On screen, Danny Trejo the actor is a baddie who has been killed at least a hundred times. He’s been shot, stabbed, hanged, chopped up, squished by an elevator, and once, was even melted into a bloody goo. Off screen, he’s a hero beloved by recovery communities and obsessed fans alike. But the real Danny Trejo is much more complicated than the legend.

Monty Collins is a sharp-tongued public defender who just wants to represent an upstanding character for a change. A priest with something to hide isn't quite what he had hoped for, but when the literate, arrogant, and tight-lipped Father Brennan Burke is implicated in the strange murder of a young woman, Monty doesn't just take the case - the case takes him. When Burke won't come clean, Monty is forced to play private detective, traveling into his client's past. Things look good for the case until another body is found....

This explosive novel of the drug trade takes you deep inside a world riddled with corruption, betrayal, and bloody revenge. From the streets of New York City to Mexico City and Tijuana to the jungles of Central America, this is the war on drugs like you've never seen it.

Former London policeman Alan Banks relocated to Yorkshire seeking some small measure of peace. But depravity and violence are unfortunately not unique to large cities. His new venue, the quaint little village of Eastvale, seems to have more than its fair share of malefactors---among them a brazen Peeping Tom who hides in night's shadows spying on attractive, unsuspecting ladies as they prepare for bed.

It's men like Jimmy Coonan and Mickey Featherstone who gave Hell's Kitchen its name. In the mid-1970s, these two longtime friends take the reins of New York's Irish mob, using brute force to give it hitherto unthinkable power. Jimmy, a charismatic sociopath, is the leader. Mickey, whose memories of Vietnam torture him daily, is his enforcer. Together they make brutality their trademark, butchering bodies or hurling them out the window.

The number-one best-selling “master of narrative journalism” (New York Times) and author of Black Hawk Down presents a compelling collection of true crime stories.

The first time somebody tried to kill him was an accident. The second time was deliberate. Now Paul Mulchrone finds himself on the run with nobody to turn to except a nurse who has read one-too-many crime novels and a renegade copper with a penchant for violence. Together they must solve one of the most notorious crimes in Irish history. Or else they’ll be history.

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

Recently retired due to a freak accident, NYPD officer Moe Prager is lost. In pain and without the job he loves, Moe relunctantly settles on the notion of going into the wine business with his brother. But when a suburban college student vanishes off the streets of Manhattan, Prager's universe is turned upside down and his life changed forever. Hired by the student's desperate family, Moe plunges deep into the world of New York's punk underground, sex clubs, and biker bars.

The most common triggers for homicide are fear, rage, revenge, money, lust, and, more rarely, sheer madness. This isn’t an exact science, of course. Any given murder can have multiple triggers. Sex and revenge seem to be common partners in crime. This book offers my memories of homicide cases that I investigated or oversaw. In each case, I examine the trigger that led to death. I chose this theme for the book because even though the why of a murder case may not be critical in an investigation, it can sometimes lead us to the killer.

William Neal, who called himself "Wild Bill Cody," was seductive and skillful at separating love-struck women from their money, and ultimately, their lives. Apprehended by police, Neal, who proclaimed himself “better than Ted Bundy,” pleaded guilty to three murders then insisted on representing himself at his death penalty trial. But the psychopathic killer found himself up against the incredible courage of his one surviving victim.

Among members of the outlaw motorcycle clubs, Caesar Campbell is a legend. Former sergeant-at-arms and chief enforcer for the Comancheros, Caesar became the founding member and sergeant-at-arms of the Australian chapter of the Bandidos. He epitomised bikie culture - unbeatable in a fight, brutal in the extreme, fearing no one and nothing, and loyal until death. This is Caesar's story, from his recruitment into the Comancheros, to the savage split within the club that led to the foundation of the Bandidos and the bloody massacre at Milperra that resulted from it.

The notorious Gotti family is the stuff of mob legend. The "Dapper Don", John Gotti Sr., and his son John A. "Junior" Gotti ran New York's powerful Gambino crime family and were well known for their flamboyant style and brutal ways, an image perpetuated in popular Mafia mythology. John Alite, a mob hit man, associate, and close friend of the Gottis, has a very different story to tell.

Anthony "Gaspipe" Casso, the boss of New York's Lucchese crime family, was a Mafia superstar, responsible for more than 50 murders. Currently serving 13 life sentences at a federal prison in Colorado, Casso has given journalist and New York Times best-selling author Philip Carlo the most intimate, personal look into the world of La Cosa Nostra ever seen.

Steve Parish was never one to walk the straight-and-narrow, even during his childhood growing up in Flushing Meadow, Queens. Busted as a teenager for selling acid in the summer of 1968, Parish landed in Riker's Island. The experience changed him, and after getting out, he did his best to stay out of trouble, securing a job moving music equipment at the New York State Pavilion. The first show he worked was a Grateful Dead concert in July of 1969, and Parish was captivated by the music. A life seemingly headed nowhere had suddenly found its calling.