Early one morning as Boston's only investigator is returning home from solving another peculiar case, he has the displeasure of witnessing a spectacularly horrible show outside his front door: a massive aircraft, carrying over one hundred souls, exploding in midair over the harbor. Almost immediately, the Human Surplus League takes credit for the heinous act of terrorism. But "Reluctant Flynn" isn't so easily convinced, unlike his partner and governmental counterparts.

Fletch, investigative reporter extraordinaire, can’t be bothered with deadlines or expense-account budgets when it comes to getting his story. Working undercover at the beach to dig up a drug-trafficking scheme for his next blockbuster piece, Fletch is invited into a much deeper narrative. Alan Stanwyk, CEO of Collins Aviation and all-around family man, mistakes the reporter for a strung-out vagabond and asks him for a favor: kill him and escape to Brazil with $50,000.

Two years ago, a hostile Prime Minister launched the Monochrome inquiry, investigating "historical over-reaching" by the British Secret Service “to investigate historical over-reaching.” Monochrome’s mission was to ferret out any hint of misconduct by any MI5 officer—and allowed Griselda Fleet and Malcolm Kyle, the two civil servants seconded to the project, unfettered access to any and all confidential information in the Service archives in order to do so. But MI5’s formidable First Desk did not become Britain’s top spy by accident, and she has successfully thwarted the inquiry at every turn.

He's a self-described beach bum who won his houseboat in a card game. He's also a knight errant who's wary of credit cards, retirement benefits, political parties, mortgages, and television. He only works when his cash runs out, and his rule is simple: he'll help you find whatever was taken from you, as long as he can keep half.

Burt Reynolds reads three of Robert B. Parker's finest Spenser novels: Chance, Hush Money, and Small Vices.

In June, 1954, eighteen-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served fifteen months for involuntary manslaughter. His mother long gone, his father recently deceased, and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car.

Billy Summers is a man in a room with a gun. He’s a killer for hire and the best in the business. But he’ll do the job only if the target is a truly bad guy. And now Billy wants out. But first there is one last hit. Billy is among the best snipers in the world, a decorated Iraq war vet, a Houdini when it comes to vanishing after the job is done. So what could possibly go wrong?

It's 1949. When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of dos and a much longer list of don'ts: do report regularly to his parole officer, don't go to bars, certainly don't drink alcohol, do get a job - and don't ever associate with loose women. The small town quickly proves more complicated and dangerous than Archer's years serving in the war or his time in jail.

In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project's drug dealer at point-blank range. The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride's funny, moving novel and his first since his National Book Award-winning The Good Lord Bird.

"If Robert Littell didn't invent the American spy novel," says Tom Clancy, "he should have." In this spectacular Cold-War-as-Alice-in-Wonderland epic, Littell, "the American le Carre," takes us down the rabbit hole and into the labyrinthine world of espionage that has been the CIA for the last half-century. "Ostensibly a single novel, The Company can also be listened to as an anthology of cracking good spy stories," says ( Publishers Weekly).

If it’s navel-gazing you’re after, you’ve come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street, pedestrians being whacked over the head or gathering to watch as a man considers leap­ing to his death. There’s a dirty joke shared at a book signing, then a dirtier one told at a dinner party - lots of jokes here. Plenty of laughs.

It is three in the morning when Bobby Western plunges from the Coast Guard tender into darkness. His dive light illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the site are the pilot’s bag, the plane’s black box, and the tenth passenger. A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit—by men with badges; by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister, the love and ruin of his soul.

Spellbinder is the story of a genuine and charismatic believer simply known as "Preacher", who returns from the foxholes and horrors of Vietnam with a simple goal: to spread the word of peace, love, and charity. He immediately attracts a following as he moves from California communes to small surfing towns. "The Church", as his mobile flock is now known, is a culture that centers as much on sex and drugs as prayers, sacraments, and salvation.

What You Have Heard is True is a devastating, lyrical, and visionary memoir about a young woman’s brave choice to engage with horror in order to help others. Written by one of the most gifted poets of her generation, this is the story of a woman’s radical act of empathy, and her fateful encounter with an intriguing man who changes the course of her life.

Bernadine Brown is a woman with money to spend. Henry Adams is a town in desperate need of cash. But after Bernadine puts up the money, she has some ideas about how the town should be run. Will the townspeople be willing to shake up their comfortable lives to share the gift they’ve been given with others who really need it?

Born to a life of violence and tragedy, Dan becomes one of the most powerful and dangerous labor organizers in the country - at the expense of his personal relationships. He's a man who embraced violence, fierce ambition, lust and a deep hunger for justice even as he accumulated personal wealth, fame, and power.

Fletch, investigative reporter extraordinaire, can’t be bothered with deadlines or expense-account budgets when it comes to getting his story. Working undercover at the beach to dig up a drug-trafficking scheme for his next blockbuster piece, Fletch is invited into a much deeper narrative. Alan Stanwyk, CEO of Collins Aviation and all-around family man, mistakes the reporter for a strung-out vagabond and asks him for a favor: kill him and escape to Brazil with $50,000.

