Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

He’s already murdered eight women. Now, he’s coming for me. We find her on a grey November day on Dartmoor, England. I’m excavating a Bronze-Age cairn, expecting to find a burial urn and maybe some bronze tools if I’m really lucky. And then I see her fingers poking through the soil as if she’s trying to claw her way out of her grave. I’m an osteoarchaeologist, used to dealing with bones, and I know immediately she’s been in the ground for months rather than thousands of years. Then I find a message in the grave that’s clearly meant for me. It turns out the girl is the eighth...

Sheriff Ray Elkins returns in this haunting crime thriller. On the 4th of July, what should have been a quiet night explodes into horror when two bodies are found brutally murdered in the dunes of a remote beach. A couple, naked and vulnerable, lies dead, sparking a complex investigation that dives deep into the darker corners of human nature. The victims' identities lead the investigation down a path filled with drugs, secrets, and a past that refuses to stay buried. Ray and his team come face to face with a culture of poverty, addiction, and fragmented family bonds that explodes both ...

When a true crime convention comes to town, private investigator Hannah Huntsford is as excited as can be to attend the festival. Until a murder occurs. The victim is a podcast host who has made a number of enemies on his way to achieving broadcasting stardom. Suddenly, with the convention in full swing, Hannah and her detective boyfriend have to comb through dozens of suspects. Unfortunately, the clock is ticking. The investigators only have a day and a half to find the killer before the convention attendees head back home and take their secrets with them. Can Hannah find the killer in ...

Flower shop owner Ellie McEwan is driving home late one frosty November night when a shadowy figure leaps into the road out of nowhere. Ellie swerves to avoid him — and slams head-on into the crash barrier. Days later, Ellie wakes up in hospital — and notices there’s something different. Everyone she looks at — the doctor, the nurse, her friend Carole — is surrounded by a coloured aura. Her near-death experience seems to have given her a new ability. And now Ellie must use her new-found gift to catch a killer.

Criminologist Martin Knight lives a gilded life and is a thorn in the side of the police. But then his wife, Liz, goes missing. There is no good explanation and no sign of Martin.... To make things worse, Liz is the ex-girlfriend of DCI Craig Gillard who is drawn into the investigation. Is it just a missing person or something worse? And what relevance do the events around the shocking Girl F case, so taken up by Knight, have to do with the present? The truth is darker than you could ever have imagined.