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The City in Glass
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Narrated by:
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Susan Dalian
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By:
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Nghi Vo
About this listen
Long-listed, NPR Best Book of the Year, 2024
Long-listed, Publishers Weekly Best Books of the Year, 2024
Long-listed, BookPage Best Books of the Year, 2024
In this new standalone novel, Hugo Award-winning author Nghi Vo introduces a beguiling fantasy city in the tradition of Calvino, Mieville, and Le Guin.
A Publishers Weekly Top 10 Fall 2024 SF&F pick
A demon. An angel. A city.
The demon Vitrine—immortal, powerful, and capricious—loves the dazzling city of Azril. She has mothered, married, and maddened the city and its people for generations, and built it into a place of joy and desire, revelry and riot.
And then the angels come, and the city falls.
Vitrine is left with nothing but memories and a book containing the names of those she has lost—and an angel, now bound by her mad, grief-stricken curse to haunt the city he burned.
She mourns her dead and rages against the angel she longs to destroy. Made to be each other’s devastation, angel and demon are destined for eternal battle. Instead, they find themselves locked in a devouring fascination that will change them both forever.
Together, they unearth the past of the lost city and begin to shape its future. But when war threatens Azril and everything they have built, Vitrine and her angel must decide whether they will let the city fall again.
The City in Glass is both a brilliantly constructed history and an epic love story, of death and resurrection, memory and transformation, redemption and desire strong enough to reduce a world to ashes and remake it anew.
A Macmillan Audio production from Tor.com.
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Critic reviews
A Publishers Weekly Top 10 Fall 2024 SF&F pick
“Echoing with strains of myths like a familiar tune half-heard in a distant room, The City in Glass is a treasure, as fragile as its namesake and relentless as granite, filled with exquisite sorrow, fury, and desire.”—Jacqueline Carey, author of Kushiel's Dart
“Satisfying as a leisurely stroll along the streets of some historic city, The City in Glass opens up like a treasure box to reveal glittering jewels of insight, exploring the nature of love and destruction with a sharp and delicate touch.”—Sacha Lamb, Mythopoeic Award-winning Lambda Literary Fellow
“Evokes the best of Italo Calvino and Ursula K. Le Guin.... This beautifully crafted tale of resilience and transformation may be Vo’s best yet.”—Publishers Weekly, starred review
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Volcanic Lairs, Death Rays & Cats… Oh My! 😼
- By C. White on 09-19-23
By: John Scalzi
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George Orwell’s 1984
- An Audible Original adaptation
- By: George Orwell, Joe White - adaptation
- Narrated by: Andrew Garfield, Cynthia Erivo, Andrew Scott, and others
- Length: 3 hrs and 27 mins
- Original Recording
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
- By wotsallthisthen on 04-07-24
By: George Orwell, and others
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Artemis
- By: Andy Weir
- Narrated by: Rosario Dawson
- Length: 8 hrs and 57 mins
- Unabridged
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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Maria Lunurin has been living a double life for as long as she can remember. To the world, she is Sister Maria, dutiful nun and devoted servant of Aynila's Codicían colonizers. But behind closed doors, she is a stormcaller, chosen daughter of the Aynilan goddess Anitun Tabu. In hiding not only from the Codicíans and their witch hunts, but also from the vengeful eye of her slighted goddess, Lunurin does what she can to protect her fellow Aynilans and the small family she has created in the convent: her lover Catalina, and her younger sister Inez.
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The Sins on Their Bones
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Dimitri Alexeyev used to be the Tzar of Novo-Svitsevo. Now, he is merely a broken man, languishing in exile after losing a devastating civil war instigated by his estranged husband, Alexey Balakin. In hiding with what remains of his court, Dimitri and his spymaster, Vasily Sokolov, engineer a dangerous ruse. Vasily will sneak into Alexey’s court under a false identity to gather information, paving the way for the usurper’s downfall, while Dimitri finds a way to kill him for good. But stopping Alexey is not so easy as plotting to kill an ordinary man.
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The Scholar and the Last Faerie Door
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Camford, 1920. Gilded and glittering, England's secret magical academy is no place for Clover, a commoner with neither connections nor magical blood. She tells herself she has fought her way there only to find a cure for her brother Matthew, one of the few survivors of a faerie attack on the battlefields of WWI which left the doors to faerie country sealed, the study of its magic banned, and its victims cursed.
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Disappointing
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Song of the Huntress
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Britain, 60AD. Hoping to save her lover, her land, and her people from the Romans, Herla makes a desperate pact with the king of the Otherworld. But years pass unheeded in his realm, and she escapes to find everyone she loved long dead. Cursed to wield his blade, she becomes Lord of the Hunt. And for centuries, she rides, leading her immortal warriors and reaping wanderers’ souls. Until the night she meets a woman on a bloody battlefield—a Saxon queen with ice-blue eyes.
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started out good but...
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By: Lucy Holland
What listeners say about The City in Glass
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- Kevin Alan Wenner
- 11-07-24
No investment
The narrative hardly gives any reason for us to care about the characters. Things happen, but the flowery descriptors do nothing to evoke a sense of investment in the characters being whisked around on stage. it's an interesting idea for a story, but I found myself impatient and bored quite often.
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