Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Paranormal enthusiast Jack will stop at nothing until he understands the afterlife while his partner, Daniel, hates ghostly antics. But after Jack is called into a paranormal investigation—then abandoned after the homeowner goes missing, leaving behind nothing but her bloody clothes—Daniel must come to his rescue. Soon they discover that the house has a darkness and deadly secrets that threaten to make them the next victims.

There’s a literary niche for all tastes including those who think that either Agatha Christie wasn’t funny enough or that PG Wodehouse didn’t feature anywhere near as many baffling murders as he could have. The Case of the Canterfell Codicil is a classic, cozy, locked-room mystery written in the style of an homage to PG Wodehouse.

Cassandra Ayers investigates and debunks supernatural occurrences in London, 1900s. In this book, she embarks on a case of grave desecration at Highgate Cemetery allegedly haunted by a terrifying ghost; however, the most mysterious and frightening case she is challenged to solve lies in her own past and is related to her mother's death. Maybe now, after Cassandra sees her mother’s ghostly hand in her photo, she will be able to find the answers.

On May 16, 1922, a young man's body was found on a desolate road in Westchester County. The victim was penniless ex-sailor Clarence Peters. Walter Ward, the handsome scion of the family that owned the largest chain of bread factories in the country, confessed to the crime as an act of self-defense against a violent gang of "shadow men," blackmailers who extorted their victims' moral weaknesses. From the start, one question defined the investigation: What scandalous secret could lead Ward to murder?

In the quaint village of Birdswing, the winter of 1939 is bitterly cold. Still haunted by his ex-wife’s murder and eager to contact the Fenton House ghost, Ben enlists Lady Juliet in an amateur séance. But the surprise return of Juliet’s rogue husband, Ethan, upends her life, setting tongues wagging. While she fights to make him sign divorce papers, a bloodless, naked corpse confronts Ben. The murdered man, handsome but uneducated and known to make passes at all things female, is discovered in an oh-so-proper estate.

Set in Barcelona, The Aftersummer follows Benjamin Lazarus, an unwitting attempted suicide haunted by the dybbuk of his deceased grandfather, who stumbles into the crosshairs of an international conspiracy when he is enlisted to piece together the story of Amela K, the abducted widow of a reclusive author.

Phoebe Atkinson is what society might call unconventional. Instead of marrying well like other women born to wealth, she chose to be a schoolteacher. Not to mention she lives in a leaky flat in an unfashionable part of town rather than stay in her parents’ mansion. But when her most promising pupil goes missing she has only one option: beg her sister’s best friend, the powerful Duke of Ellis, for help.

Summer, 1958. Vivienne Rhodes thinks she’s finally landed her break playing Helen of Troy in Apex Pictures’ big-budget epic, A Thousand Ships, an anticipated blockbuster meant to resurrect the failing studio. Naturally, she’s devastated when she arrives on the remote Italian island of Tavalli and finds herself cast as the secondary character, Cassandra—while her nemesis, the fiancé-stealing Lottie Lawrence, America’s supposed “sweetheart,” is playing the lead role instead.

It begins with cicadas. It will end with the swarm. When a bizarre murder case lands on the desk of Detective Vicky Paterson, it's just the start of her nightmare. On the same day, her young daughter, Sadie, is swarmed by cicadas emerging off-cycle from their seventeen-year pattern. Sadie barely survives, and her condition is critical. Across town, Will and Alicia, two dysfunctional private investigators, are on the trail of a missing girl and the shadowy cult involved in her disappearance.

When Elisabeth Quemener dies she leaves a small parcel with the instructions that it must only be opened by Astrid Oake. The trouble is, no one knows who Astrid Oake is… Elisabeth’s family turn to Touissants detective agency for help but, when Mila Shepherd and Carter Jackson try to track Astrid down, their frustration soon mounts. Their only clue is a photo of two young women holding the hands of a tiny child. The women are smiling but Mila is haunted by the sadness in their eyes. Is this Astrid and Elisabeth and if so, who is the child?