The Confidential Agent
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Narrated by:
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Patrick Tull
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By:
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Graham Greene
About this listen
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Miranda Brand is visiting Germany for what is supposed to be a month's vacation. But from the moment that Brigadier Brindley relates the story about a fortune in lost diamonds - a story in which Miranda herself figures in an unusual way - the vacation atmosphere becomes transformed into something more ominous. And when murder strikes on the night train to Berlin, Miranda finds herself unwillingly involved in a complex chain of events that will soon throw her own life into peril.
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Why these narrators
- By Rhian on 09-01-13
By: M. M. Kaye
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The Charioteer
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After surviving the Dunkirk retreat, Laurie Odell, a young homosexual, critically examines his unorthodox lifestyle and personal relationships, as he falls in love with a young conscientious objector and becomes involved with a circle of world-weary gay men.
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A Gay Classic!
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Keep the Aspidistra Flying
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Gordon Comstock loathes dull, middle-class respectability and worship of money. He gives up a 'good job' in advertising to work part-time in a bookshop, giving him more time to write. But he slides instead into a self-induced poverty that destroys his creativity and his spirit. Only Rosemary, ever-faithful Rosemary, has the strength to challenge his commitment to his chosen way of life.
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Gordon's Grey World is Colored with Grant
- By Timothy on 09-25-11
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Down Cemetery Road
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When a house explodes in a quiet Oxford suburb and a young girl disappears in the aftermath, Sarah Tucker becomes obsessed with finding her. Accustomed to dull chores in a childless household and hosting her husband’s wearisome business clients for dinner, Sarah suddenly finds herself questioning everything she thought she knew, as her investigation reveals that people long believed dead are still among the living, while the living are fast joining the dead.
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A bit of a slog....
- By rhl60 on 01-26-24
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Lord Peter Wimsey: Novels 1-3
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The first three mysteries for Dorothy L. Sayers' aristocratic sleuth: first, a body is discovered in a Battersea bathroom, wearing nothing but a pair of pince-nez, on the same night that financier Sir Reuben Levy disappears from his Park Lane home. Then, Wimsey returns to England when his brother, the Duke of Denver, is accused of murdering the fiance of their sister, Lady Mary, and a trial in the House of Lords looms; and finally, an overheard conversation in a restaurant begins an investigation of the strangely premature death of wealthy and terminally ill old lady Miss Agatha Dawson.
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Love Lord Peter
- By Mav's mom on 10-16-24
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What listeners say about The Confidential Agent
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- dooyuhpilgrim?
- 10-29-19
A minor nightmare by Graham Greene.
Perhaps one of Greene's lesser works, but the intensity and brilliance of his writing shines through. This book is more of a nightmare than a classic spy story, and also reminiscent of of a great old film noir. The sound quality is flawed, it sounds old, but by no means disqualifying. Patrick Tull is one of the great dramatic narrators. He is thoroughly British and his authentic accent may be a barrier for some listeners, but for many of us this is a feature not a bug, heh. Highly recommended!
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- John
- 11-04-24
So Much More Than an “Entertainment”
That’s the word Greene used to describe this book. Written in six weeks on a Benzedrine jag, because he needed the money, Greene disliked it so thoroughly that he asked that it appear under a pseudonym. Perhaps because they weren’t hopped up on artificial stimulants, the critics rightly identified The Confidential Agent as a ”tour de force”.
And it really is. Yes, there are cloaks and daggers here. But most of them are figurative, making this story far more emotionally complex and harder-hitting than any thriller, more deeply thoughtful than a mere cloak-and-dagger spy adventure. Greene blends the headlines of 1939 with the medieval epic The Song of Roland to create a powerful, seamless whole. And Patrick Tull is, as always, magnificent at the mic, his reading bringing out all the ambiguities and paradoxes – political as well as personal.
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- minami626
- 10-10-20
Lukewarm.
I love Graham Greene's work, and had read many of them over and over. However, this book just didn't get me excited. First, the background, the when where who was very vague. I like novels in this period because it explained and supported the characters' thoughts and actions, but I didn't feel it here. Also, towards the end, the bit of the love between the two main characters were awkward. Last and important, I didn't care for the narrator, whose reading was so flat that I couldn't bring myself to go over the book again, which I usually did before I decided whether or not I like the story.
