The New York City Theatre District provides the backdrop in this locked-room mystery, the first of many featuring Inspector Richard Queen and his son, Ellery Queen!

Frightfully rich and awesomely respectable, the McKells had never been touched by scandal. At least, not until the handsome Dane McKell discovered his father's secret affair. Determined to protect his mother, he forced a meeting with the other woman.

But Dane didn't count on falling in love with her himself. Nor did he count on the front page murder that engulfed them all. Sheila, exotic young international leader of haute couture, is found murdered in her Park Avenue penthouse.

It's 1943, the war is raging, and sleuthing scribe Ellery Queen wants to do his bit. After a tortuous cross-country drive, he takes a job writing scripts for a Hollywood propaganda house - twelve hours a day of hack work that quickly turns his mind to jelly. After a few weeks, he is so worn down that he can type nothing but gibberish, and he decides to drive home. The trouble starts as soon as he reaches the desert.

You are invited to a murder. That was how the invitations should have read when aged millionaire Hendrik Brass sent out his messages to six oddly assorted men and women who knew neither him nor each other. All arrived at the isolated Brass mansion, lured by the tantalizing promise of fabulous wealth. But from the moment the shining brass doors of the grotesquely constructed house swung shut behind them, they began to realize they had been enticed into playing parts in a monstrous joke - the joke of a twisted, brilliant mind…

Who killed Cox, the robber? Was it Ruth Tully, who visited Crandall Cox on the night of his death and who might have decided to quench a torrid past with a spray of bullets? What about Sandra Jean, the knock-'em-dead beauty who knew more than she was telling about the sudden demise of blackmailer Cox? Or had some past scandal driven lawyer Ollie Hurst and his wife, Norma, to claim the blackmailer's life? Dave Tully didn't know who the killer was, but if he didn't find out fast, the price of failure could be death....

Madman or murderer? That was the question, and it was Police Inspector Omar Collins who had come up with the answer. All he had to go on was: the victim - Earl Genneman, wealthy president of Genneman Labs; the scene - right in the middle of a busy state park; the murder weapon - a shotgun that was still missing; the witnesses - Myron Retwig, Red Kershaw, Bob Vega, and Buck James, all friends or employees of the deceased; the motive - unknown; the suspects - everyone!

Ellery Queen and Sherlock Holmes are the undisputed masters of analytical deduction - their talents and methods strikingly, almost uncannily, alike. Through the strange interlocking of events past and present, the two celebrated detectives meet to focus their razor-sharp intellects - and their brilliant powers of observation - on the mystery of…Jack the Ripper.

The four of them had only two things in common - their name and a love for the ladies. John Boce was a no-account accountant who lusted after food, drink, cars, and women. John Thompson was a secretive librarian who liked his books and his women well-stacked. John Viviano was a fashion photographer with a great feel for a body - any body! And John Pilgrim was a poetic bum who had the girls hanging on his every stanza. All of them wanted the same woman, but which one wanted her enough to kill?

The Tragedy of Errors is the lengthy and detailed plot outline for the final but never published Ellery Queen novel, containing all the hallmarks of the greatest Queen mysteries - the dying message, the succession of false solutions before the astonishing truth is revealed, and scrupulous fair play to the listener. And the theme is one that Queen had been developing for many years: the manipulation of events in a world going mad by people who aspire to the power of gods.

How could a man have been murdered when he was found alone in his study, a gun in his hand, and the door locked from the inside? It had to be suicide, the police figured. Although there was no suicide note, there was a letter proving conclusively that Roland Nelson, over the last several months, was being blackmailed. But to his daughter, Ann, whom he had seen only spasmodically since he had left her mother when Ann was a baby, there were unanswered questions.

Three critically acclaimed recordings are joined together in this dazzling Agatha Christie Triple Bill, read by award-winning narrators Alison Larkin and James Warwick, star of the Partners in Crime TV series on Masterpiece Theater.

Mrs. Virgil (Emily) Pollifax of New Brunswick, New Jersey, was a widow with grown children. She was tired of attending her Garden Club meetings. She wanted to do something good for her country. This first in the series sends Emily on her first case after she successfully persuades a skeptical CIA recruitment officer that she is the best person for the job.

A dance club full of bodies. Cause of death - a mystery. The lone survivor - a man, raving like a lunatic, wearing only a deerstalker hat. Now, the man who calls himself Sherman Holmes is being studied like a lab rat by a top-secret government agency. How is it he can be barely clinging to reality one minute - yet be a seeming genius the next? Within his brain might just be the greatest scientific breakthrough of the millennium, if anyone can figure out how to access it. Enter the agent code named Watson.

Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.

Ever since disgraced associate Orrie Cather’s suicide, armchair detective Nero Wolfe has relished retirement in his Manhattan brownstone on West 35th Street. Two years after Cather’s death, only a visit from Maria Radovich - and the urging of Wolfe’s prize assistant, Archie Goodwin - could draw the eccentric and reclusive genius back into business. Maria’s uncle, New York Symphony Orchestra conductor Milan Stevens, formerly known as Milos Stefanovic, spent his youth alongside Wolfe as a fellow freedom fighter in the mountains of Montenegro.