Here's Mickey Spillane and Mike Hammer in their roughest and readiest—a double-strength shot of sex, violence, and action that is vintage Spillane all the way. It's a tough-guy mystery to please even the most bloodthirsty of fans!

Everybody loves a mystery, and nobody solves them like Mike Hammer. While other detectives bend and manipulate the law, Hammer holds it in total contempt, seeing it as nothing more than an impediment to justice, the one virtue he holds in absolute esteem. Now, the no-holds-barred private eye returns, along with his gorgeous secretary, Velda, and a collection of New York City characters, in two fully dramatized "theater-of-the-mind" audio adventures.

The image of bloodshed in his office remained etched in Mike Hammer's mind forever - his secretary sprawled on the floor and a stranger sitting dead and mutilated at his own desk. In one moment a storm of madness entered the private eye's life. As he starts hunting for the killer, Hammer is haunted by the message left on his desk: "You die for killing me." Suddenly, he is in too deep with a lethal blonde who has big ideas, a CIA secret, and another set of murders.

A tarnished former cop goes on a crusade to find a politician's killer and avoid the .45-caliber slug with his name on it. A pilot forced to make an emergency landing in the desert finds himself at the center of a struggle between FBI agents, unsavory fortune hunters, and members of the local Indian tribe to control a mysterious find that could mean wealth and power - or death.

Crooked Sheriff Harry Gauge rules the town of Trinidad, New Mexico, with an iron fist. His latest scheme is to force rancher George Cullen into selling his spread and to take Cullen's beautiful daughter Willa for his bride - whether she's willing or not.

Paul Madvig was a cheerfully corrupt ward-heeler who aspired to something better: the daughter of Senator Ralph Bancroft Henry, the heiress to a dynasty of political purebreds. Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett’s tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness. A one-time detective and a master of deft understatement, Hammett invented the noir crime novel.

Out of a rainy Seattle night comes crime, mystery, adventure...and Harry Nile! Here is Jim French's legendary private eye, investigating the dark corners of the 1940s Northwest. Larry Albert stars in this collection of 20 radio adventures - which include the first four episodes of the ongoing WWII story line "War Comes to Harry Nile"! It's new-time radio drama in the old-time tradition!

He's a self-described beach bum who won his houseboat in a card game. He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out, and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

No bigger fad swept across postwar radio than that of the hard-boiled private detective - and nobody had more fun with their wink-and-nudge take on the genre than the producers, writers, and cast of The Adventures of Sam Spade. Dashiell Hammett's legendary private eye had a sardonic sense of humor, which wavy-haired, rugged-voiced Howard Duff played to perfection.

Fully armed and with all hands onboard, the nuclear submarine Starbuck sailed into the calm Pacific Ocean for sea trials - and vanished. No wreckage, no signals, no survivors: nothing...until ace maritime troubleshooter Dirk Pitt finds a single chilling clue in the shark-torn surf off Hawaii - the log of the Starbuck. 'Do not search for us, it can only end in vain....' A crazed journal of madness and death is all that remains.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.