Tim Cornish thought he'd gotten away with murder. For months after he'd killed his lover off the Alaskan coast, there hadn't been a word. But then the letters started to arrive. It seems that someone knows what Tim has done.... This compelling thriller delivers such a dark picture of romantic love that murder seems its natural mate. Frightening, suspenseful, and deeply unsettling, No Night Is Too Long is a modern crime masterpiece and will be enjoyed by readers of P. D. James and Ian Rankin.

Like most families, they had their secrets...and they hid them under a genteelly respectable veneer. No onlooker would guess that prim Vera Hillyard and her beautiful, adored younger sister, Eden, were locked in a dark and bitter combat over one of those secrets. England in the '50s was not kind to women who erred, so they had to use every means necessary to keep the truth hidden behind closed doors - even murder.

It is 1905. Asta and her husband, Rasmus, have come to East London from Denmark with their two little boys. With Rasmus constantly away on business, Asta keeps loneliness and isolation at bay by writing a diary. These diaries, published over 70 years later, reveal themselves to be more than a mere journal. For they seem to hold the key to an unsolved murder and to the mystery of a missing child. It falls to Asta's granddaughter, Ann, to unearth the buried secrets of nearly a century before.

In the long, hot summer of 1976, a group of young people is camping in Wyvis Hall. Adam, Rufus, Shiva, Vivien and Zosie hardly ask why they are there or how they are to live; they scavenge, steal and sell the family heirlooms. Ten years later, the bodies of a woman and child are discovered in the Hall’s animal cemetery. Which woman? And whose child?

When literary celebrity Gerald Candless suddenly dies, the beautiful façade he has carefully created begins to crumble. Behind the vision of the happy family on the English seashore lie Candless’ inexplicable cruelty toward his wife, his manic devotion to his daughters, and the mysterious sources of his fiction. To assuage her grief, his loving daughter Sarah begins a memoir project. But it soon becomes an obsessive search for identity. As Sarah digs into her father’s secret past, the startling logic of his puzzling behavior is revealed.

As soon as Kerstin Kvist arrives at remote, ivy-covered Lydstep Old Hall in Essex, she feels like a character in a gothic novel. A young nurse fresh out of school, Kerstin has been hired for a position with the Cosway family, residents of the Hall for generations. She is soon introduced to her "charge", John Cosway, a 39-year-old man whose strange behavior is vaguely explained by his mother and sisters as part of the madness that runs in the family.

Sandor is a wonderful storyteller and little Joe is ready to listen. The power of the educated over the simple is horribly clear in this disturbing and unusual relationship. As Sandor’s motivation both for rescuing little Joe and then for weaving his spell of words becomes clear, the darkness surrounding him is too much for them both, and for the beautiful ex-model sequestered in her Suffolk mansion by an obsessive husband.

Unlike the other residents of Middleton Hall, Stella is elegant, smart and in control. Only Jenny, her care assistant, knows that she harbours a painful secret, and only she can prevent Stella from carrying it to the grave. As the women talk, Jenny pieces together the answers to many questions that arise: Why has she kept possession of a house that her family don’t know about? What happened there that holds the key to a distant tragedy?

Two years ago, a hostile Prime Minister launched the Monochrome inquiry, investigating "historical over-reaching" by the British Secret Service “to investigate historical over-reaching.” Monochrome’s mission was to ferret out any hint of misconduct by any MI5 officer—and allowed Griselda Fleet and Malcolm Kyle, the two civil servants seconded to the project, unfettered access to any and all confidential information in the Service archives in order to do so. But MI5’s formidable First Desk did not become Britain’s top spy by accident, and she has successfully thwarted the inquiry at every turn.

Liza is raised in a remote rural hamlet. One evening, Liza’s mother orders her to leave home forever. Paralyzed at having to fend for herself, Liza finds refuge with Sean, a drifter with whom she begins to share the bizarre story of her life.

In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessey is trying to stay one step ahead of the bill collectors. Mary Pat has lived her entire life in the projects of “Southie,” the Irish American enclave that stubbornly adheres to tradition and stands proudly apart. One night Mary Pat’s teenage daughter Jules stays out late and doesn’t come home. That same evening, a young Black man is found dead, struck by a subway train under mysterious circumstances. Mary Pat, propelled by a desperate search for her daughter, begins turning over stones best left untouched.

Louise North doesn't care what the neighbors think. She lets her lover leave his car just outside her house in broad daylight, telling everyone he is a central heating salesman. Still, it's a shock when she's found shot dead, covered by the equally dead body of the "salesman." It was his third visit to the gloomy house on Orchard Drive. Each time, he parked in the same place. Each time, he carried a briefcase. And each time, Louise North greeted him at the door.

Getting her to the wedding on time is the least of his worries...Kate Preston just moved to New York, but she has to get back to Seattle in time for her best friend's wedding. Joe Firretti is moving to Seattle, and has to get there in time or risk losing his new job. But fate's got a sense of humor.

If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. A winner of the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction, and her impact on crowds and on men was legendary. Yet beneath her studied act, all was not well.

Evelyn Waugh's most celebrated work is a memory drama about the intense entanglement of the narrator, Charles Ryder, with a great Anglo-Catholic family. Written during World War II, the story mourns the passing of the aristocratic world Waugh knew in his youth and vividly recalls the sensuous pleasures denied him by wartime austerities; in so doing it also provides a profound study of the conflict between the demands of religion and the desires of the flesh.