As a pair of young scholars research the lives of two Victorian poets, they uncover their letters, journals, and poems and track their movements from London to Yorkshire - from spiritualist seances to the fairy-haunted far west of Brittany. What emerges is an extraordinary counterpoint of passion and ideas.

Inspired by the novels of D.H. Lawrence, particularly The Rainbow and Women in Love, this ambitious quartet from Booker Prize-winning novelist A.S. Byatt charts the lives of the Potter family between 1953 and 1970. Set against the changing social and political landscape of England in the '50s and '60s, it follows the heroine, Frederica, from precocious teenager to TV talk-show host and from her Yorkshire home to the heart of swinging London.

Glowing with narrator Virginia Leishman’s finely tuned phrasing, The Djinn in the Nightingale’s Eye is the perfect introduction to A.S. Byatt, an author who continues to receive international awards and acclaim. Her wondrous fairy tales are iridescent stories full of spells, marvelous creatures, and beautiful princesses.

In two breathtakingly accomplished novellas, A. S. Byatt explores the landscape of Victorian England, where science and spiritualism are both popular manias, and domestic decorum coexists with brutality and perversion.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth—all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the center of Bonds, a successful 1937 novel that all of New York seems to have read. Yet there are other versions of this tale of privilege and deceit.

Penelope Lively takes up her key themes of time and memory, and her lifelong passions for art, literature, and gardening in this philosophical and poetic memoir. From the courtyards of her childhood home in Cairo to a family cottage in Somerset, to her own gardens in Oxford and London, Lively conducts an expert tour, taking us from Eden to Sissinghurst and into her own backyard, traversing the lives of writers like Virginia Woolf and Philip Larkin while imparting her own sly and spare wisdom. Now in her 84th year, Lively writes, "To garden is to elide past, present, and future; it is a defiance of time."

April 5, 2019: In a cozy brownstone in Brooklyn, the veneer of domestic bliss is beginning to crack. Dan and Isabel, husband and wife, are slowly drifting apart—and both, it seems, are a little bit in love with Isabel’s younger brother, Robbie. Robbie, wayward soul of the family, who still lives in the attic loft; Robbie, who, trying to get over his most recent boyfriend, is living vicariously through a glamorous avatar online; Robbie, who now has to move out of the house—and whose departure threatens to break the family apart.

A few years into her marriage and feeling societal pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. Was this all there was? She divorced without knowing what would come next. Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever—desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfillment.

Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years.

Called "a masterpiece" by The Guardian, this courageous and honest trilogy from Tove Ditlevsen, a pioneer in the field of genre-bending confessional writing, explores themes of family, sex, motherhood, abortion, addiction, and being an artist. This program contains all three volumes of her memoirs.

Heralded as an instant classic of fantasy literature, Maguire has written a wonderfully imaginative retelling of The Wizard of Oz told from the Wicked Witch's point of view. More than just a fairy tale for adults, Wicked is a meditation on the nature of good and evil.

Helene Wecker's dazzling debut novel tells the story of two supernatural creatures who appear mysteriously in 1899 New York. Chava is a golem, a creature made of clay, brought to life by a strange man who dabbles in dark Kabbalistic magic. When her master dies at sea on the voyage from Poland, she is unmoored and adrift as the ship arrives in New York Harbor. Ahmad is a jinni, a being of fire, born in the ancient Syrian Desert. Trapped in an old copper flask by a Bedouin wizard centuries ago, he is released accidentally by a tinsmith in a Lower Manhattan shop.

In the spring of 1974, Calliope Stephanides, a student at a girls' school in Grosse Pointe, finds herself drawn to a chain-smoking, strawberry-blonde classmate with a gift for acting. The passion that furtively develops between them - along with Callie's failure to develop physically - leads Callie to suspect that she is not like other girls. In fact, she is not really a girl at all.

Heralded as an instant classic of fantasy literature, Maguire has written a wonderfully imaginative retelling of The Wizard of Oz told from the Wicked Witch's point of view. More than just a fairy tale for adults, Wicked is a meditation on the nature of good and evil.

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.

Winner of the Pulitzer Prize for Literature, Margaret Mitchell's great novel of the South is one of the most popular books ever written. Within six months of its publication in 1936, Gone With the Wind had sold a million copies. To date, it has been translated into 25 languages, and more than 28 million copies have been sold. Here are the characters that have become symbols of passion and desire....

In fear for their lives after the sudden death of their mother, Adéla and Klára must flee Prague to find refuge with their uncle in Australia. Later, Adéla becomes a film director at a time when the local industry is starting to feel the competition from Hollywood. But even while success is imminent, the issues of family and an impossible love are never far away.

