When Sasha receives a call from her old university friend Gabby inviting her to spend Christmas at Gabby’s remote Scottish lake house, Sasha knows she shouldn’t go. Twelve years ago, on Christmas Eve, when Sasha and her five closest friends were celebrating the festive season, something truly horrific happened that would change the course of their friendship forever. Something that meant Sasha hasn’t spoken to any of them since that night.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

It’s been two years since Anna Cartwright’s life fell apart. During her first school trip as a young teacher, a student went missing and was never found. Not only was her career ruined, she was also accused of having an affair with fellow teacher and prime suspect Graham. Facing questions from journalists, police and family, Anna said she didn’t know what happened. She was lying. Now, Anna has returned to Australia. Her only hope is Land’s End Area School, an isolated concrete wasteland perched on the cliffs.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

My fiancé brought me tea and scrambled eggs in bed that morning, and we snuggled together, talking about buying our rings, and about our perfect wedding next year. Then we headed into town. He held my hand and gazed at the ring I liked best, a smile spreading slowly over his face. Then a glass of bubbly to celebrate. I felt flushed, excited and ready for the rest of my life with the man I loved. We race to get on the train home. It screams to a halt and I run towards its open doors. Made it. I think he’s right behind me — but when I turn around, he’s gone.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Everyone thinks my husband is dead. Just like we planned. Eleven years ago, my husband disappeared. Eleven long hard years I waited, my heart breaking for our son, who didn’t know his father was coming back. Today, my hands shake as I try to understand what I’ve just learned: my husband has a new wife. This wasn’t part of our plan. Eleven years ago, my husband made a terrible mistake. I sacrificed everything to help him fix it. But now he’s put our son and me in danger again. We had a plan. He broke the rules. But who will pay the price?

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

Paranormal enthusiast Jack will stop at nothing until he understands the afterlife while his partner, Daniel, hates ghostly antics. But after Jack is called into a paranormal investigation—then abandoned after the homeowner goes missing, leaving behind nothing but her bloody clothes—Daniel must come to his rescue. Soon they discover that the house has a darkness and deadly secrets that threaten to make them the next victims.

There’s a literary niche for all tastes including those who think that either Agatha Christie wasn’t funny enough or that PG Wodehouse didn’t feature anywhere near as many baffling murders as he could have. The Case of the Canterfell Codicil is a classic, cozy, locked-room mystery written in the style of an homage to PG Wodehouse.

On May 16, 1922, a young man's body was found on a desolate road in Westchester County. The victim was penniless ex-sailor Clarence Peters. Walter Ward, the handsome scion of the family that owned the largest chain of bread factories in the country, confessed to the crime as an act of self-defense against a violent gang of "shadow men," blackmailers who extorted their victims' moral weaknesses. From the start, one question defined the investigation: What scandalous secret could lead Ward to murder?

London, 1861. Samantha Kingston has lived under the control of her overbearing uncle since the death of her parents six years ago. Trapped by the conventions of her gender and social class, she is desperate to find a way out. But when her aunt and uncle are murdered, the freedom she sought seems even further out of reach. A suspect in the crime, she finds herself on the run, unsure whom to trust, lost in the underworld she had only ever read about in the pages of a Dickens novel.

Blythe has accepted her fate and is tired of running. Who would miss her anyway? She attends her new and eccentric town’s month long Halloween masquerade for one last party before meeting her end. But what will she find...and what will find her?

In the quaint village of Birdswing, the winter of 1939 is bitterly cold. Still haunted by his ex-wife’s murder and eager to contact the Fenton House ghost, Ben enlists Lady Juliet in an amateur séance. But the surprise return of Juliet’s rogue husband, Ethan, upends her life, setting tongues wagging. While she fights to make him sign divorce papers, a bloodless, naked corpse confronts Ben. The murdered man, handsome but uneducated and known to make passes at all things female, is discovered in an oh-so-proper estate.

When Elisabeth Quemener dies she leaves a small parcel with the instructions that it must only be opened by Astrid Oake. The trouble is, no one knows who Astrid Oake is… Elisabeth’s family turn to Touissants detective agency for help but, when Mila Shepherd and Carter Jackson try to track Astrid down, their frustration soon mounts. Their only clue is a photo of two young women holding the hands of a tiny child. The women are smiling but Mila is haunted by the sadness in their eyes. Is this Astrid and Elisabeth and if so, who is the child?

Phoebe Atkinson is what society might call unconventional. Instead of marrying well like other women born to wealth, she chose to be a schoolteacher. Not to mention she lives in a leaky flat in an unfashionable part of town rather than stay in her parents’ mansion. But when her most promising pupil goes missing she has only one option: beg her sister’s best friend, the powerful Duke of Ellis, for help.

Summer, 1958. Vivienne Rhodes thinks she’s finally landed her break playing Helen of Troy in Apex Pictures’ big-budget epic, A Thousand Ships, an anticipated blockbuster meant to resurrect the failing studio. Naturally, she’s devastated when she arrives on the remote Italian island of Tavalli and finds herself cast as the secondary character, Cassandra—while her nemesis, the fiancé-stealing Lottie Lawrence, America’s supposed “sweetheart,” is playing the lead role instead.

It begins with cicadas. It will end with the swarm. When a bizarre murder case lands on the desk of Detective Vicky Paterson, it's just the start of her nightmare. On the same day, her young daughter, Sadie, is swarmed by cicadas emerging off-cycle from their seventeen-year pattern. Sadie barely survives, and her condition is critical. Across town, Will and Alicia, two dysfunctional private investigators, are on the trail of a missing girl and the shadowy cult involved in her disappearance.