Mr. Palomar, whose name purposely evokes that of the famous telescope, is a seeker after knowledge, a visionary in a world sublime and ridiculous. Whether contemplating a cheese, a woman's breasts, or a gorilla's behavior, he brings us a vision of a world familiar by consensus, fragmented by the burden of individual perception.

Marcovaldo is an unskilled worker in a drab industrial city in northern Italy. He is an irrepressible dreamer and an inveterate schemer. Much to the puzzlement of his wife, his children, his boss, and his neighbors, he chases his dreams - but the results are never the expected ones.

In this fantastically macabre tale, the separate halves of a nobleman split in two by a cannonball go on to pursue their own independent adventures. In a battle against the Turks, Viscount Medardo of Terralba is bissected lengthwise by a cannonball. One half of him returns to his feudal estate and takes up a lavishly evil life. Soon the other, virtuous half appears. The two halves become rivals for the love of the same woman, fight a bloody duel, and achieve a miraculous resolution.

In Difficult Loves, Italy's master storyteller weaves tales in which cherished deceptions and illusions of love-including self-love-are swept away in magical instants of recognition. A soldier is reduced to quivering fear by the presence of a full-figured woman in his train compartment; a young clerk leaves a lady's bed at dawn; a young woman is isolated from bathers on a beach by the loss of her bikini bottom. Each of them discovers hidden truths beneath the surface of everyday life.

Written between 1943 and 1984 and masterfully translated by Tim Parks, the fictions in Numbers in the Dark display all of Calvino's dazzling gifts: whimsy and horror, exuberance of style, and a cheerful grasp of the absurdities of the human condition. Here are speculative stories on life in the digital age, genre-bending wonders, and “impossible interviews” with the likes of Montezuma and a Neanderthal.

In five elegant autobiographical meditations Calvino delves into his past, remembering awkward childhood walks with his father, a lifelong obsession with the cinema, and fighting in the Italian Resistance against the Fascists. He also muses on the social contracts, language, and sensations associated with emptying the kitchen rubbish and the shape he would, if asked, consider the world. These reflections on the nature of memory itself are engaging, witty, and lit through with Calvino's alchemical brilliance.

At the time of his death, Italo Calvino was at work on six lectures setting forth the qualities in writing he most valued and which he believed would define literature in the century to come. Here, in Six Memos for the Next Millennium, are the five lectures he completed, forming not only a stirring defense of literature but also an indispensable guide to the writings of Calvino himself. He devotes one "memo" each to the concepts of lightness, quickness, exactitude, visibility, and multiplicity.

Italo Calvino's beloved cosmicomics cross planets and traverse galaxies, speed up time or slow it down to the particles of an instant. Through the eyes of an ageless guide named Qfwfq, Calvino explores natural phenomena and tells the story of the origins of the universe. Poignant, fantastical, and wise, these 34 dazzling stories - collected here in one definitive anthology - relate complex scientific and mathematical concepts to our everyday world.

Vampires, ghosts, and other horrors abound in this collection of 19th-century fantastic literature, selected and edited by Italo Calvino, a 20th-century master of the speculative.

This posthumously published collection offers a unique, puzzle-like portrait of one of the postwar era's most inventive and mercurial writers. In letters and journals, occasional pieces and interviews, Italo Calvino recalls growing up in seaside Italy and fighting in the antifascist resistance during World War II, traces the course of his literary career, and reflects on his many travels, including a journey through the United States in 1959 and 1960.

An extraordinary collection of essays, forewords, articles, and interviews, The Written World and the Unwritten World displays the remarkable intelligence and razor-sharp wit of prolific Italian writer Italo Calvino as he explores the meaning of literature in a rapidly changing world.

Italo Calvino was not only a prolific master of fiction, he was also an uncanny reader of literature, a keen critic of astonishing range. Why Read the Classics? is the most comprehensive collection of Calvino's literary criticism available in English, accounting for the enduring importance to our lives of crucial writers of the Western canon. Here - spanning more than two millennia, from antiquity to postmodernism - are 36 immediately relevant, accessible ruminations on the writers, poets, and scientists who meant most to Calvino at different stages of his life.