It's been said that all great literature boils down to one of two stories—a man takes a journey, or a stranger comes to town. While mystery writers have been successfully using both approaches for generations, there's something undeniably alluring in the nature of a stranger: the uninvited guest, the unacquainted neighbor, the fish out of water. In the newest collection of stories by the Mystery Writers of America, each author weaves a fresh tale surrounding the eerie feeling that comes when a stranger enters our midst, featuring stories by prolific mystery writers.

Tommy Carmellini is sent to post guard duty at a farmhouse in Virginia's remote Blue Ridge Mountains, where top government operatives are debriefing a star defector: the ultimate KGB insider, a man with records on every operation and every dirty trick the shadowy intelligence agency has ever run, from Lenin to Putin.

Ex-St. Paul cop Rushmore McKenzie has more time, and more money, than he knows what to do with. In fact, when he’s willing to admit it to himself (and he usually isn’t), Mac is downright bored. Until he decides to do a favor for a friend facing a family tragedy: Nine-year-old Stacy Carlson has been diagnosed with leukemia, and the only one with the matching bone marrow that can save her is her older sister, Jamie. Trouble is, Jamie ran away from home years ago.

Bill Kemp, an ex-serviceman working in London as an insurance investigator, is sent to the Caribbean to determine the legitimacy of an expensive life insurance claim following the inexplicable death of businessman David Salton. His rapidly inflated premiums immediately before his death stand to make his young widow a very rich lady! Once there, Kemp discovers that Salton’s political ambitions had made him a lot of enemies, and local tensions around a forthcoming election are already spilling over into protest and violence on the streets.

Sam Acquillo is at the end of the line: he's a middle-aged corporate dropout living in a ramshackle cottage in Southampton's North Sea. But then the old lady next door ends up floating dead in her bathtub, and it seems that Sam is the only one who wonders why.

As he did so masterfully in The Jungle, Pulitzer Prize-winning author Upton Sinclair interweaves social criticism with human tragedy to create an unforgettable portrait of Southern California's early oil industry. Enraged by the oil scandals of the Harding administration in the 1920s, Sinclair tells a gripping tale of avarice, corruption, and class warfare, featuring a cavalcade of characters, including senators, oil magnates, Hollywood film starlets, and a crusading evangelist.

Meet JeriLee Randall, aspiring actress, ambitious writer, and sexual powerhouse. It is this ambition that takes her away from her tiny hometown of Port Clare and sets her on a collision course with her future. Surviving on determination and seduction, she makes her way to Broadway and then on to Hollywood. The bright lights mask a deeper darkness, and JeriLee is quickly drawn into a world of greed, drugs, casting couches, and smooth-talking power players.

When anthropology professor Gideon Oliver is offered a teaching fellowship at US military bases in Germany, Sicily, Spain, and Holland, he wastes no time accepting. On his first night, he is forced to fend off two desperate, black-clad men who have invaded his Heidelberg hotel room with intent to kill. And then there are a few trivial details that the recruiting agency forgot to mention - such as the fact that the two previous holders of the fellowship both met with mysterious ends.

June 1957. One hot afternoon in the backwaters of the Deep South, a young black farmer named Tucker Caliban salts his fields, shoots his horse, burns his house, and heads north with his wife and child. His departure sets off an exodus of the state’s entire black population, throwing the established order into brilliant disarray. Told from the points of view of the white residents who remained, A Different Drummer stands, decades after its first publication in 1962, as an extraordinary and prescient triumph of satire and spirit.

Bernadine Brown is a woman with money to spend. Henry Adams is a town in desperate need of cash. But after Bernadine puts up the money, she has some ideas about how the town should be run. Will the townspeople be willing to shake up their comfortable lives to share the gift they’ve been given with others who really need it?

What You Have Heard is True is a devastating, lyrical, and visionary memoir about a young woman’s brave choice to engage with horror in order to help others. Written by one of the most gifted poets of her generation, this is the story of a woman’s radical act of empathy, and her fateful encounter with an intriguing man who changes the course of her life.

Collected for the first time, here are the New York stories of one of the 20th century’s definitive chroniclers of the city - the speakeasies and highballs, social climbers and cinema stars, mistresses and powerbrokers, unsparingly observed by a popular American master of realism. Spanning his four-decade career, these more than 30 refreshingly frank, sparely written stories are among John O’Hara’s finest work, exploring the materialist aspirations and sexual exploits of flawed, prodigally human characters and showcasing the snappy dialogue.

Arthur Youngblood Hawke, an ex-Navy man moves from rural Kentucky to New York to assault the citadel of New York publishing with his first novel, an oversized manuscript that becomes an instant success. Toasted by critics and swept along on a tide of popularity, he gives himself over to the lush life that gilds artistic success. Love comes with an affair with an older married woman and an unfulfilled flame with his editor, while wealth pours in with the publication of his second novel, and participation in real-estate developments.