Lydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her "a magician of self-consciousness," while Rick Moody hails her as "the best prose stylist in America." And for Claire Messud, "Davis's signal gift is to make us feel alive." Best known for her masterful short stories and translations, Davis's gifts extend equally to her nonfiction. In Essays One, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades.

A new collection of short stories from the woman Rick Moody has called "the best prose stylist in America".

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.

Here, gathered in one volume, are the stories that made Clarice a Brazilian legend. Originally a cloth edition of 86 stories, now we have 89 in all, covering her whole amazing career, from her teenage years to her deathbed. In these pages, we meet teenagers becoming aware of their sexual and artistic powers, humdrum housewives whose lives are shattered by unexpected epiphanies, old people who don't know what to do with themselves - and in their stories, Clarice takes us through their lives - and hers - and ours.

Finding seeds of inspiration in the Brothers Grimm, seventeenth-century French lore, and Scottish ballads, Kelly Link spins classic fairy tales into utterly original stories of seekers—characters on the hunt for love, connection, revenge, or their own sense of purpose. Twisting and winding in astonishing ways, expertly blending realism and the speculative, witty, empathetic, and never predictable—these stories remind us once again of why Kelly Link is incomparable in the art of short fiction.

From his 1935 debut with "The Universal History of Iniquity", through his immensely influential collections Ficciones and The Aleph, these enigmatic, elaborate, imaginative inventions display Borges' talent for turning fiction on its head by playing with form and genre and toying with language.

For the last 20 years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality: the black Chinese restaurant.

A modern masterpiece from one of Italy's most acclaimed authors, My Brilliant Friend is a rich, intense, and generous-hearted story about two friends, Elena and Lila, who represent the story of a nation and the nature of friendship.

Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of Santa Teresa - a fictional Juárez - on the U.S.-Mexico border.

The Bell Jar chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful but slowly going under - maybe for the last time. Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

A Manual for Cleaning Women compiles the best work of the legendary short-story writer Lucia Berlin. With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers, and bad Christians.

When We Cease to Understand the World is a book about the complicated links between scientific and mathematical discovery, madness, and destruction. Fritz Haber, Alexander Grothendieck, Werner Heisenberg, Erwin Schrödinger - these are some of the luminaries into whose troubled lives Benjamín Labatut thrusts the listener, showing us how they grappled with the most profound questions of existence.

Lorrie Moore’s first novel since A Gate at the Stairs—a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heart. A teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all...

With great originality and wit, Orwell unfolds his views on subjects ranging from a revaluation of Charles Dickens to the nature of Socialism, from a comic yet profound discussion of naughty seaside postcards to a spirited defense of English cooking. Displaying an almost unrivalled mastery of English plain prose, Orwell’s essays created a unique literary manner from the process of thinking aloud and continue to challenge, move, and entertain.

This exquisite, resonant novel by PEN/Faulkner winner James Salter is a brilliant portrait of a marriage by a contemporary American master. It is the story of Nedra and Viri, whose favored life is centered around dinners, ingenious games with their children, enviable friends, and near-perfect days passed skating on a frozen river or sunning on the beach.

Joy Williams has been celebrated as a master of the short story for four decades, her renown passing from one generation to the next even in the shifting landscape of contemporary writing. And at long last the incredible scope of her singular achievement is put on display: 33 stories drawn from three much-lauded collections and another 13 appearing here for the first time in book form.

When George Hodgman leaves Manhattan for his hometown of Paris, Missouri, he finds himself - an unlikely caretaker and near-lethal cook - in a head-on collision with his aging mother, Betty, a woman of wit and will. Will George lure her into assisted living? When hell freezes over. He can't bring himself to force her from the home both treasure - the place where his father's voice lingers, the scene of shared jokes, skirmishes, and, behind the dusty antiques, a rarely acknowledged conflict...

Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.

In the long, hot summer of 1976, a group of young people is camping in Wyvis Hall. Adam, Rufus, Shiva, Vivien and Zosie hardly ask why they are there or how they are to live; they scavenge, steal and sell the family heirlooms. Ten years later, the bodies of a woman and child are discovered in the Hall’s animal cemetery. Which woman? And whose child?

Two sisters, small-town Ontario, 1934. Canadian author Richard Wright tells their story, from the ordinary to the extraoridinary with an eye for the commonplace and poignant sense of the larger undercurrents that change people's lives.

Ralph and Anna Eldred are an exemplary couple, devoting themselves to doing good. 30 years ago as missionaries in Africa, the worst that could happen did. Shattered by their encounter with inexplicable evil, they returned to England, never to speak of it again. But when Ralph falls into an affair, Anna finds no forgiveness in her heart, and 30 years of repressed rage and grief explode, destroying not only a marriage but also their love, their faith, and everything they thought they were.

The unforgettable voyager of this dark picaresque is I. B. "Berl" Pickett, M.D., whose die was probably cast the moment his mother thought to name him after Irving Berlin. Other insults piled on apace thereafter: the spasms of Pentecostal Sunday worship; the social debilitation of following his parents' itinerant rug-shampooing business; the erotic initiation at the hands of his aunt. It's hard to imagine what would have become of him had he not gone to medical school.

