From the outside, Oliver Radclyffe spent four decades living an immensely privileged, beautifully composed life. As the daughter of two well-to-do British parents and the wife of a handsome, successful man from an equally privileged family, Oliver played the parts expected of him. He checked off every box—marriage, children (four), a white-picket fence surrounding a stately home in Connecticut, and a golden retriever named Biscuit. But beneath the shiny veneer, Oliver was desperately trying to stay afloat as he struggled to maintain a facade of normalcy.

When the External Womb Programme is launched, the news is controversial. Hundreds take to the streets in protest, feeling strongly that growing a baby outside of the human body is "unnatural". But thousands more people rejoice: at last, an alternative for those who wish to have children but worry about the physical toll it may take. A chance that throwing a baby-shaped grenade into one's career path might not derail it entirely.

Jane Vandermaker-Cook would like her mother back. As Jane's mother tours the world to support the family, Jane lives and goes to school in a Victorian mansion with her younger brother and their mendacious father who confines Jane’s mother to a system of pneumatic tubes whenever she’s at home. And then there's weirdly ever-present Aunt Finch, Milorad the gardener, and his rat, Brutus. For Jane, this all seems normal until she suddenly gains access to the files for a lifetime of security-camera videos—her lifetime.

It's been eight months since the body of Eloise Parrish was found in the woods. Eloise's surviving sister, Oli, is numb with grief and shock. But Oli's also angry. Her sister's killer was never identified or caught. There are no leads, no clues. The case is growing cold, and only Oli seems to care. Until Oli finds another girl left for dead, in the exact spot Eloise's body was found. Except this girl is alive. She can't remember how she got there, but Oli knows that she's the key to solving Eloise's murder.

Ruby and her sister, Wren, are normal, middle-class Colorado high school students working a summer job at the local Renaissance Fest to supplement their meager college savings. So when an eccentric old lady asks them to impersonate her long-absent grandchildren at a fancy dinner party at the jaw-dropping rate of two grand—each—for a single night… Wren insists it’s a no-brainer. Make some cash, have some fun, do a good deed. But less than an hour into the evening at the mysterious Hegemony Manor, Ruby is sure she must have lost her mind to have agreed to this.

Twyla enters high school sure of three things: Her best friends will always be there for her, the next four years will be amazing, and her mom was right when she said there’s a reason behind everything. Then she gets extremely nauseous and has trouble concentrating during a field hockey game. The doctors say it’s only a mild digestive issue, but Twyla is convinced they’re wrong. Making things worse, her friends start ghosting her outside of school, even though they tell her everything is fine, and her dad is becoming more distant each time she asks about her mom’s life before she died.

Dev Landry has a mundane life; runner-up on the track team, a nerdy best friend, and a job at his overbearing parents’ failing motel. He’s also in love with his former best friend, Hadlee Renee Morgan; the girl that never speaks, unless it's through her dark, disturbing, and taboo photography. He’s loved her since the day he kissed her at the clearing in the woods three years ago, and then woke up from a coma with scars and no memory of what happened after. Now plagued by blackouts, migraines, and sleepwalking in the woods, his only solace is running, to keep the darkness at bay.

Fresh off the success of her groundbreaking first play, A Raisin in the Sun, Lorraine Hansberry's The Sign in Sidney Brustein's Window tells the tragicomic story of a young bohemian couple in New York's Greenwich Village, struggling to do what's right in a world that rewards everything that's wrong. Sidney is a dreamer who wants his own Walden Pond; Iris is a budding actress whose own backstory is a performance. They're caught in a moment where, "the world is about to crack right down the middle," as the play tackles racism, sexism, antisemitism, homophobia, liberal complacency, and more.

Red Solo cups? Check. Snacks? Check. Abandoned mansion full of countless horrors that won’t let you leave? Check. The Deinhart Manor has been a looming shadow over town for as long as anyone can remember, and it's been abandoned for even longer. When the final Deinhart descendent passes, the huge gothic manor is up for sale for the first time ever. Which means Arden can steal the keys from her mom’s real estate office...It’s time for a graduation party that no one will ever forget.

Everyone in fifteen-year-old Bella’s life needs something from her. Her mom needs her to help around the house, her dad needs her to not make waves, her ex needs her to not be so much. The only person who never needed anything from her was her grandmother—and now she’s dead. There’s only one thing that dulls the pressure: alcohol. Vodka, beer, peppermint schnapps—alcohol smooths the sharp edges of Bella’s life. And what’s the big deal? Everyone drinks. Besides, Bella can stop whenever she wants.

The history of Latino culture in the Americas is much bigger and broader than we often realize. In this place, where the Old World and the New clashed and merged in spectacular fashion over the course of several centuries, we see a microcosm of world history with all its facets and complexities. In the six lectures of Great Figures of Latino History, art historian and anthropologist Dr. Khristin Montes will introduce you to many of the people that have shaped Latino culture and identity on scales both global and local.

Oakland-bred LaVeesha “Vee” Gilliam (Coco Jones) is a determined single mother of an autistic son and a gifted aspiring coder. When Vee loses her job as a food-services worker at the onsite restaurant at Grapengine, a large Silicon Valley tech company, she’s unable to pay for her son’s much-needed specialized education. By a twist of fate, mistaken identity, and her tech skills, Vee meets Troy Wilson (Keith Powers), the company’s wealthy founder and CEO and a wunderkind in the tech industry, who believes that Vee is a college-educated techie who works at his company.

Will Johnnie Veal—convicted of the murder of two police officers in 1970—be granted parole after 50 years in prison? How can he convince the parole board he’s reformed when he insists he’s innocent? What is prison time even supposed to accomplish? These are the questions that propel The Parole Room forward as it builds toward Johnnie’s 20th parole hearing—after 19 rejections.

Natasha: I’m a girl who believes in science and facts. Not fate. Not destiny. Or dreams that will never come true. I’m definitely not the kind of girl who meets a cute boy on a crowded New York City street and falls in love with him. Not when my family is 12 hours away from being deported to Jamaica. Falling in love with him won’t be my story. Daniel: I’ve always been the good son, the good student, living up to my parents’ high expectations. Never the poet. Or the dreamer. But when I see her, I forget about all that.

Alice's journey begins as all good journeys do: hitting on the sales guy at REI. After a tumultuous breakup, a quick career transition, family upheaval, and a sobriety journey that didn't fix her life quite as much as she expected it to, Alice decides that the only way to solve all her problems is to hike the Pacific Crest Trail. But as she begins preparing for the months-long quest, she realizes the answers she's seeking might not be on top of a snow-covered mountain. Especially since she just learned there was snow in California.