Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Charles Sinclair has been on a path to discovery, and in this volume of The Redwing Saga, he finally remembers important truths about his childhood, and he’s about to discover the identity of the Dragon behind the mirror. A strange object, in thirteen pieces, is revealed when a giant trips. Just how does it connect to Blackstone Exploration Society? Two brave knights clash at Branham’s fête, but danger flies high above. Elizabeth Sinclair gives birth to twin children, but not everything goes as planned: one of Sinclair’s earliest visions comes true. Paul Stuart reveals a surprise, ...

As Charles and Beth plan their wedding, the newly titled detective must unravel the clues to a riddle that hints at his past, and he is forced to reveal a dark secret to his beloved duchess. But worst of all, wolves that walk like men have been seen at St. Katherine’s Docks and Victoria Park. Is all of this connected to a cedar crate shipped to England in 1870? Might an ancient stone marker be the source of the evil now stalking women in London? Redwing’s members have redoubled their efforts, but a schism has arisen within their ranks, and two powerful spiritual entities begin a battle ...

The Ripper murders did not begin in 1888, but in March of 1879, when a beautiful woman is found slain and dismembered on Commercial Street in Spitalfields, London. When detectives arrive, they find not only the broken body of the victim, but a child who remembers nothing of who she is or how she came to be at the scene. Because the little girl has no known home, a gentle-hearted detective inspector named Charles St. Clair takes her to his home, and from that point on, his life will never be the same. Over the course of the next ten years, he’ll learn not only all about the girl but also ...

What is TIME? What is REALITY? In King’s Gambit, Charles Sinclair ponders these questions and more as he slowly finds his way through the inner clockwork of an ancient Time Maze. It’s a perilous journey, planned by the Fallen Realm, but allowed by God Almighty to prepare the duke for his ultimate future. God’s ways are not our ways. He takes all our choices, all our mistakes, then weaves in the dark plots of fallen angels, demons, and devils, and he works all of it together for good, according to HIS plans and purposes. Because God is omniscient, seeing the end from the beginning, ...

Having suffered a nearly fatal head wound, Charles Sinclair has awoken in a nightmarish landscape of living stones and sentient trees, where demonic ravens watch his every move, ready for an easy meal. His only hope of escape is to traverse a treacherous maze of seven concentric rings, each with seven possible entries. His guide through this underworld labyrinth is a nameless birdman, who informs the desperate marquess that a refuge lies at the centre of the maze-if he can only reach it. Following her escape from the fire, Elizabeth Sinclair has been taken to Anatole's castle on the western...