Widowed Georgina Drake has no regrets about moving to beautiful, sleepy Little Wenborough in rural Norfolk. Until she opens the door to her rental property and finds the dead body of her latest guest, irritable university professor Roland Garnett. And on top of that she’s suddenly hearing a woman’s voice through her hearing aids. Completely shaken by the discovery, Georgina can hardly believe it when the police conclude that Professor Garnett was poisoned, with a dinner delivered by Georgina herself.

In the seaside town of Lighthouse Cove, everyone knows the best man for the job is actually a woman - contractor Shannon Hammer. But while Shannon can do wonders with a power drill and a little elbow grease, her love life needs work. On a blind date with real estate agent Jerry Saxton, she has to whip out a pair of pliers to keep Jerry from getting too hands on.Shannon is happy to put her rotten date behind her, but when Jerry's found dead in a run-down Victorian home that she's been hired to restore, the town's attractive new police chief suspects that her threats may have laid the foundation for murder.

The young man with the shock of white-blond hair lay spread-eagled on the floor, surrounded by fallen books. His hand reached out to the scattered pages, as though he was trying to tell her something. But who is he? How did he come to be killed in Flora’s ordinary little bookshop? Flora finds out he was staying at the Priory Hotel, and when the gardener suddenly dies in its beautiful grounds only a few days later, she is certain that something untoward is happening in her quiet village by the sea.

Recently widowed and looking for a fresh start away from city life, Sarah Vane moves into a lovely little cottage by the sea. The rustic charm is everything she hoped it would be, but her new home doesn’t quite have enough space for her things. Her old friend Daphne offers to store Sarah’s boxes in her messy beach hut, but while clearing it out, they are shocked to find a heavy trunk… containing a dead body. They immediately recognise the poor man as pub landlord Gus Trubshaw.

Recently divorced and reluctantly retired, Julia Bird has fled London to enjoy idyllic rural life in the Cotswolds. Determined to have the perfect English garden, her first job is to tear down the old shed, where she unearths much more than she’d bargained for: a body, apparently buried for decades. But who could it be, and who killed them? The police draw a blank, and even the gossip-fest that is the local book club can’t remember anyone going missing in the village.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.