. In one country after another, brutal terrorists and dictators have risen to the top.

Using humor, pop culture, and even musical references, Michael Friedman re-creates the wartime experience in a narrative that is part memoir, part journalism, part military history. The years in question were pivotal ones, seeing the perfection of a type of warfare that would eventually be exported to Afghanistan and Iraq and has come to seem like the only kind of warfare in existence - wars in which there is never any clear victory, but not quite enough lives are lost to rally the country against it.

For five brief, glorious days in the autumn of 1956, the Hungarian revolution gave its people a glimpse at a different kind of future - until, at four o’clock in the morning on a Sunday in November, the citizens of Budapest awoke to the shattering sound of Russian tanks ravaging their streets. The revolution was over. But freedom beckoned in the form of a small footbridge at Andau, on the Austrian border. By an accident of history, it became, for a few harrowing weeks, one of the most important crossings in the world, as the soul of a nation fled across its unsteady planks.

HHhH: "Himmlers Hirn heisst Heydrich," or "Himmler's brain is called Heydrich." The most dangerous man in Hitler's cabinet, Reinhard Heydrich was known as the "Butcher of Prague." He was feared by all and loathed by most. With his cold Aryan features and implacable cruelty, Heydrich seemed indestructible-until two men, a Slovak and a Czech recruited by the British secret service-killed him in broad daylight on a bustling street in Prague, and thus changed the course of History.

Tim Hetherington (1970-2011) was one of the world’s most distinguished and dedicated photojournalists, whose career was tragically cut short when he died in a mortar blast while covering the Libyan Civil War. Tim won many awards for his war reporting, and was nominated for an Academy Award for the critically acclaimed documentary Restrepo. Hetherington’s dedication to his career led him time after time into war zones, and unlike some other journalists, he did not pack up after the story had broken.

Pamela Olson, a small town girl from eastern Oklahoma, had what she always wanted: a physics degree from Stanford University. But instead of feeling excited for what came next, she felt consumed by dread and confusion. This irresistible memoir chronicles her journey from aimless ex-bartender to Ramallah-based journalist and foreign press coordinator for a Palestinian presidential candidate.

An unforgettable firsthand account of a people's response to genocide and what it tells us about humanity. This remarkable audiobook chronicles what has happened in Rwanda and neighboring states since 1994, when the Rwandan government called on everyone in the Hutu majority to murder everyone in the Tutsi minority.