Chosen as one of the New York Times's 10 best books in the year of its original publication, this collection immediately won a cherished place among lovers of the tale and vaulted Calvino into the ranks of the great folklorists.

By one of the most profoundly influential thinkers of our century, The Rebel is a classic essay on revolution. For Albert Camus, the urge to revolt is one of the "essential dimensions" of human nature, manifested in man's timeless Promethean struggle against the conditions of his existence, as well as the popular uprisings against established orders throughout history. And yet, with an eye toward the French Revolution and its regicides and deicides, he reveals how inevitably the course of revolution leads to tyranny.

The Corrections is a grandly entertaining novel for the new century--a comic, tragic masterpiece about a family breaking down in an age of easy fixes. After almost 50 years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately, her husband, Alfred, is losing his sanity to Parkinson's disease, and their children have long since flown the family nest to the catastrophes of their own lives. Enid has set her heart on an elusive goal: bringing her family together for one last Christmas at home.

Mr. Palomar, whose name purposely evokes that of the famous telescope, is a seeker after knowledge, a visionary in a world sublime and ridiculous. Whether contemplating a cheese, a woman's breasts, or a gorilla's behavior, he brings us a vision of a world familiar by consensus, fragmented by the burden of individual perception.

In a garden sit the aged Kublai Khan and the young Marco Polo—Mongol emperor and Venetian traveler. Kublai Khan has sensed the end of his empire coming soon. Marco Polo diverts his host with stories of the cities he has seen in his travels around the empire: cities and memory, cities and desire, cities and designs, cities and the dead, cities and the sky, trading cities, hidden cities. As Marco Polo unspools his tales, the emperor detects these fantastic places are more than they appear.

Chosen as one of the New York Times's 10 best books in the year of its original publication, this collection immediately won a cherished place among lovers of the tale and vaulted Calvino into the ranks of the great folklorists.

Vampires, ghosts, and other horrors abound in this collection of 19th-century fantastic literature, selected and edited by Italo Calvino, a 20th-century master of the speculative.

Marcovaldo is an unskilled worker in a drab industrial city in northern Italy. He is an irrepressible dreamer and an inveterate schemer. Much to the puzzlement of his wife, his children, his boss, and his neighbors, he chases his dreams - but the results are never the expected ones.

Italo Calvino imagines a novel capable of endless mutations in this intricately crafted story about writing and readers. If on a Winter's Night a Traveler turns out to be not one novel but 10, each with a different plot, style, ambience, and author, and each interrupted at a moment of suspense. Together they form a labyrinth of literatures, known and unknown, alive and extinct, through which two readers, a male and a female, pursue both the story lines that intrigue them and one another.

In this fantastically macabre tale, the separate halves of a nobleman split in two by a cannonball go on to pursue their own independent adventures. In a battle against the Turks, Viscount Medardo of Terralba is bissected lengthwise by a cannonball. One half of him returns to his feudal estate and takes up a lavishly evil life. Soon the other, virtuous half appears. The two halves become rivals for the love of the same woman, fight a bloody duel, and achieve a miraculous resolution.

Italo Calvino was not only a prolific master of fiction, he was also an uncanny reader of literature, a keen critic of astonishing range. Why Read the Classics? is the most comprehensive collection of Calvino's literary criticism available in English, accounting for the enduring importance to our lives of crucial writers of the Western canon. Here - spanning more than two millennia, from antiquity to postmodernism - are 36 immediately relevant, accessible ruminations on the writers, poets, and scientists who meant most to Calvino at different stages of his life.

An extraordinary collection of essays, forewords, articles, and interviews, The Written World and the Unwritten World displays the remarkable intelligence and razor-sharp wit of prolific Italian writer Italo Calvino as he explores the meaning of literature in a rapidly changing world.

In Difficult Loves, Italy's master storyteller weaves tales in which cherished deceptions and illusions of love-including self-love-are swept away in magical instants of recognition. A soldier is reduced to quivering fear by the presence of a full-figured woman in his train compartment; a young clerk leaves a lady's bed at dawn; a young woman is isolated from bathers on a beach by the loss of her bikini bottom. Each of them discovers hidden truths beneath the surface of everyday life.