Lottery winners Henry and Pamela McKnown have their luck stolen from them when their four-year-old daughter, Heidi, is kidnapped. Years pass without a word and the McKnowns, coping with their grief, are slowly rebuilding their lives. Then the cycle of terror begins again, as a carnival psychic shows up on Cape Cod, claiming to have made contact with the spirit of the dead child. Though Heidi’s voice comes through in a séance, Underhill is convinced it’s a fake.

A mystery lampoon recorded live at the Woods Hole Community Hall, July 15, 1989. Hugo LeGrand, “The Great Hugo,” is determined to defy public opinion and be the first to help himself to the loot from the sunken Titanic. Together with his hapless pilot, Mr. Smalley, they discover a surprise much greater than teacups and saucers.

Lady Kemp is worried. Her granddaughter, Carmeline, is about to marry Victor Fabloose, a French playboy who may be a gold-digger ... or a poisoner.

Captain Waverly Underhill is offered $25,000 to make sure the marriage never takes place. To succeed, he devises a clever scheme involving real buried treasure—a solid-gold statue of a pirate as big as a chocolate Easter bunny.

About “The Final Case,” Doctor Scofield, Captain Underhill’s personal physician, comments, “A most interesting case study. It is both sad and ironic that the mental affliction Captain Underhill used to pretend to suffer from: that of being senile, was ultimately the very thing that laid him low. And yet, in the annals of crime solving, if this final case does nothing else, it proves the kind of natural-born sleuth my good friend, Waverly, was.”

A comatose witness in the hospital is stalked by a fiendish killer. A compassionate psychiatrist must use the techniques of hypnosis to reach her in time before the killer does. A psychological thriller uniquely suited for radio. Told from the internal perspective of the comatose patient, it guides us through the twilight realm of the subconscious mind, where the real and the surreal coexist.

A literary flashback combining the creations of Charles Dickens (A Christmas Carol) and Erle Stanley Gardner, this courtroom melodrama poses the questions: What if Ebenezer Scrooge was murdered, found strangled in his bed with a bell cord knotted around his neck and a stake of holly driven through his heart? And what if the man charged with the crime was his own employee, Bob Cratchit?

A premonition of murder leading to violent death…voodoo, séances, automatic writing and psychic messages from the dead are all elements in a strange case that turns criminal. A worried Doctor Scofield calls in his friend, Captain Waverly Underhill, to unravel the mystery.

When little Anna Gale Storm is abducted by a stranger in a white van, the police — and the media — spring into action. Bulletins are issued. The police swarm. News and police helicopters hover near the twin bridges. Anna Gale’s mother, Betsy Storm, is hysterical but must be questioned. The police are desperate, frustrated by the fact that the only eyewitness is a frightened, easily confused, five year old named Jody Higgins.

Dr. Alexander Scofield encounters his friend, retired police captain Waverly Underhill, at a Provincetown art opening. Then they both encounter a murder. The celebrity judge is stabbed in the back upstairs. Downstairs, there are seventy or eighty guests, one of whom must have done it.

Captain Underhill takes charge and quickly devises a simple but ingenious test that will force the killer to reveal himself.

The unforgettable villain from “The Caller on Line One” returns. A serial killer records his murders and sends the tapes to the police. A young detective takes charge and enlists the help of a beautiful FBI agent — with a great set of ears — whose specialty is analyzing audio recordings. But will that lead them to the killer before he strikes again?

For years an anonymous Cape Cod mural painter has been adorning the underpass to the Barnstable Village railroad bridge with images of scantily clad nudes in Classical poses. An activity which, although many in the Village enjoy them and approve, is also illegal and a source of irritation—particularly to nearby neighbor, Otis Narwhal, who feels the paintings go too far. With night-vision binoculars he sits on his porch at night, hoping to spy the Phantom Artist at work and report her to the local police.

A meteor explodes in the summertime sky over Cape Cod, and a man is struck dead by a flying fragment. A freak accident, it is supposed, until Captain Underhill and Doctor Scofield, checking into the science and history of meteors, as well as the laws of probability, are led to form a different conclusion. In 1935, James M. Cain wrote the classic insurance fraud mystery, Double Indemnity. Here’s a story that could be titled Triple Indemnity.

Edward Wolcott is an innocent tourist abducted from his motel room, taken by boat, and strapped to a large sea buoy in the Woods Hole Passage. His strange night bobbing alone at sea turns into one of sheer terror, when he realizes the current is slowly dragging the buoy under.

An excellent Halloween story, this Pit and the Pendulum-style thriller places the listener on the buoy with Mr. Wolcott to experience the terror first hand.

An epic river story and suspense thriller. If Mark Twain and Aaron Copland had gotten together to create an American river story for radio, it would probably sound something like this. Richard Thomas gives a memorable performance as river pilot Jeb Hardy, hired to deliver 15 barges and 40 million pounds of coal upriver on the Ohio to a power plant above Cincinnati. What begins as an idyllic rafting trip turns into a pilot’s worst nightmare.

Strange things are happening in the Cape Cod sand dunes. There have been sightings of an unknown creature in the National Seashore, part African lion, part … something else?

Here is the classic Gothic mystery combining a lurking sense of danger in a strongly atmospheric setting, a Hound of the Baskervilles-style case involving the reawakening of an ancient family curse dating back to the whaling days of New Bedford, and a curse foretelling another death about to take place.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Retired police captain Waverly Underhill and his sidekick, Doctor Scofield, unmask the murderer in two spine-tingling mysteries. Heard on public radio, each is a contemporary tale in the classic tradition of The Shadow, with a full cast, original music, and sound effects.

A literary flashback combining the creations of Charles Dickens (A Christmas Carol) and Erle Stanley Gardner, this courtroom melodrama poses the questions: What if Ebenezer Scrooge was murdered, found strangled in his bed with a bell cord knotted around his neck and a stake of holly driven through his heart? And what if the man charged with the crime was his own employee, Bob Cratchit?

For years an anonymous Cape Cod mural painter has been adorning the underpass to the Barnstable Village railroad bridge with images of scantily clad nudes in Classical poses. An activity which, although many in the Village enjoy them and approve, is also illegal and a source of irritation—particularly to nearby neighbor, Otis Narwhal, who feels the paintings go too far. With night-vision binoculars he sits on his porch at night, hoping to spy the Phantom Artist at work and report her to the local police.

Listeners are transported back to St. James Hall, Piccadilly, first to eavesdrop backstage on a heated discussion between George Dolby, Dickens’ road manager, and his physician, Dr. Beard, about whether the Chief should be allowed to go on stage to perform yet again another strenuous reading of his murder scene, which although popular, is now poising a grave risk to the Chief’s own health. For Dickens, these performances have become something of an obsession.

Strange things are happening in the Cape Cod sand dunes. There have been sightings of an unknown creature in the National Seashore, part African lion, part … something else?

Here is the classic Gothic mystery combining a lurking sense of danger in a strongly atmospheric setting, a Hound of the Baskervilles-style case involving the reawakening of an ancient family curse dating back to the whaling days of New Bedford, and a curse foretelling another death about to take place.