Told from three intimate points of view, The Bright Years is a tender, true-to-life novel that explores the impact of each generation in a family torn apart by tragedy but, over time, restored by the power of grace and love.

At sixty-three years old, million-dollar lottery winner PJ Halliday would be the luckiest man in Pondville, Massachusetts, if it weren’t for the tragedies of his life: the sudden death of his eldest daughter and the way his marriage fell apart after that. Since then, PJ spends both his money and his time at the bar, and he probably doesn’t have much time left—he’s had three heart attacks already. But when PJ reads the obituary of his old romantic rival, he realizes his high school sweetheart, Michelle Cobb, is finally single again.

The four Endicott siblings—Gemma, Connor, Roddy, and Jude—were once inseparable, a bond created by the absence of their dazzling, mercurial mother, who would return for a few weeks each summer to whisk them off on sprawling road trips around the country. Decades later, the unthinkable has happened: the Endicotts haven’t spoken in years . . . until an out-of-the-blue text arrives from Jude, now a famous actress, summoning them to a small town in North Dakota.

Leah O'Connor is torn between the life she's currently living and the allure of a phantom life that can no longer be hers. Swept off her feet by the gentle charm of Lucas O'Connor, Leah's unexpected pregnancy changes the course of her carefree and nomadic existence. Over a decade and three children later, Leah is unraveling. She resents the world in which her artistic aspirations have been sidelined by the overwhelming demands of motherhood, and the ever-present rift between herself and her mother-in-law, Christine, is best dulled by increasingly fuller glasses of wine.

From the author of the global breakout bestseller The Last Love Note comes the story of a young woman struggling to piece her life back together in the wake of a tragic accident, and the man who gives up everything to help her. When Evie Hudson wakes in an unfamiliar hospital room, she thinks she’s fresh out of a teenage party with her best friend, Bree. Except, Bree isn’t around anymore and high school was years ago. Evie had just survived the crash that killed her husband, Oliver—whom she can't remember either.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an artist herself, knows otherwise and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant town, a group of teenagers find refuge from their difficult home lives by spending their days laughing and telling stories out on a pier.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

In the wake of a catastrophic storm, Cora sets off with her nine-year-old daughter, Maia, to register her son's birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the infant after him. But when the registrar asks what she'd like to call the child, Cora hesitates...

Dominic Salt and his three children are caretakers of Shearwater, a tiny island not far from Antarctica. Home to the world’s largest seed bank, Shearwater was once full of researchers, but with sea levels rising, the Salts are now its final inhabitants. Until, during the worst storm the island has ever seen, a woman mysteriously washes ashore.

Beth and her gentle, kind husband Frank are happily married, but their relationship relies on the past staying buried. But when Beth’s brother-in-law shoots a dog going after their sheep, Beth doesn’t realize that the gunshot will alter the course of their lives. For the dog belonged to none other than Gabriel Wolfe, the man Beth loved as a teenager—the man who broke her heart years ago. Gabriel has returned to the village with his young son Leo, a boy who reminds Beth very much of her own son, who died in a tragic accident.

In The Easter Parade, first published in 1976, we meet sisters Sarah and Emily Grimes when they are still the children of divorced parents. We observe the sisters over four decades, watching them grow into two very different women. Sarah is stable and stalwart, settling into an unhappy marriage. Emily is precocious and independent, struggling with one unsatisfactory love affair after another.

Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century.

After an emergency leaves her short on rent, thirty-year-old Freya Arnalds bails on her lackluster life as bartender in Maine and returns to her suburban hometown of Somers, New York, to live in the house she inherited from her estranged parents. Despite attempts to lay low, Freya encounters childhood friends, familial enemies, and old flames—as well as her fifteen-year-old niece, Aubrey, who is secretly living in the derelict home. As they reconnect, Freya and Aubrey lean on each other, working to restore the house and come to terms with the devastating events that pulled them apart.

When Charlotte Sitterly’s husband is arrested for a white-collar crime, she and her daughter Iris are locked out of their house by the FBI and—what’s potentially even worse—thrust into the spotlight of @JuniperShoresSocialite, the town’s snarky anonymous Instagram account. Cut off from her bank accounts and feeling desperate, Charlotte takes up an acquaintance’s offer to stay at a beachfront former bed-and-breakfast that’s home to a community of single mothers and draws plenty of gossip in the small coastal North Carolina town.

In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping. At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground.

At sixty-three years old, million-dollar lottery winner PJ Halliday would be the luckiest man in Pondville, Massachusetts, if it weren’t for the tragedies of his life: the sudden death of his eldest daughter and the way his marriage fell apart after that. Since then, PJ spends both his money and his time at the bar, and he probably doesn’t have much time left—he’s had three heart attacks already. But when PJ reads the obituary of his old romantic rival, he realizes his high school sweetheart, Michelle Cobb, is finally single again.

