The “Wild West” gunfighter is such a stock figure in our popular culture that some dismiss it all as a corny myth, more a product of dime novels and B movies than a genuinely important American history. In fact, as Bryan Burrough shows us in his dazzling and fast-paced new book, there’s much more below the surface. For three decades at the end of the 1800s, a big swath of the American West was a crucible of change, with the highest murder rate per capita in American history. The reasons behind this boil down to one word: Texas.

The man who won the Pulitzer Prize for GLENGARRY GLEN ROSS, who wrote the classic films THE VERDICT and WAG THE DOG sounds his alarm about the Visigoths at our gates. In RECESSIONAL he calls out, skewers, mocks, and, most importantly, dissects the virus of conformity which is now an existential threat to the West. A broad-ranging journey through history, the Bible, and literature, RECESSIONAL examines how politics and cultural attitudes about rebellion have shifted in the United States in the last generation.

Majestic in its sweep, rich in ideas and argument, and packed with news and revelations, Buckley vividly captures its subject in all his facets and phases—founding editor of National Review, the 20th century’s most influential political journal; syndicated columnist and TV debater; ally of Joseph McCarthy and Barry Goldwater; mentor to Ronald Reagan; wisecracking candidate for mayor of New York; and bestselling novelist and memoirist.

David Mamet went to Hollywood on top—a super successful playwright summoned west in 1980 to write a vehicle for Jack Nicholson. He arrived just in time to meet the luminaries of old Hollywood and revel in the friendship of giants like Paul Newman, Mike Nichols, Bob Evans, and Sue Mengers. Over the next forty years, Mamet wrote dozens of scripts, was fired off dozens of movies, and directed eleven himself. In Everywhere an Oink Oink, he revels of the taut and gag-filled professionalism of the film set.

For the past 30 years, David Mamet has been a controversial and defining force in theater and film, championing the most cherished liberal values along the way. In some of the great movies and plays of our time, his characters have explored the ethics of the business world, embodied the struggles of the oppressed, and faced the flaws of the capitalist system. But in recent years Mamet has had a change of heart.

A group of low-ranking real-estate salesmen are trying to survive in a cut-throat office culture. But when two of them devise a plot to redress the company's wrongs, the resulting turmoil increases the pressure to unbearable levels. An L.A. Theatre Works full-cast performance.

Three one-act plays from David Mamet, one of the master stage writers of our time.

Chicky Diaz is everyone’s favorite doorman at the Bohemia, the most famous apartment house in the world, home of celebrities, financiers, and New York’s cultural elite. Up in the penthouse, Emily Longworth has the perfect-looking everything, all except her husband, whom she’d quietly loathed even before the recent revelations about where all the money comes from. But his wealth is immense, their prenup is iron-clad, and Emily can’t bring herself to leave him. Yet.

How Countries Go Broke also shows how these debt problems are related to the other forces—political within countries, geopolitical between countries, natural (droughts, floods, and pandemics), and technological (most importantly, AI)—that together are causing what Dalio calls the “Overall Big Cycle” changes in the world order. By listening this audiobook, you will improve your understanding of what’s happening now and what to do about it.

For the first time, Stephen King has fully authorized a return to the harrowing world of The Stand through this original short story anthology as presented by award-winning authors and editors Christopher Golden and Brian Keene. Bringing together some of today’s greatest and most visionary writers, The End of the World As We Know It features unforgettable, all-new stories set during and after (and some perhaps long after) the events of The Stand.