Tarzan's courtship of the female ape Teeka ends in failure when her preference turns to their mutual friend, the male ape Taug. Tarzan wrestles with his humanness versus his ape-ness. The allusion to Helen of Troy enriches the story, making Tarzan and Taug's fight over Teeka take on symbolic proportions. Stan Galloway writes: "when Burroughs chooses to name Helen as an objective correlative for Teeka, he expects both literal and emotional connections to occur." Tarzan's final claim of the story - "Tarzan is a man. He will go alone." - echoes the plight of Adam in the Garden of Eden.

With the African continent engulfed by World War II, John Clayton, Lord Greystoke, abandons his role as Lord of the Jungle in order to combat the spreading Nazi menace. Flying a P-40 Tomahawk warplane, Clayton is sent on his first mission: to rescue the missing British Military Intelligence officer code-named Ilex. But the daring task plunges him into his savage past after he’s forced down in a lost land that seems hauntingly familiar.

In this, the second book of Burroughs' Amtor series, Napier travels over perilous mountains and through forests, inhabited by creatures more terrifying than any nightmare, in search of the lovely princess Duare, who has been snatched from his arms. In the Room of the Seven Doors, Napier faces the choice of his life. Six doors led to terrible deaths—the seventh is the door to life. But for him, this door too leads only to new dangers on a planet whose beasts and men are more frightful than any that stalk his native Earth.

A great safari comes to Africa to make a movie, struggling across the veldt and through the jungle in great ten-ton trucks, equipped with all the advantages of civilization. But now it is halted, almost destroyed by the poisoned arrows of the savage Bansuto tribe. There is no way to return. Ahead lies the strange valley of diamonds, where hairy gorillas live in their town of London on the Thames, ruled by King Henry the Eighth. And behind them comes Tarzan of the Apes with the Golden Lion, seeking the man who might have been his twin brother in looks—though hardly in courage!

Teeka and Taug have a baby (balu, in the ape language), which Teeka names Gazan and will not allow Tarzan near. She changes her mind after Tarzan saves the baby from a leopard.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.