It is the story of a boy growing up in the war-torn Jerusalem of the 40s and 50s in a small apartment crowded with books in 12 languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was 12 and a half years old, his mother committed suicide - a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen to join a kibbutz.

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.

Sensitive, big-hearted, and achingly self-conscious, 40-year-old Aaron Englund long ago escaped the confines of his Midwestern hometown, but he still feels like an outcast. After 20 years under the Pygmalion-like direction of his older partner, Walter, Aaron at last decides it is time to stop letting life happen to him and to take control of his own fate.

Mary Jago had donated her own bone marrow to save the life of someone she didn’t know. And this generous act led directly to the bitter break-up of her affair with Alistair. For him, it was as though her beauty had been plundered. But the man whose life she had saved would change Mary’s life in a way she could never have imagined.

Bart van Es left Holland for England many years ago, but one story from his Dutch childhood never left him. It was a mystery of sorts: A young Jewish girl named Lientje had been taken in during the war by relatives and hidden from the Nazis, handed over by her parents. The girl had been raised by her foster family as one of their own, but then, well after the war, they were no longer in touch. What was the girl's side of the story, Bart wondered? What really happened during the war and after? So began an investigation that would consume Bart van Es's life and change it.

The first step to letting go of the past is forgiving it …Every day of her life Julia Rich lives with the memory of a horrible accident she caused long ago. In the years since, she has tried to hide her guilt in the quiet routine of teaching at a small South Carolina college, avoiding close relationships with family and would-be friends. But one day a phone call from Carmen, a niece she has never met, disrupts her carefully controlled world.

Thomas Savage, a recipient of the Guggenheim Fellowship and a PEN/Faulkner Award nominee, has long been a critically acclaimed author. The New Yorker calls him "a writer of the first order". This starkly elegant story details the lives of Emma Russell Sweringen and her family in the early 1900s. Emma’s daughter Beth secretly gave up a baby girl for adoption many years ago. Now, Beth’s secret life is being unraveled as her daughter comes looking for her long-lost family.

Lydia Davis is a writer whose originality, influence, and wit are beyond compare. Jonathan Franzen has called her "a magician of self-consciousness," while Rick Moody hails her as "the best prose stylist in America." And for Claire Messud, "Davis's signal gift is to make us feel alive." Best known for her masterful short stories and translations, Davis's gifts extend equally to her nonfiction. In Essays One, Davis has, for the first time, gathered a selection of essays, commentaries, and lectures composed over the past five decades.

Borrowing from painting’s fresco technique to make an original literary double-take, it's a fast-moving, genre-bending conversation between forms, times, truths, and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real--and all life’s givens get given a second chance.

In Pulphead, John Jeremiah Sullivan takes us on an exhilarating tour of our popular, unpopular, and at times completely forgotten culture. Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us - with a laidback, erudite Southern charm that's all his own - how we really (no, really) live now.

A Manual for Cleaning Women compiles the best work of the legendary short-story writer Lucia Berlin. With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers, and bad Christians.

A new collection of short stories from the woman Rick Moody has called "the best prose stylist in America".

It is 1998, the year America is plunged into a frenzy of prurience by the impeachment of a president. In a small New England town a distinguished professor, Coleman Silk, is forced to retire when his colleagues allege that he is a racist. The charge is unfounded, the persecution needless, but the truth about Silk would astonish even his most virulent accuser. Coleman Silk has a secret that he has kept for fifty years. This is the conclusion to Roth’s brilliant trilogy of post-war America—a story of seismic shifts in American history and a personal search for renewal and regeneration.

An IndiBound best seller, The Days of Abandonment shocked and captivated its Italian public when first published. It is the gripping story of a woman's descent into devastating emptiness after being abandoned by her husband, with two young children to care for. When she finds herself literally trapped within the four walls of their high-rise apartment, she is forced to confront her ghosts, the potential loss of her own identity, and the possibility that life may never return to normal.

When Hisham Matar was a 19-year-old university student in England, his father was kidnapped. One of the Qaddafi regime's most prominent opponents in exile, he was held in a secret prison in Libya. Hisham would never see him again. But he never gave up hope that his father might still be alive. "Hope," as he writes, "is cunning and persistent." Twenty-two years later, after the fall of Qaddafi, the prison cells were empty, and there was no sign of Jaballa Matar. Hisham returned with his mother and wife to the homeland he never thought he'd go back to again.

In the last year, the narrator of 10:04 has enjoyed unexpected literary success, has been diagnosed with a potentially fatal heart condition, and has been asked by his best friend to help her conceive a child, despite his dating a rising star in the visual arts. In a New York of increasingly frequent super storms and political unrest, he must reckon with his biological mortality, the possibility of a literary afterlife, and the prospect of (unconventional) fatherhood in a city that might soon be under water.

The Witch is dead. And the discovery of her corpse - by a group of children playing near the irrigation canals - propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.

Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn't hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.

Three stories concern the same woman - in the first, she escapes from teaching at a girls' school into a wild love affair; in the second, she returns with her child to the home of her parents, whose marriage she finally begins to examine; and in the last, her vanished child turns up caught in the grip of a religious cult. In these and other stories Alice Munro's understanding of the people about whom she writes makes their lives as real as our own.

Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, is an intimate portrayal of the complexities and joys of (queer) family making.