The third of four children born to a middle-class Calcutta family, quiet Durga is surprisingly the first to leave the nest of her loving, overbearing family. She is not as charming as her older sister, Tia, as lighthearted as her brother, Arjun, or as clever as her younger sister, Parul. But when she arrives in Ireland to work at a tech company, she finds that for the first time ever she is free—to have fun, to stay out, to sample everything that life has to offer. Suddenly, Durga can be whoever she wants to be. And she wants it all. But freedom comes at a price.

Equal parts funny and tender, What Will People Think? is a heart-bursting exploration of what it means to discover and embrace the hidden parts of yourself, and how love in all forms can make you whole.

Stretching from the late-nineteenth century to the present day, The Lost Masterpiece is wrapped around an enigmatic and powerful painting, Party on the Seine. Stolen by the Nazis. Believed to be destroyed for almost a century. Possibly haunted by the anguished spirit of Impressionist painter Berthe Morisot. Survivor of a flood, an earthquake and a fire when all the other artworks around it were destroyed. What secrets does it hold? What power?

In the wake of a catastrophic storm, Cora sets off with her nine-year-old daughter, Maia, to register her son's birth. Her husband, Gordon, a local doctor, respected in the community but a terrifying and controlling presence at home, intends for her to name the infant after him. But when the registrar asks what she'd like to call the child, Cora hesitates...

The venerated Reverend Doctor John Freeman did not raise his son, Davis, to be touched by any man, let alone a white man. He did not raise his son to whisper that man’s name with tenderness. But on the eve of his wedding, all Davis can think about is how beautiful he wants to look when he meets his beloved Everett at the altar. Never mind that his mother, who died decades before, and his father, whose anger drove Davis to flee their home in Chagrin Falls, Ohio, for a freer life in New York City, won’t be there to walk him down the aisle.

His family farm and the surrounding community now emptied by war, young Hani embarks on an epic quest–assisted by a brooding yet brilliant donkey–to find his lost sister in the ruins of Troy. Some war stories transcend time and circumstance, and so it is with the resourceful and heartbroken Hani, who must employ every bit of intelligence, every scrap of ingenuity, and ultimately every ounce of his spirit and humor to withstand the forces of civilization’s collapse.

When Diane Schwebe, the director of a major New York museum, is awakened in the early morning by a text message from the museum’s lawyer, it is the start of a twenty-four hour roller-coaster ride. Diane has sacrificed many things in her life to help the fading institution stave off irrelevance and financial ruin. In this battle, she’s surrounded by her stalwart supporters and a motley assortment of museum employees, each on the precipice of collapse or revelation.

Pauline, a young chambermaid who works at the legendary Mapes Hotel in Reno, Nevada, is asked to step in for a colleague and clean Suite 614. Although she was told the rooms were empty, a dazed, sleepy woman appears before her. This is Mrs. Miller, aka Marilyn Monroe, whose stay in Reno coincides with the breakdown of her marriage to Arthur Miller and the filming of what was to be her last film, The Misfits.

Núria, a single-by-choice barista with a little resentment for the “crazy cat lady” label, is a member of The Meow-Yorkers, a group in Brooklyn who takes care of the neighborhood’s stray cats. On her volunteering days, she starts finding Post-it notes left by a secret admirer in an area where she feeds her favorite stray—a black cat named Cat. Like most felines, he is both curious and observant, so of course he knows who the notes are from. Núria, however, is clueless.

When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States.

After an emergency leaves her short on rent, thirty-year-old Freya Arnalds bails on her lackluster life as bartender in Maine and returns to her suburban hometown of Somers, New York, to live in the house she inherited from her estranged parents. Despite attempts to lay low, Freya encounters childhood friends, familial enemies, and old flames—as well as her fifteen-year-old niece, Aubrey, who is secretly living in the derelict home. As they reconnect, Freya and Aubrey lean on each other, working to restore the house and come to terms with the devastating events that pulled them apart.

Ever since her dad left them twenty years ago, it’s just been Madeline Hill and her mom on their farm in Coalfield, Tennessee. While she sometimes admits it’s a bit lonely and a less exciting life than she imagined for herself, it’s mostly OK. Mostly. Then one day Reuben Hill pulls up in a PT Cruiser and informs Madeline that he believes she’s his half sister.

Set in a remote village in the north of England, Open, Heaven unfolds over the course of one year in which two teenage boys meet and transform each other’s lives. James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community he has grown up in. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries.

Duc Tran, the eccentric founder of the Vietnamese sandwich chain Duc’s Sandwiches, has decided to retire. No one has heard from his wife, Evelyn, in two decades. She abandoned the family without a trace, and clearly doesn’t want anything to do with Duc, the business, or their kids. But the money has to go to someone. With the help of the shady family lawyer, Duc informs his five estranged adult children that to receive their inheritance, his four daughters must revitalize run-down shops in old-school Little Saigon locations across America: Houston, San Jose, New Orleans, and Philadelphia.