Imagine an alternate universe where romance and technology reign. Where tinkerers and dreamers craft and recraft a world of automatons, ornate clockworks, calculating machines, and other marvels that. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, and intrepid orphans - decked out in corsets, clockwerk suits, and tall black boots - solve dastardly crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

Max Tivoli is uniquely cursed. His mind ages normally, but he is born with the withered body of a 70-year-old man, and his body ages in reverse. Despite this torment, Max manages three times to cross paths with Alice, the woman who captures his heart. Because he appears to be a different person each time they meet, Max has three chances for true love.

In this rich and memorable evocation of the fictional South Riding of Yorkshire are the lives, loves and sorrows of the central characters. There is Sarah Burton, fiery young headmistress; Robert Carne of Maythorpe Hall, a councillor tormented by his own disastrous marriage; Jo Astell, a socialist fighting poverty and his own illness; and Mrs Beddows, the first woman Alderman of the district (like Winifred's own mother).

When Cora Seaborne's brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was not a happy one. Wed at 19, this woman of exceptional intelligence and curiosity was ill-suited for the role of society wife. Seeking refuge in fresh air and open space in the wake of the funeral, Cora leaves London for a visit to coastal Essex, accompanied by her inquisitive and obsessive 11-year old son, Francis, and the boy's nanny, Martha.

India, 1870s. In a tiny village where society is ruled by a caste system and women are defined solely by marriage, young Biren Roy dreams of forging a new destiny. When his mother suffers the fate of widowhood - shunned by her loved ones and forced to live in solitary penance - Biren devotes his life to effecting change.

Fairy-tale romances end with a wedding and the fairy tales don't get complicated. In this book, celebrated writer Mr. Fox can't stop himself from killing off the heroines of his novels, and neither can his wife, Daphne. It's not until Mary, his muse, comes to life and transforms him from author into subject that his story begins to unfold differently....

Owls Do Cry is Janet Frame's first novel. She describes her idea behind it in the second volume of her autobiography: 'Pictures of great treasure in the midst of sadness and waste haunted me and I began to think, in fiction, of a childhood, home life, hospital life, using people known to me as a base for main characters, and inventing minor characters.'

Ralph and Anna Eldred are an exemplary couple, devoting themselves to doing good. 30 years ago as missionaries in Africa, the worst that could happen did. Shattered by their encounter with inexplicable evil, they returned to England, never to speak of it again. But when Ralph falls into an affair, Anna finds no forgiveness in her heart, and 30 years of repressed rage and grief explode, destroying not only a marriage but also their love, their faith, and everything they thought they were.

It is the story of a boy growing up in the war-torn Jerusalem of the 40s and 50s in a small apartment crowded with books in 12 languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was 12 and a half years old, his mother committed suicide - a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen to join a kibbutz.

Hot on the heels of Gardner Dozois's acclaimed anthology The Book of Swords comes this companion volume devoted to magic. How could it be otherwise? For every Frodo, there is a Gandalf... and a Saruman. For every Dorothy, a Glinda... and a Wicked Witch of the West. What would Harry Potter be without Albus Dumbledore... and Severus Snape? Figures of wisdom and power, possessing arcane, often forbidden knowledge, wizards and sorcerers are shaped - or misshaped - by the potent magic they seek to wield.

As a pair of young scholars research the lives of two Victorian poets, they uncover their letters, journals, and poems and track their movements from London to Yorkshire - from spiritualist seances to the fairy-haunted far west of Brittany. What emerges is an extraordinary counterpoint of passion and ideas.

In two breathtakingly accomplished novellas, A. S. Byatt explores the landscape of Victorian England, where science and spiritualism are both popular manias, and domestic decorum coexists with brutality and perversion.

Glowing with narrator Virginia Leishman’s finely tuned phrasing, The Djinn in the Nightingale’s Eye is the perfect introduction to A.S. Byatt, an author who continues to receive international awards and acclaim. Her wondrous fairy tales are iridescent stories full of spells, marvelous creatures, and beautiful princesses.

In 1953, at an isolated boys’ school in the Yorkshire moors, is a young teacher, Alexander Wedderburn, whose imagination had been captured by the Queen Elizabeth of Shakespeare and Spenser and who has written an historical verse play about her. Now, suddenly, his play has been taken up by a wealthy patron of the arts who envisions its production on the most magnificent scale, for it is to be the climax of a local festival honoring the new Queen Elizabeth.

Medusa's Ankles celebrates the very best of A. S. Byatt's short fiction, carefully selected from a lifetime of writing. Peopled by artists, poets, and fabulous creatures, the stories blaze with creativity and color. From ancient myth to a British candy factory, from a Chinese restaurant to a Mediterranean swimming pool, from a Turkish bazaar to a fairy-tale palace, Byatt transports her listeners beyond the veneer of the ordinary - even beyond the gloss of the fantastical - to places rich and strange and wholly unforgettable.