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- Jeff Lacy
- 07-14-21
Patrick Tull’s gritty voice appropriate
The Confidential Agent is a nicely crafted story, a domino tipped over followed by domino after factual domino—cause and effect. Greene also has crafted some interesting characters, allowing us to see, hear them speak, smell, touch them, by distinguishing their faces, clothing, accents, prejudices, political affiliations, feelings, fears and anxieties, sexual orientation, ethics and religion. He also is brilliant at describing the surroundings in which characters find themselves willingly or not, detailed as needed, to build the layers of the story when such descriptions are necessary. Greene gives us an intelligent, convincing, and entertaining novel worthy of reading, and Patrick Tull’s gritty voice is well gauged for Audible listening by itself or in conjunction with reading the novel.
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- Allenby
- 03-08-22
Problems with the performance
I won't comment on the story. Other have fulfilled that function admirably here. I'll just state that the performance is irritating. The narrator's accent, his speech patterns, and his manner of dramatizing the text combine to make many words garbled and indecipherable, at least to an American listener. He tends to swallow the ends of sentences before they're completely out of his mouth. All this makes it difficult to understand what's going on in a lot of places.
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- R. C. Curtis
- 07-22-22
perfect pairing - Graham Greene and Patrick Tull
I am a huge fan of Graham Greene and, equally, of Patrick Tull. Mr Tull perfectly brought two of my favorite characters to life: Captain Aubrey and Steven Maturin (by Patrick O'Brian). So it was with some excitement that I saw he was the reader of one of my favorite Greene novels and he didn't disappoint. Well done.
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- Eustace B. Nifken
- 06-06-23
Great Story Terrible Narrator
As an American reader I enjoy Mr Greene’s books very much, but I must say Mr Tull should restrict his readings to UK reader/listener’s only. He is literally almost speaking a foreign language or at least one unintelligible to this listener, certainly not the English variety!
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- Amazon Customer
- 05-12-11
An unexpected treasure
I had read the reviews, and was unfamiliar with the author when I decided to purchase the book. I am truly glad I did! Patrick Tull is untouchable as a narrator and his ability to impress a unique personality and breath life into an entire cast of characters is in full effect here. A touching story told by a main character who must continue after his own personal tragedies during a time of war that manages to be at once felt and experienced through these words. You will enjoy this story as it unfolds in a series of experiences, and feel all the richer by the last page. Well done!
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2 people found this helpful
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Overall
- connie
- 10-18-08
approach it as a fable
This is not meant to be a Tom Clancy thriller. Even when trying to write what Greene called "entertainments" (versus his more literary works) to make a living, Greene is still quite deep, making moral statements with brilliant dialogue. This is also far from being one of Greene's best novels, though.
He wrote "Confidential Agent" (circa 1938-39) to put food on the table while he was working on "The Power and the Glory," but, being Graham Greene, it's not just a spy story even if that's what he was aiming for- it's kind of archetypal. The characters are not supposed to be well developed, I think, but sketches of types found in situations of injustice and rebellion and global economic disparty. You can read into it that the espionage revolves around the Spanish Civil War, but it is meant to be a generic situation. Imagine the audience for that in pre WWII England.
My problem with the audiobook is the narration --afer a few chapters I got used to it, but found it irritating at first. I am unfamiliar with the narator; he is either British and (rightly) affecting a nondescript European accent for the main character (whose nationality is not given in the novel on purpose)-- or someone using a British accent and trying to do so. In reviews of other books, I read that some U.S. listeners find some Brit accents hard to follow; if that is your circumstance, avoid this download because the narrator swallows a lot of vowels in this work, whatever his nationality.
I wish there were more of Greene's novels on this site. Audible, please give us more Greene (and his best novels) so more Americans (and Canadians like me) can rediscover the man who has been termed the "best Catholic novelist of the 20th century" (though I suspect the currrent pope wouldn't agree).
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23 people found this helpful
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- Ricardo from Baltimore
- 02-19-23
Unlistenable
Really, I had a hard time concentrating on the story given this very problematic reader. I'm not sure if he was trying to convey emotion or depth or having a cold, but the sniffling and bizarre sentence modulations led me to just put this aside after a couple hours and relegate it to my "started, will never finish, unlistenable reader" pile (as very small pile). Yes, I tried it at different speeds (this can sometimes make all the difference).
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