
The Dying Animal
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Narrated by:
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Tom Stechschulte
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By:
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Philip Roth
With The Dying Animal, he revisits the character David Kepesh. At age 60, Kapesh is drawn out of his carefully ordered existence and into an obsessive affair with one of his students.
©2001 Philip Roth (P)2008 Recorded BooksListeners also enjoyed...




















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The Book was Very Strong
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interesting, enjoyable, a bit odd, but fun
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Roth offers some powerful moments while dissecting his protagonist's life. He keeps it short and juicy. Truly recommendable.
very good
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Sad manipulative teacher sexes all
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OK - but Odd
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Interesting, and different
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Breathtaking...
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The main character of the book is the aging man named Kepesh, an intellectual celebrity, amateur pianist and university scholar.
Divorced when was still quite young he kept his solitude as a virtue, a freedom and ... the ground for endless sexual adventures with his young female students. His life was well arranged, promiscuous and easy-going until, at age 62, he meets Consuela, a beautiful offspring of Cuban emigrants. Initially his desire for her is almost only bodily, almost fleshly and full of fetish obsession about her breast. But as Consuela demonstrates her freedom - he almost falls in love with her. This love reveals itself in a strange way - in his morbid jealousy for her, her friends, boyfriends and even brothers. I say "almost" because he maintains the sexual relations with his previous lover. Reading the book it is very hard to judge if Kepesh was only an animal with sexual desire to Consuela, or if he truly loved her, but was intimidated by his senescence, generation gap etc...
There is also an interesting part about father-son relations. Kepesh - the bad father, who forsook his son when he broke his marriage, has, nevertheless, an important role in boy's life.
The book ends in completely unanticipated and tragic way - shocking the readers at first. However, in the tragedy and uncertainty of the book climax lies its most important virtue - the reflection on, sometimes insecure and full of abeyance, yet true love and caring, the love that has a power to fight the death. That is my rendering of Kepesh final indecisiveness - contrary to many reviews I have read...
Of Love and Death – The Dying Animal
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― Philip Roth, The Dying Animal
The Dying Animal is the last instalment of Roth's David Kepesh novels. Isn't top-shelf Roth (American Trilogy), but isn't bad either. Of the Kepesh novels, I think it ranks above The Breast (think 36D Kafka) and below The Professor Of Desire. I think my subconcious understood, even before reading this novel, where Roth was coming from because what I thought was a random reading order for me: 1. Death in Venice and then 2. The Dying Animal, was actually quite useful. It isn't as much a tribute to Death in Venice as the Breast was a tribute to Kafka's Metamorphosis, but there were certainly similarities. Roth is exploring death and obscession of an artist, so in those ways it is a similar novella to Mann's earlier exploration (see my review). However, instead of the aging author/narrator being obsessed with a "perfect" 14-year-old boy, Kepesh* is obsessed with one of his Cuban student's perfect breasts. With a writer like Roth, it is hard to realize where the autobiography starts and where the fictionalizing ends. But it appears that AT LEAST Kepesh is a breast man. Another aspect of Roth is his brutal honesty about desires, impulses, and actions. Things others would hide, Roth flaunts. I think many (including my wife) feel he is a mysoginst. I would agree that Kepesh is. But Roth is a writer of fiction. He is exploring and discesting parts of American Culture that are indeed ugly, narcissistic, rough. But again, with Roth it is always difficult to know.
* I just saw I originally put Roth here. See?!?
Roth's Death in Venice
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What’s the deal with that narration,
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